As I noted in an earlier post, I signed up for Rachel Hauser’s “Scrap Cabin” quilt-along starting in January. (Her blog is Stitched in Color, and she is a really creative scrappy quilter.) I am in total love with Rachel’s border for this project and would probably make it based on that fact alone. BUT, this project will also chew up leftover cut fabric strips BIG TIME. I’ve been reorganizing my strips and am looking forward to using many of them up.
Some of you have also signed up for this project. Rachel’s first quilt was made from two analogous colors, blue and a pink/magenta.
For this sew-along, she is making blocks with complimentary colors–and here’s an example she gave.
I’ve been pondering what color to use for the “chimney” block at the center of these log cabin blocks, and I settled on this brick red. I like it, and I have enough of it in my stash. Rachel used a mustardy gold solid, which works well, but if I wanted to make a set of blocks using gold/yellow, Rachel’s color wouldn’t work well. This brick red might not work with clear red strips, but I will have to see what those colors do with each other–adding in the idea that alongside a red would be some other color as well–which could “buffer” the brick red. I call that…creative play.
Here are the first colors I’m going to use: blueberry and lime green/pickle. And I’m testing out the block right now to see how that goes. Of course I am! I mean, the design wall isn’t nearly full enough, LOL.
Tara Faughnan’s Block Studies 2 online class will release a new project January 1st. Meanwhile, I hung one of the “Abstractions” pieces I installed over stretched canvas on the wall in my quilt room–next to the Maria Shell inspired project that a local quilter here taught us (Cathy Beemer) in our Charleston Modern Group’s monthly Sit and Sew. “Abstractions” is a bit like this Maria Shell style. I suspect I will hang more pieces made in upcoming months on this wall. I couldn’t part with this “Abstraction” piece.
Then there are those potholders… They are now calling my name, LOL.
I had a quiet Christmas as both my families traveled away, one at a time so they overlapped with being here. But both families had also flu running through them, and so I stayed away, discretion being the better part of valor I think. Besides, I don’t like the commercialism of Christmas, though I love this dark season that is filled with light, hope, rest, and realized joy for all that we do have.
Add in that the painful knee strain reappeared, and was worse this time. I decided to get a good brace, spend time with a heating pad, and to really let it mend this time. I do so miss my walking though. It is much better now, but not totally healed.
I have SO MANY wonderful sewing projects happening, and I just delved into those–alongside spending more time reading (I’m halfway through the Mitford series now (Jan Karon) which is peopled by people I like and with whom I want to spend time–unlike much of what is on tv or described in current books these days. I also have listened to 25 of the 28 Tony and Anne Hillerman books–two of the early books aren’t on Audible or Libby, and Anne H’s most recent comes out this year. I love the quiet and peaceful spiritual way of the Navajo people described in these detective mystery books. (Some have been recently made into a tv series (Dark Winds), which led me down this path.
Here’s what the design wall looks like right now:
Here’s the third quilt in my half-rectangle triangle series, made with the Hurty ruler (Latifah Saafir). “Dancing Hourglass Diamonds” has been so fun to make–one’s eyes go all over the place to see the diamonds that form with this block learned in Tara Faughnan’s Block 2 online class–the diamonds along the diagonal and straight lines, yes, but also medium size and large diamonds that form and shimmer before your eyes let them go again.
I thought this quilt needed a border to control the chaos, and this fabric was in my stash, and it brings out the blues in the quilt. I’m going to back with a wild but gorgeous print bought on sale from Hawthorne Supply Company’s Black Friday sale. I don’t know yet about the binding.
Here is the fourth quilt in this series, “Gradations.” The strips are a mathematical gradation–and all but one measure 48 inches. The wild print set in light orange just got strips to even out that row. These blocks are 12, 10, 8, 6, 4, and 2 wide. At 43 or so wide and 48 long, it is either finished or needs something. I’ll just look at it for a while and think on it. I don’t really see it as a wall hanging. And it doesn’t feel like a baby quilt. Maybe this part needs to be the center of something???
“Crosses” is loaded on the longarm, and I did one pass days ago. But until this quilt is done, I didn’t have any binding handwork for tv at night. I find hand sewing so soothing. “Crosses” isn’t a large quilt, and I should make myself do one pass a day until it is finished. (“Crosses” is made from the 3 1/2 inch squares of Cotton+Steel/Ruby Star Society fabrics I cut up years ago in Maine.)
With no handwork to do, I started making funky log cabin blocks by hand–and one just funky block in the center. I was inspired by Tara Faughnan’s video and discussion of how she hand stitches blocks at night in our online Blocks 2 class. I learned several new methods I did not know. I think I’ll finish this project up with 12 blocks.
Here’s the 11th block all ready to sew. Maybe the 12th will be a dark green? I don’t know yet how I’ll sew these blocks together, but it will be an improv quilt. Probably it will need a solid field fabric to join everything together.
There are, also, other projects happening in the quilt room. I broke down the last of the separated Cotton+Steel/Ruby Star Society strips and put them into the regular bins–1 1/2, 2, 2 1/2, and 3 1/2 strips–separated by neutrals and colors. And as I pawed through these boxes for the funky log cabins, I isolated some shorter strips, starting with these greys, and sewed them together and cut them into 2 or 2 1/2 blocks, in strips. ( I have smaller bins of cut 2 and 2 1/2 blocks and one of just small scraps–and ***note to self, I should/could be sewing together 4 or 9-patch blocks as leader/ender projects from these cut blocks.)
There are 4 or 5 potholders ready to be made–layered with Insul-Brite and batting. I’m going to try to use leftover binding strips cut on the bias to bind them. I have a pile of those.
AND, upcoming projects are looming on the January horizon, along with New Year’s, but this post is long enough for today.
And I have certainly been distracted with this month’s block from Tara Faughnan’s Block 2 online class. Squares and rectangles combined with how colors work together combined to create some really fun play. And I’m getting quite good at covering the stretched canvas with blocks. I now have a collection of sizes–10, 12, 14, and some 14×18 rectangles. Michaels has awesome prices and good quality. I will hang the big one on the left, but the rest will be gifts.
Here’s my “haul” for this month–which has, again, been so fun.
And there’s this one which I hung in the foyer:
And one more picture of the four from another angle. The lower one on the right was made from just sewing together leftover cut fabric pieces, but… I couldn’t resist putting it on canvas as it kept catching my eye on the design wall. Simplicity is so appealing to me.
I’ve almost got the third quilt in my half-rectangle triangle blocks made with the Hurty ruler. This one involves an “hourglass” block version that can be made. I think I’ll call it “Dancing Hourglass Diamonds” as yours eyes make diamonds of several sizes form and dance across this quilt.
Anyway, I’m trying to clean off the design wall to get ready to make Rachel Hauser’s scrappy log cabin quilt in January–and I’m happy some of you are also going along for that ride. That’s the Stitched in Color blog. Rachel is already making blocks for her new version of this quilt she designed. The border on that quilt is just awesome, in my opinion.
And on we go into the New Year and into our quilting passions.
Merry Christmas, Happy Holidays, and the Happiest New Year to all of you!
“Abstractions” is the title of the THIRD month of Tara Faughnan’s Blocks 2 online course. It involves squares and rectangles.
Here’s the palette I pulled–and I did order a few of Tara’s colors to fill in what I was missing in my stash. I added–as suggested–the warmer/softer black Kona “Pepper” and the neutral Kona “Putty” as suggested by Tara. I’ve long been a fan of “Pepper” and had some here, but “Putty” was new to me, and I wouldn’t have chosen it on my own I don’t think. But it is PERFECT, lurking there among the neutrals one could choose.
The dark green, the teals, the aqua pop, combined with the strong blues, the oranges and golds, and the pinks/corals are just singing together. The golds are Kona “Curry” and “Canary.”
Here are my first three blocks:
I’ll put these blocks on stretched canvas and am waiting on the 14-inch square ones to come in the mail for the top two blocks. I couldn’t find this size locally–due to Christmas shopping I think.
I have another block in process–and will likely make a few more before stopping. I’ve sewed the first row of the THIRD quilt in my half-rectangle triangle quilt series, and it came out really well. So, more work there. Meanwhile, “Crosses” is just sitting on the longarm, ready to go. But right now I’m obsessed with “Abstractions” and with the third quilt in my series.
Everything I start gets done eventually, LOL. Except, I will confess, the “Glitter” blocks I tried to do–and for which I even got the templates–but could not, for the life of me, get to behave. I rarely give up on something quilty, but I put the glitter blocks in a plastic bag–with the templates–and put them on the give-away table. Hopefully someone will find them less fiddly and time consuming than I did.
Joy comes in all sorts of ways, doesn’t it? And it can include letting go of something that isn’t working for you.
Rachel Hauser of Stitched in Color is going to run a “stitch along” starting January 1st featuring her scrappy log cabin pattern.
I’m in love with this quilt–which is the first version Rachel did. She is now working on a new one, featuring each of the 4 combined blocks made with two colors that she loves together. So, more scrappy color as these two colors will change as she goes along.
Here’s a picture of one of the big blocks she’s made for the new quilt–featuring lime and beet as her two colors for this one block:
I LOVE the border she has crafted for this quilt. Look at how clever the corners are.
What color should I use for the chimney block??? Rachel’s choice of a warm gold/brown certainly works. I’m wondering about Kona pickle. Or Kona Curry. I’ll have to think about this unit as it is crucial to success. And note she makes this chimney unit in different sizes. Note the different sizes of the strips too. I’ve been playing with this kind of wonky log cabin in my current night hand sewing. It all works just fine. The trick is to square off each of these blocks above so they are uniform.
Can I say: I HAVE SCRAPS all cut into strips. Lots and lots of them!!!
I’m really enjoying Rachel’s blog. She is immensely creative, and I love her quilts.
I’ve been making more rope bowls in these past few days. Once I set up the machine for that work, I tend to not stop with one bowl. These bowls will be gifts, of course.
Thanks to Rick Sanchez whose video on YouTube has helped me so much. I finally tried the little rosettes to end a bowl–also thanks to the help he gave our modern group’s November Sit and Sew meeting.
I use 1/4 inch thick rope, and Rick uses a slightly lighter version. My machine is not happy with sewing a line across the rosettes to hold them in place with my thicker rope–and I don’t want to use a glue gun and glue to install those rosettes. What I learned is that if I put in a bigger needle (16 inch) and go very slowly, that works, though there are complaints. If I use a zig zag stitch, you don’t even notice where the installation sewing line is. Aren’t they cute? I think they are cute.
I am getting much better at this whole rope bowl process, though I have not yet tried a rectangular shape. Hold on to your hats–I’ve got some Rit dye and will try dyeing rope in early 2025–with likely the help of my sweet neighbor. I want to do it all outside as that dye stains everything except stainless steel. Cold water from the hose can set the finished rope–and my neighbor has a plan for how to discard the spent dye water so neither of us ever has the dye in the house. (I can boil water inside to take outside.) There are no laundry sinks here. I’m going to use two colors–one on each end of the rope hank. This plan got hatched after, again, Rick Sanchez did some beautiful rope dying.
The blocks for the THIRD quilt in my half-rectangle series are done and on the design wall. This one uses the “hourglass” half-rectangle triangle block we recently used in Tara Faughnan’s online Block 2 class. I’m sure I’ll move around these blocks for some time while I work on other projects. Seeing this picture helps a lot. But how fun is this one??? It makes diagonal lines of smaller triangles and there are secondary patterns all over the place–some just hints that your eyes try to make happen. (I have its backing and binding ready to go when needed.)
On the other side of the design wall, the FOURTH quilt in this series is trying to happen. This one will probably end the series. The next diamond (graded down in size) will be this light blue–with perhaps a busier low-volume fabric. I’m not crazy about how plain the light blue fabric is, but I’m on a mission to use up stash with this project, so…
That orange fabric below the line of scrappy log cabins will likely be the next color–but who knows. I don’t.
I have to stop and get the crosses quilt on the longarm because I have no hand sewing for nightime sewing in front of the tv. So I’ve just been pulling from the random small fabrics in my little bin of scraps and making the long cabins and other blocks at night–hand-stitching and hand-cutting the pieces together. I have NO IDEA where this is going…but my hands are happily busy at night. I do square these blocks up when I think they are “done.”
Our little kiosk is up and is slowly gathering books. (That big roof is on the mail kiosk–and does not overhang the library box–it’s a camera illusion.). But isn’t the kiosk adorable?
I went down the other day to check for a mailed package–and found the mail person with the whole kiosk open–and I thoght that was pretty interesting. When we get a package that won’t fit into our narrow “box,” it goes into ONE of the bigger bins below–and we get a key to open that box in our mailbox. Once in the bigger box and the door is open, the key cannot be extracted. The mail person said that for packages that don’t fit, she has to drop them off at our houses. (Can I just say that sometimes that takes several days to happen!!!!)
There is a storm system swirling around, but so far, we’ve gotten only very light rain off and on from it. Maybe tomorrow. I wrapped my outside faucets against the freezing weather (and now it is warmer again), so I watered the two camellias that are blooming or about to bloom with the big watering can–after removing the tarps and grocery bags I put on them to protect them from our recent freezing nights.
Kalenchoe is inside and covered with blooms. When my neighbor gifted me these plants (three of them in the container) last March, they had huge single heads made up of tiny flowers all massed together. There must have been a process to make that happen. Here, these plants are just “doing their own thing.”
Have a great week everyone. Maybe dial back any Christmas stress and just enjoy the season. That’s my wish for you anyway.
“Diamonds” is the second quilt in my half-rectangle triangle series, made with the use of Latifah Saafir’s Hurty ruler.
If one joins the two cuts this ruler helps make (left and right angle cuts), one gets a “diamond.” Or, a long triangle. (This quilt is 72-inches wide and 80 inches long. I don’t have a great space to get a good photo of a quilt this size, so this is about the best I can do–and it takes a step ladder to get above the quilt.)
I didn’t want this quilt to have the diamonds all be “matchy,” so from the center I displaced them in a way that also prevented the formation of the neutral diamonds that form when the diamonds line up. I wanted the areas beyond the center to sort of “come apart” as the eye moved away from it.
Here’s the backing, which I truly love. It’s the perfect backing in that it does not take away fron the quilt’s front, but just adds this neutral layer.
I quilted with a soft grey thread and used the Nemesh’s Feather Grande panto, as I did with “Arrowheads.” The texture is just awesome.
The colors are coming through in the pics above a bit dull. Here’s a shot that has better color.
And I’ll print this photo out for my greeting cards:
To remind, here’s the first quilt in this series: “Arrowheads.”
I’m well into the third quilt now and am thinking the series will be 4 quilts.
I am really enjoying making this series, and I really like these two quilts.
Louisa Enright's Blog 