Author: louisaenright

I am passionate about whole, nutrient-dense foods, developing local markets, and strengthening communities.

An Adventure, With Scissors and Knives

Last week, I met Ken Woodley, owner of Steel on Stone Sharpening, after making an appointment with him and letting Waze take me to his shop in a little town west of me, off of highway 26.

I rounded up ALL my scissors, which badly needed sharpening–and I took three knives along as well–the two little paring knives and the treasured Japanese knife a former Virginia neighbor (a WWII war bride) ordered for me from Japan.

Here’s Ken, methodically working through the pile of scissors and knives. He especially liked my kitchen scissors–as I do. I use them all the time, but it was getting hard to spatchcock a whole chicken as they were so dull. And my sewing scissors…oh my! They so needed attention.

I even took my cheap paper scissors to Ken–and he didn’t fuss at all.

Ken came to South Carolina from the Boston area, and he knew Maine well. So we had a delightful conversation about Maine.

Here are all my sharpened scissors and knives–now back home.

In Maine, someone who sharpens tools is called a “grinder.” Here, Ken told me, he is called a “cutler,” though he said the term “sharpener” is used more often.

Ken has all kinds of equipment to handle whatever comes to him. And he is so patient and thorough. He even sharpened my little snips and the small scissors I use with hand sewing (green handles)

Ken also travels to local farmers’ markets and quilt shows, and I got his card from the spring Cobblestone Quilters show about which I blogged.

The drive from Mt. Pleasant to Ken, up in North Charleston, wasn’t bad at all. It only took me about 30 minutes.

I’m sure I’ll visit Ken again in about a year, and I’m so happy to have found him. So are my scissors and the three knives I took to him.

*I’m not sure how I missed almost a week on the blog. I’ve been sewing, yes. And watering grass and outside flowers as it has been very dry and it is warmer now. It took me forever to figure out how to control the spike sprinkler that can do a full circle, but…she persevered. Our houses are close together and my yard is very small, which is fine, but watering does have to stay on my grass as neighbors are also watering. Plus, we pay for water/sewer here.

My Improv Quilts

The genesis for me for making improv quilts came from three sources: a Jen Kingwell quilt called “Long Time Gone”; encountering the early modern books by Freddie Moran and Gwen Marston where they collaborated and where they introduced the idea of keeping a “Parts Department” of blocks ready to be used; and the joint work of a newly formed “modern” quilt group in Camden, Maine.

I did blog posts on my improv and formative quilts from the above sources for improv work, so I listed the links below.

Here’s my “Long Time Gone” quilt, dated October 9, 2018. I added the piano key border which I would not do today as borders are not often seen in a modern quilt. This quilt could pass as a “sampler,” but also as an improv quilt made with blocks in a “parts department” bin.

If the link doesn’t work, you can search on the title to get to that blog post. ***If you right click on the title and open the link in a new tab, the link worked for me.

Turkey Tracks: My “ `Long Time Gone’ Cotton+Steel” Quilt

Here’s the first improv quilt I tried on my own–using blocks from my own “Parts Department.” This quilt is named “Parts Department Party,” and is dated May 2019.

*open link in a new tab.

Turkey Tracks: “Parts Department Party” Quilt

“Wild Thing” came from a Mt. Battle Modern Quilt Guild challenge based on the long-time “Bee Sewcial” group that posts to Instagram. Each month the designated member of the Bee Sewcial group for that month asks the other group members to make a block to their specifications–which includes design concept, colors, and sizes. The group works with solid fabrics. Many of this group’s quilts have won significant awards.

I chose a palette of bright, clear colors and made the key color the spring green color you see here. I also made extra blocks to fill in the holes that I needed filled in order to make the quilt top come together. Here’s the top:

Here’s he finished quilt top. Note that I used a clam shell groovy board to quilt it, and I do like that traditional quilting on this modern quilt.

The link to the blog post might not work, but it is called “Wild Thing” Quilt.

https://wordpress.com/post/louisaenright.com/13808

Here’s my “Improv Blocks” Quilt that I just finished. I used the blocks I made in a “blocks” class taught by Tara Faughnan. And I kept the same fabric palette during the class, hoping that would provide some consistency for a possible improv quilt.

https://louisaenright.com/?s=%22Improv+Blocks%22+is+done

I also made a quilt inspired by Gwen Marston and Freddie Moran’s work AND by how Debbie Jeske of The Quilter’s Table blog used and altered this idea: “Liberated Wedding Ring, made in the fall of 2021.

“Liberated Wedding Ring” Quilt

I seem to have a “thing” for wedding ring quilts…

My Parts Department is full of interesting blocks these days, so there will be another improv quilt, maybe this winter.

And Tara Faughnan will be teaching the improv block class again, starting in September.

I’m tempted.

Chucktown Acres Farm and Store

I am never so happy as when I am on a farm.

And Saturday, I visited Chucktown Acres Farm and Store, which is about 30 minutes north of me and is right off of highway 17.

I have been buying their eggs at Local Jo’s Natural Foods. And, their ground beef mixed with organs. But I’ve wanted to go out to the farm and their store for some time.

There is a good website: chucktownacres.com. And you can sign up for the newsletter which keeps you up to date about farm products and practices. Here’s a blurb from the website:

“Chucktown Acres is a working, regenerative farm just outside of Charleston, SC. We raise grass fed/grass finished beef, forested pork, soy free eggs, and pasture-raised poultry. We are farmers who have a passion to grow bio-diverse food that heals our land and heals the people around us.”

The ride up was uneventful, and traffic was very light. A long drive leads one to the farm buildings and farm animals. As I got out the car, which I parked in the shade of big live oak trees, here’s the first thing I saw after passing the pasture of cows.

The sweet farm house was to the right:

And the store was in a long, low building facing the entrance drive:

The owners were warm and welcoming, as was the colorful sign on the building:

Inside, the first thing I saw was the eggs I wanted, eggs from free-range chickens who are NOT fed soy. I am loving these eggs which do not give me any reaction from my histamine intolerance. There are also eggs from the Storey farm which is on the land where my son and DIL have bought a building lot. And I bought one of the Storey frozen whole chickens which I roasted yesterday–and enjoyed chicken meat with a lot of taste and meat that didn’t dissolve in my mouth like the mass-produced commercial chickens bred to be enormous in a few months.

Inside are long freezers filled with farm meat products from this farm and others in the area and made products like pasta.

There is a refrigerator with raw milk and dairy products and fermented foods and items that need refrigeration.

On the weekend, when the store is open, there is freshly made sourdough bread:

The chickens are free range and are guarded by a friendly and special prize guard dog puppy: a Komondor.

Working Komondor

The cows were resting in the shade.

The pigs ran to see me, grunting a deep grunt as they came, and when I offered no food, they retreated to doing the pig things they had been doing.

There was a purple Martin house, and I have not seen one of these in some years now.

I will leave you with this iconic picture, but know that I will be returning to this farm and store in the future.

It’s Salad Weather

And the markets are full of wonderful berries. I am addicted to this mixture of organic blueberries, raspberries, blackberries, and strawberries. (I drizzle the strawberries with a bit of maple syrup to sweeten their sourness as they are often picked green so they can be shipped.)

The other day I only had a bit of grilled steak in the refrigerator at supper time, so I fried an egg in a bit of butter to go on top of the salad. The corn is from some cobs I steamed. The base is a mixture of hearty baby greens. And I splurged on some fresh dill to put on my salads. The milk is, of course, raw milk, upon which I have thrived for over 20 years now.

This supper salad’s protein is one of the stuffed green peppers I froze a few weeks back. I added some of the steamed broccoli I cooked at noon. The onion bits are from an organic Visalia.

My new reverse osmosis system has been installed in the kitchen, so I now have what amounts to purified drinking water–which means it does not have any minerals either, and we need the minerals in water. So I’ve been drinking sparkling mineral water about once a day–poured over ice. Am I succumbing to the southern need for ice in drinks? It seems so…

There are several brands of sparkling mineral water here. I got a carton of Pellegrino at Costco about a week ago.

Today I’m cooking a small lamb rack I also got a Costco. I love lamb, but recognize that either one does or doesn’t.

“Improv Blocks” is Done

What a journey!

This quilt started with Tara Faughnan’s six months online “Blocks” class in the fall of 2023 and into 2024. Tara presents beautiful fabric palettes, but this time I had the idea that I might want to make an improv quilt with my work in this class–so I chose a large palette that I kept intact for the six months. The palette, I thought, might be able to provide some coherence down the road.

I posted about the blocks along the way so many of you saw that process–which was so much fun. After the class ended, the blocks sat on my design wall for months as I moved around the larger pieces and tried to make an improv quilt come together.

Finally, I had what I liked. Here’s the first view of the resulting top. I used Kona silver as my field fabric. I hated the borders though–and there were places where some adjustments were needed to make the quilt lie flat. The first step was to take off the borders.

Here is the top without the borders. Yes, I liked this top much better now. And while I had it on the floor I measured and corrected to make the top absolutely square before putting it on the longarm.

I wanted to try using my longarm to do straight line quilting down the length of the quilt, so I put it on lengthwise–and made sure my machine, with the channel locks set in place–would quilt a true line with the correct distance between lines every time.

Yeah! That was working really well…

…until it didn’t. My channel locks were not holding properly.

So, I took the quilt off the longarm, took out two lines of stitching, and set up all sorts of tables and an ironing board around my domestic machine so I could finish the quilting there. It took three days! (Meanwhile, my Innova dealer was already coming to take the wheels off my long arm as it was too high for me, so I put in a call to him about the channel lock issue. Yes, he came and all is well again.)

The problem with using a domestic on a big quilt with straight line stitching is that the fabric can (and does) get out of square as the walking foot pushes the fabric in a way that the longarm does not. But, I coped with trimming, and the quilt is…GORGEOUS!

Here it is on the floor, but this pic is distorting the quilting I think.

So I put it on the design wall upstairs to try for a better picture.

For the backing, I found a gorgeous coral from Figo at Five Eighth Seams that works really well with the Kona coral in my palette. And it makes this quilt I already love so much so lively and fun.

I will need to wash it to get out all the glue in the blocks. And I already washed the backing and all the stash fabrics. I want to show it to my two local quilt groups first though. I am a little hesitant about the washing as I used color catchers with the backing, and the dye did run more than a little. So, when I wash this quilt, I will use lots and lots of color catcher cloths in the wash and probably cold water.

There are two projects on the design wall and ironed fabrics waiting to be used in a third quilt. One of these projects is a leader/ender project, and that is working out well in lots of way to be shared later.

“Improv Blocks” is begging to be touched and used:

It’s Friday!

And I have more bits and pieces to share.

MY IMPROV QUILT IS GETTING BINDING!

Here’s a sneak peak–I use a pillow to elevate hand work as it takes the stress off my arms and neck. The backing is AWESOME! It’s a Figo print. And it is PERFECT for this quilt.

I am loving how this quilt turned out. When it is finished, I’ll do a whole post on this “improv” process–which did involve a bit of trauma as the channel locks on my longarm decided not to work properly so I had to finish the quilting lines on my Janome 6700 surrounded by LOTS of tables and an ironing board. (Jimmy Hernandez from Carolina Quilt Studio in Greenville, NC, was already going to come here on Sunday for another client, so he’s going to take off my longarm’s wheels (it’s too tall–I have to stand on tip-toe some times), so he can show me how to tighten the channel locks–and believe me, quilting lines on the longarm was way, way more easy than on the domestic.)

The hand quilting (big stitch) on “Happy” is down to the LAST BLOCK (after 10 more minutes of sewing on the penultimate block–and then the border, which will go fast as it is easy quilting.

I’ve have had an ongoing project that will be a 30-inch wall hanging or pillow–the second of the 4 blocks is almost done but needs some tinkering to measure properly. I’m going to shorten the white strips as they are too wide–it is too much white–and that will give me some room to add a final dark border around the purple/green/orange piece–where I still have to make the last bottom piece. (Cathy Beemer has been teaching us how to do this work.)

I’ve started a lap quilt using as many of the 3 1/2-inch squares as I can from the bins holding the cut-up Cotton+Steel/Ruby Star Society squares. There is ONE red heart and the rest of the quilt is low-volume. Easy Peasy.

AND, I’m ironing the saved fabrics from season 4 of The Color Collective where guest designer Annabelle Wrigley gave us her “Prickly Pear” quilt. The fabrics are from her own collection of solids, Ruby + Bee.

Screenshot

So, gradually, I’m catching up with those Season 4 TCCollective project.

Holy Moly! Look at this HUGE moth that is now resting on my back screen door! She’s 3 1/2 inches or so if you count the wing length.

It is a Waved Sphinx Moth. She lays her eggs in the ground, and the caterpillars eat tree leaves and other vegetation. The adult moth may not eat. Scorpions eat the eggs if they find them, which is why the moth is sometimes called a “Scorpion Moth.”

Do we have scorpions here? Google, google–yes, there are scorpions here but they don’t seem to be a huge threat.

https://www.insectidentification.org/insect-description.php?identification=Waved-Sphinx-Moth#google_vignette

https://www.butterfliesandmoths.org/species/Ceratomia-undulosa

I will walk my mile in the early evening–I’ve only missed 3 days this month–two of which were due to rain. I love my mile walk.

There will be dinner on the porch today.

And the recycle truck came today as I misled the whole neighborhood about our 2-week pickup of recycling after the holiday!!! So, I’m super happy the system worked with me to get our recycle picked up!

Have a great weekend everyone!!

Bits and Pieces

Yesterday while waiting for son Mike, DIL Tami, and granddaughter Mina to pick me up for an outing to see the building lot they have purchased south of Charleston, on the Kiawah River, I saw this strange and awkward insect on front porch wall.

It is a Crane Fly and is said to be a very timid little insect.

https://citybugs.tamu.edu/2016/03/15/crane-flies/

There is a farm on the greater property where the new building lot is located. We stopped in to visit the farm animals: laying chickens, milk goats, donkeys, and “Oreo” cows (Belted Galloways).

The chickens come right up to everyone’s feet, illustrating how very social chickens are.

m

The goats, too, love to be petted and come to the fence seeking attention:

Some goats have two “wattles” on their throat. These appendages apparently serve no apparent purpose. It is thought that perhaps they once served a purpose, but one that goats no longer need.

We had a picnic in one of the development’s club house areas, all of which are right on the river.

It was a lovely outing, and I could see what is drawing Mike and Tami in this direction. Their Isle of Palms current house is now for sale. It is a big, wonderful house and has served them well. But their children are fast fledging from the nest, so this is a good time to downsize.

I cooked “pink” grits the other day–from the Marsh Hen Mill brand of grits, a farm on Edisto Island. The pinkness comes from the type of corn used. They cooked faster than the Anson Mills rough cut grits, but they were also much milder. And, not organic. (Organic corn is a hard act to raise, actually.) Marsh Hen Mill has several types of grits and also raises the Carolina Gold rice so special to this Low Country area.

Here, leftover grilled flank steak, roasted sweet peppers/carrots, spinach and garlic sautéed in butter, and the “pink” grits:

Marsh Hen ships their products if you are interested. Here’s a screen shot from their web site:

Enjoy this holiday Monday!

When One is Endlessly Curious

I walk a mile a day out on the road just outside our subdivision. I listen to music, often singing along, and note what is going on around me.

This little plant is blooming now in the dry ground alongside the walking path. What is it.

Thanks to the plant identity app on my phone, I can take a picture and when I get home, see what it might be. It is a “Cutleaf Evening Primrose,” oenothera laciniata Hill. A primrose…how cool is that?

This plant is growing in the drainage ditch next to the path–the Low Country has lots and lots of little retention ponds and drainage ditches. The red leaves are from the Loropetalum bushes that line parts of the path, and I wrote about those a while back. They are spectacular right now, btw. But what is this plant?

It’s “Lizard’s Tail,” Saururus cernuus. What a cool name. I had wondered if it was something in the loosestrife family, given the bent white flower part.

Loropetalum

The Pickerel Rush is also blooming in the ditches–its purple spikes and pretty leaves are distinctive. In Maine, along the wet edges of ponds, the Pickerel Rush forms a mass that was purple with its lush blooms. Here it grows in the wetlands and ditches.

Pickerel Rush: https://en.wikipedia.org/wiki/Pontederia_cordata

And here is a tall plant I’ve been watching grow tall, and duh! Could it be a cattail? It is in the bottom of a drainage ditch that fills with water easily when it rains.

Yes, it could. The distinctive “cattail” top means it is a cattail and not a “Bulrush.” This plant is probably a hybrid of two types of cattails and is called a “hybrid cattail,” Typha x glauca Godr, for Type and Glauca Godr.

Native Americans used this plant in all kinds of ways, from weaving things with it to eating parts of it to using it medicinally, and so on. I first read about native use of cattails in the native scholar Robin Wall Kimmerer’s book BRAIDING SWEETGRASS, which is a delightful and instructive read.

But here’s a link to a quick read about the uses of cattails if you are interested:

https://patch.com/connecticut/woodbury-middlebury/cattails-native-american-culture.

https://www.britannica.com/plant/cattail

And…the above is what happens when one is endlessly curious. Rabbit holes happen.

The Quilt Series

I thought it might be useful to show all four quilts in this series, now that I’m done with this project.

As readers may recall, there were two events that sparked this project: I had a good quantity of the 1920-30’s reproduction feed sack fabrics (fat quarters) gathered together in my stash for a bit more than 15 years, bought when a local store in Maine went out of business. And, I saw the end results of a “series” challenge at my first Charleston Modern Quilt Guild meeting and loved seeing those quilts.

The first quilt started the series for me: “Vintage Feed Sack Wedding Rings.” The pattern is “Modern Vintage” by Camille Roskelley and Bonnie Olaveson, and I found it in the Better Homes and Gardens QUILT LOVERS FAVORITES, vol. 16, pages 86-89–before I donated the book to the Wando library. This block is actually a traditional block, which a Maine friend told me. It’s easy to find online if you like it: single wedding ring quilt block. The secondary patterns are quite awesome and interesting, I think.

Next, I took the circle of the wedding ring block and played with that in “Bubbles.” I wanted to make the circles float over the quilt as if they were rising upward. This quilt is smaller–baby quilt size.

I’ve always wanted to make a quilt from small half-square triangles. But I also wanted to add an element: pinwheels–made from the already made half-square units. The result was “16 Pinwheels,” which is more of a lap size. The half-square triangles are in the original wedding ring block.

I had thought to stop at the third quilt, but I had the units in the center already cut and I still had fabric in all the colors I had used all along AND units were on the design wall where I could see them. So, “Four Stars” came along for the ride.

So, there you have all four, and I had a really good time making this series. One of these quilts has already gone to a new baby in the family.

“Four Stars” Quilt is Done

This quilt is the 4th and last in the 1920-30’s reproduction series I seemed to have worked on this past winter. I’m liking it a lot. The leftover fabrics are broken up now and are in my stash.

I had leftover units from the other three quilts and fabric in all the color ways on hand, so I started playing around with the units, and this quilt happened. Maybe they are the best kind? A quilt born of play and creativity?

The panto is Garden Frills Too, and it looks so pretty on this quilt. As do the beautiful Innova quilt stitches. Since Jimmy Hernandez from Carolina Quilt Studio, my nearest Innova dealer, fixed the timing (remember I sewed a nail?), replaced the tension wheel with the newer version, and did all sorts of other refinements, Innova is so happy.

I’m putting together the improv quilt that’s been growing on the design wall all winter too, and as of yesterday, I’m liking it. A lot. But… We’ll see about how square it is and so forth probably today.

The household water filtration system technician is “on the way,” so that’s it for today with the blog.