I found the name for the very old Kaffe Fasset print that has sparked my ongoing series of three quilts on the Kaffe Fasset web site. It turned out to be remarkably easy.
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And this print comes in lots of other color ways. Here are a few examples of some of the other color ways.
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Have you noticed the NAME yet?
It’s BEACH BALLS!
The images in the colorway I have is NOT winter squash.
BUT, for me, those are so NOT beach balls. They ARE winter squash.
So that’s my story, and I’m sticking with it.
LOL.
PS: My pring is OOP Kaffe Fasset GP37, Beach Balls.
Some of you are asking for fabric information on the fabrics I used in the last posts.
To remind, here is a picture of the first quilt:
And of the second with the “tree” backing:
The fall squash print backing on the first quilt is a VERY old Kaffee Fassett print that has been hanging out in my stash for at least 25 years. It never got used as I never had the right colors on a top for it–and they are dramatic colors. Someone might be able to find it online at the Kaffee Fasset site????
The tree print on the second quilt is 2265 Clara’s Garden Trees @Makower UK. I’ve had that piece of fabric for some time as well but not as long as the Kaffee Fasset print.
Here is a list of the 11 Kona solids I am using for the three quilts underway:
I basically took the Kaffee Fasset print and tried to use those colors when I started this project–which became a series of three quilts. These colors remind me of the earth, of growing things in rich soil, of green grass, of golden sunlight, and so on.
I’ve been playing with combining the small and large Cat’s Cradle ruler blocks.
The first top, “Fall’s Splender” is on the longarm. This quilt uses JUST the large ruler, and the blocks are 8 inches finished, so the quilt is 64 by 64 inches. I am including this top on this post as its backing, an old Kaffee Fasset print living in my stash for over 20 years, inspired these rich colors.
Yesterday I finished a top, using the above colors, that combines the 4-inch Cat’s Cradle blocks (small ruler) with the 8-inch blocks (large ruler). And Oh My Heavens! How fun is this top? And it is a great example of what can happen when you just let yourself “play” on a design wall.
I first made the left panel of 4 by 8 rows, then moved to the right panel of 4 by 8 rows, to mirror the left panel. ***Along the way I learned that pressing ALL the seams open while making the blocks worked to let them combine without a lot of bulk.
I have another large piece of fabric in my stash that will just fit this quilt top, and the use of it inspired this quilt’s name: “Spring’s Song.”
The soft greens and golds work fine with the top. I’ll probably bind with the green, Kona “Tarragon.” And today I’ll join the two panels I’ve prepped so that the print matches. There IS a diagonal part to this print that makes matching the print a good idea, and I have enough to just squeak this backing out with a bit to spare.
*Note that when you join two panels you have to match the edges, the length of the “drop” of the print, but you ALSO have to think about how the print matches on both panels along the width. On this one, I’ll lose about 5 inches I think, but that will still work for me. Often if you just try to join two panels without moving one to the actual piece of the pattern you are trying to match, you get two of something in the middle in a way that jars–like two identical trees, in this case. Those stand out in a way that jars the eye.
I still have a lot of this solid fabric and have lots of extra big blocks, so there will be a third and final quilt, which will likely be a donation quilt.
Time will tell…
But, I have a plan happening on the design wall now.
I’ve apparently been AWOL. But I’ve been…summering. And, yes, always, sewing.
First, look at my beautiful Crepe Myrtle tree. It just bloomed, and it’s growing and filling out now. It seems so happy.
On the gardent front, the grass is thriving from the rain brought by the thunderstorms we’ve had, and the Japanese Beetles are slowing way down for this year. I think I picked a thousand off of my roses and adjacent plants like the now-blooming Vitex (a drought resistent Mediterranean plant).
Second, my 16-year-old (almost 17) granddaughter starts TODAY sailing across the Atlantic to Spain from the British Virgin Islands in a 2-mast wooden boat–after a week of preparation and sailing refresher days that also included scuba diving in the BVI islands.
This young woman LOVES sailing, and this trip meets educational requirements that will serve her well if she pursues this interest as crossing the Atlantic in a sailboat opens all sorts of doors. The boat is the ARGO, and we can track the route online at seamester.com, which many family members and friends are doing. The “first stop” across the Atlantic is the Azores, which will be reached after 18 or 19 nonstop days. The students and crew will sail the boat, night and day. There is no “parking” this boat. The students will have harnesses on at all times (whew!) and have come equipped with all the necessary foul weather and foot gear.
Here’s the Argo at rest in the BVIs:
What an adventure! I am of course glued to the online interactive map of the Argo’s progress, reading the daily blogs, and looking at all the pictures. The students will rarely have access to their phones until they reach the Azores and, later, when they get to Gibraltar and then go on to the Spanish coast.
Three, “Dancing Kites” is now finished. It is a baby quilt for an upcoming little girl, arriving sometime in July.
I used a 5-inch Kites ruler, and I will be using it again. There are so many blocks one can make with a kites ruler–and they come in many sizes. The fabrics all came from my stash–but I did buy a backing fabric. I quilted with a pale pink thread, using the “Folk Hearts” pantograph (Urban Elementz: Beany Girl Quilts / Benay Derr).
For this quilt I wanted lots of kite movement, so I contrasted the groupings/rows of 4 kites of the same color with up/down “sashings” of single kites in downward rows of 4 kites and sideways rows separating the 4-kite groupings. Truly, these kites ARE dancing.
I am in total love with this Tilda backing fabric:
Could it be more fun or more perfect for this quilt?
I finished reading a book gifted to me by a long-time friend when she discovered my favorite book in the whole world is Gene Stratton-Porter’s LADDIE–a book my mother read to me an my sisters more than once.
I enjoyed every minute of reading THE KEEPER OF THE BEES which my friend sent to me. This novel was Stratton-Porter’s last novel–written before her automobile was hit by a trolley in Los Angeles in 1924, where she was working in the film industry due to the success of her writing.
My friend and I were born in 1944 and 1945 during WW2, which was only a little over 20 years from Stratton-Porter’s 1924 publishing of THE KEEPER OF THE BEES. Her novel LADDIE was among her earlier books.
My friend and I were Air Force “brats” who lived in military communities that had strong ties to the world Stratton-Porter details in her novels. It was an era of patriotism, belief in God, strong families, sacrificies made for “doing the right thing,” honesty, truth, character, sturdy educations in the classics and reading, and so on. Her protagonists have very strong connections to nature, and she writes in a time when there are a lot of small communities where people are strongly connected to each other. In Stratton-Porter’s novels, bad men and women fail dramatically. And shame does not just affect a person who didn’t “do the right thing”; shame falls too on those nearby–on families, communities, the innocent, and so on.
I miss much about that world, that country.
My son and DIL gave me a camellia and a Texas Sage plant for my birthday this year. Both are planted now and are thriving. I went out to water the Texas Sage and its adjacent plants the other day, and it was COVERED with pink flowers!
I had some help digging out the liriope plants in this bed–planted before I bought this house. This bed gets direct, really hot morning sun, and the liriope was so not happy there. While at the nursery with DIL Corinne, I also got a phlox (Intensia) and a Veronica that hopefully will take the heat in this bed. The white pipe is the discharge pipe for my water filtration system. These plants will spread and fill up this space.
I am still playing with the Cat’s Cradle rulers. I wanted to see if the 4-inch and 8-inch blocks would play nice with each other.
They do. These 4 rows are sewn together and make a big block that will be 1/4th of a quilt top that will meaure 64 by 64, like the first top. Butting up the seams between the blocks has been an issue and I’m exploring whether or not I can press differently when sewing the block parts together. Can all those seams be pressed open?
The second block is now organized, and I’ll sew it together later today and connect it to the first block. (On the left is the finished first top and its backing, waiting for the longarm.). Then it will be on to the other side and its two blocks.
One grandson is now home from his travels (Thailand). The other one landed in Laos yesterday and will be in Asia for the rest of June. My granddaughter leaves on her sail in a wooden boat to Spain this next weekend. Everyone else has their feet on American soil, LOL.
The Japanese beetles seem to be slowing down now. I have picked at least a thousand off my roses and nearby plants. Next spring I’ll put down something around the roses that the Japanese beetle grubs will hopefully eat–Bacillus Thuringiensis, which is a naturally occurring soil bacterium that is toxic to some insect larvae, but not to humans or mammals in general.
The weather is beautiful, though we have storms coming through again. We always already need rain here in the tropics. My grass got fertilized and is thriving. It is so pretty this year.
And now it is time for my main meal on the back porch, where I will start the next book in Jan Karon’s Mitford series: HOME TO HOLLY SPRINGS. I’m baking some cod and stir frying some spinach in butter with some garlic. The seedless watermelon has already been cut up, and my pears on the counter are almost ripe. There will be no starch today as I have picked up two pounds–from all the summer fruit of course.
And I don’t like appliqué. I’m not sure why. I love hand work. I can do appliqué well. And I’m not a big fan of machine appliqué either, though I do it well too.
These blocks, though, would make adorable stretched canvas pieces.
One of my blog readers commented about this “Best Buds” quilt pattern, but she had trouble including a picture in her comment. Here is the scrappy version of this very cute pattern. So thanks, commenter! I do like it a lot and will get the pattern and at least make a block for a stretched canvas piece.
I chose the name “Ripples” for this 4-inch Cat’s Cradle ruler block that is so, so scrappy. Yes, it consumed a LOT of stash fabrics. I used big, small, and medium prints of mostly bright colors to vary the rhythm of this quilt.
I had the above picture, though the binding was not yet completely sewn down by hand, so I used it instead of taking a new picture. Below is a picture of this quilt with its cheerful aqua binding all done.
I love the lime and aqua backing–and I used lime thread to quilt the Bayside pantograph as I just wanted a fairly plain texture for this busy quilt.
The unnamed top below was finished last night–made to go with an older Kaffee Fasset backing from my stash. The block is the 8-inch Cat’s Cradle ruler block, so the quilt is 64 inches square. I slept on the finished top night before last, but decided there was one block I really needed to replace inside the top. Ugh! But it went well, if tedious, and now I’m happy.
I tried to use the orange, yellow, and pinkish fabrics as color pops across the top. The darker block is a very dark, dark brown–and I may use it for the binding. I discarded the khaki color blocks near the end of making the top–it just wasn’t working. Maybe this quilt will need just straight line quilting??? I’ll use a thread the color of the mustard blocks in the quilt as it also blends well with the backing.
My neighbor, who is now making her first quilt, loves blue. She said this quilt does SO NOT have colors she likes. They remind her of the 1970s. Her reactioin is one reason, I think, that I never found a use for this backing. But I am pleased with this quilt. I think it has a masculine vibe. It feels earthy to me. Earth colors combined with the grass of spring. Beauty is always in the eye of the beholder.
I now have THREE quilts backed up and waiting for the longarm. “Kites” is loaded (and it is smaller in size) and “Parsnips” and this unnamed top are waiting.
Hmmm…
This may be happening–it’s the perils of leftover fabric. I started with leftover blocks, but I’ll confess I’ve already cut more big and little blocks. It’s all about play for me, you know. And if I keep going, I’m definitely going to need more of the green. Maybe I’m looking at two companion quilts–the one that is finished and this version. Oh no! It won’t be a series–beyond the fact that I do love these two Cat’s Cradle rulers.
As a leader/ender project, I’ve been digging into the 2-inch square bins to make placemats.
I’ll just straight line quilt them with the walking foot–and, maybe will try some 40-wt. thread. I have a whole bag of leftover bindings. I’ll probably use those to bind these placemats–and maybe cut the binding leftovers into smaller pieces and combine those. ??? Time will tell.
Whatever squares are left when I get bored with this project will probaby get made into four patches as they will work in larger blocks if necessary.
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