DIL Corinne took a picture of this beautiful hawk recently. There was a pair, but one flew off before she could get a picture. I think it might be a red-shouldered hawk, but I could be wrong. Corinne thinks it is a broad-winged hawk. There is a link below if you want to explore further. Two hawks seen together could also be a parent and an offspring? Who knows?
When I walk, I pass two water retention ponds, and they team with birds. I have often seen a pair of hawks here too, and on my last walk, one circled above me and cried as it…hunted? The call is distinctive–a shrill kind of “whee.”
This pond is on school property, is fenced, and is full of Canadian geese. But along the side you can see a big heron ( a Great Blue?) and a Snowy Egret. In the water, a cormorant swims. Often, outside the fence, a flock of White Ibis, with their distinctive long curved beaks, gather to fleece the grass for bugs.
The woods to the right are both firm and wet lands–and are the buffer between these two schools and my neighborhood. A buffer for now anyway–this land could get developed.
I’ve begun to wonder if, when the geese mate and raise babies, how they will “walk their broods to water,” given the fence.
Budgies, as created by a pattern by Bethanne Nemesh and shared on one of the Aurifil thread posts–see link below. These posts are always inspiring and fun to see. I like seeing them each week.
And you all know I love that “Love” fabric and use it a lot–Carrie Bloomston, “Newsprint.” These budgies are made by @ladydisews, or Diana Z on Instagram.
Screenshot
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I am admiring from a distance as I already have enough projects going and planned.
Tomorrow Block 5 in Tara Faughnan’s “Block” class will arrive. It’s “triangles.” How fun is that?
I’ve walked 5 miles in the past three days–2, 1, and, yesterday, 2. What will today bring? It’s rainy, so whatever will happen will happen when things dry out a bit. But it is cool and that makes for wonderful walking. I play music and sing along some of the time.
I finished this top yesterday, and I love the secondary patterns. There is a feeling of, I don’t know, lace, in this top. I’ll back and bind with the neutral–so next I have to put together the backing and put her on the longarm to be basted so she stays straight while being quilted–and so I don’t have to worry about the needle apparatus catching wrong in a loose edge. I have no idea what pantograph to use on this quilt.
I would not choose to buy these 1920-30 reproduction fabrics today–but as you know, I’m on a mission to use up fabrics in my stash. And I do think these fabrics have worked well in this quilt.
I have a fair amount of fabric left over in all the colors I have–so, I’m playing with blocks on the design wall. When I attended my first Charleston Modern Quilt Guild meeting last week, five or six members showed their 3 quilts each in a challenge to “riff” on fabrics and layout choices in a series. Is that what is playing in my head? Maybe… Those series of 3 quilts were really fun and inspiring.
BTW, the talent in this modern group is fabulous. One member has two quilts accepted into the big modern QuiltCon meeting in late February, held this year in Raleigh, NC. And, she had quilts in last year’s show as well. This member is a MASTER quilter–and it was so, so fun to see her work. Plus, she is so generous with her time with fellow members–and has a suggested project for our next Sit and Sew for an upcoming Saturday morning. I can’t wait.
I never get tired of seeing bright vegetable colors combined in a pan and ready to be roasted.
Here’s my main meal yesterday–which I didn’t get to until about 2 pm.
The potatoes with dill, salt, and drizzled with the nuevo olive oil from Organic Roots were leftovers and are now gone. So today I have to cook something starchy to go with the roasted veggies and chicken. Maybe French Fries in the Air Fryer. Now, there’s a treat! But maybe only if I walk 2 miles.
And, later, I’ll play more upstairs with those developing blocks. And still later, I’ll finish season 5 of Fargo and hand quilt on “Happy.” I’m assuming most of you know Fargo is funny, funky, and can be violent. It’s the Coen brothers and Noah Hawley, so be warned.
Here’s a quilt from Cecilia Koppmann, a quilter from Argentina. Her work was featured in Simply Moderne magazine, one of two quilty magazines I get each year. (See citation info below the picture.)
I’m especially interested in this quilt, which is 60+ inches big, as I think she may have used the inset method I just learned from Tara Faughnan in the online “block” class I’m taking. That method is Dale Fleming’s “6-minute circle.”
“Eclipse”
Simply Moderne magazine, Issue Number 35, pages 40-47
I think it’s ok maybe to use this pic from the magazine since this quilt image is available to see on both Pinterest and Koppmann’s web site.
What I like about Simply Moderne is that it covers the quilting of people from all over the world. There are, also, projects included, and I’ve made quite a few of the over the years. This magazine’s issues are quarterly–so 4 a year.
My other favorite magazine is American Patchwork and Quilting.
For those of you who have contacted me seeking information about Giovanna’s Shawl patterns and yarns, here you go:
Pattern: WRAP IT REAL GOOD by Ambah O’Brien Yarn : Sunshine yarns FEELING GROOVY advent set
Pattern: Sherbert Fizz by Ambah O’Brien. This one I made two and joined them together. Yarn: SUNSHINE YARNS, Fade into you advent set
Giovanna added the following:
“Just in case people ask. Advent sets a.k.a Festive sets come in twenty-four or twenty-five mini skeins and could be fingering or DK weight. Every year designers come up with new patterns that many people will knit during the first 24 days of December.”
Many of my blog readers liked seeing master knitter Giovanna’s recent work. She just sent me pics of two shawls she just finished and that are now blocked and ready to wear. Giovanna is one of my Camden, Maine, friends.
Giovanna is very generous with her work–so these two pieces will likely be gifts for lucky people.
This one below may be the piece I last sent to you–all blocked now.
I can’t even…
…imagine trying a knitting project like these.
I do ok with fairly plain knitting and have a whole drawer of wool socks I made, but I decided long ago that to get better I had to knit a lot and that that would limit my sewing time. Also, I left all the hats and scarves I made in Maine as they would be way too warm for South Carolina. I also left my really heavy coats.
So, I leave this knitting to Giovanna and admire from a distance.
Yesterday, “Happy” (the quilt I’m hand quilting) and I took Girlie car to my local Toyota dealer so Girlie could get a recall part she needed. It’s about a 30-minute trip to the dealer.
I knew the inspection and installation of the part would take several hours of waiting, so I packed up “Happy” for this outing.
I commandeered a table and two chairs in the expansive waiting room and set to work–and that made the hours pass swiftly. Included were chats with people who were interested in this quilt and this hand quilting process. Some told stories of the quilts their grandmothers made for their grandchildren. ”Happy” is one of the 7 handmade quilts for my 7 grandchildren.
The orange threads you see are the longarm machine basting, which I clip loose as I move along. I am sewing grid lines down the lines of dark centers with darker tread colors.
By the time I got home early afternoon and organized my noonish big dinner, ate, and cleaned up, it was mid-afternoon. The day then turned lazy–no walk but to the mail boxes–but by bedtime, I was almost finishing the last grid line. And that all felt just fine. I must have needed a lazy day.
Next up, the big circles to be done in pastel threads. Then the centers of the circles.
And today is a rainy day, but I will walk in between, and I’ll sew upstairs on the 1920-30s quilt top.
The fabrics in this quilt are all 1920-1930 reproduction fabrics. Most were hiding out (as a group) in my stash–and were bought nearly 20 years ago when a local Maine store’s owner retired and closed his store (Fabric Bonanza). I did purchase recently more of some of the colors that were lacking selection to make interesting blocks.
The fabrics are reproduction, but the block and the setting are modern. The pattern is “Modern Vintage” by Camille Roskelley and Bonnie Olaveson, and I found it in the Better Homes and Gardens QUILT LOVERS FAVORITES, vol. 16, pages 86-89–before I donated the book to the Wando library.
The blocks will finish at 10 inches, so this top (my 218th) will finish at 60 by 70 inches, so a nice lap size.
BUT, here’s the problem. Look what’s still left in the fabric pile.
I played around a bit last night before stopping.
I don’t know. Maybe these blocks could be combined. Maybe not. And I’m not totally sure whether or not I want to keep working on these fabrics. Time will tell.
Meanwhile, I’ve ordered some Kona “natural” that should mostly match the muslin in the blocks for the backing and binding. And I found bits and pieces of muslin in my stash so I could keep on making more of the above blocks.
Or, not.
I am kind of anal about finishing a project–and this project WAS to use up ALL of these fabrics.
It’s Sunday morning, and Brrrrr cold for South Carolina, and “Serpentine Surprise” is in the washing machine as I write.
Last year when I first got here, there was a spell of 17-degree temps that froze the two Rinnai tankless water heaters’ outside pipes at my son’s house for several days. Getting them unfrozen required a hair dryer, hours outside, and wrapping the pipes with more temporary insulation for the second freezing night–but fortunately, no water pipes burst. Consulting with neighbors who know better than I do how to prevent frozen pipes in South Carolina, I started dripping my hot water before I went to bed last night–after the temps had started dropping below 30 degrees. The wind chill is a further factor, of course. Remember that our hot water heaters are on the OUTSIDE of houses here.
All was fine this morning–Every day I have to run the hot water before hot water comes–which takes much longer in the winter. That strikes me as really wasteful, especially as we pay for water/sewer here. (I had a well in Maine–and outside water faucets were built for freezing weather–and an indoor heater and a water tank that stored hot water.)
BUT, I finished the binding on “Serpentine Surprise” last night–Kona Thistle, which I had enough of to use some for binding. Note, the top is NOT wavy; I just didn’t smooth it down properly.
Remember that this curvy “Serpentine” block that works so well with checkerboard blocks is from my online “blocks” class with Tara Faughnan. This block involves glue, and I do machine baste on the longarm before quilting, so I thought it prudent to wash her to dissolve the glue and to close up the basting holes. ”Serpentine Surprise” and her sassy self are going to live in my tv room on a chair.
I used my domestic and a walking foot to quilt this grid on her–and a very neutral Aurafil thread that does not stand out, front or back. The thread is a cross between a light grey and a light tan–which works well on the back as well as the front. And I had enough of this newsprint fabric by Carrie Bloomston in my stash to piece the back:
I love the graphic nature of the two-color version of this block:
But I also love the scrappy versions:
And it was great fun to play with combining these two block versions, and to, also, play with using both versions in one block.
I went down a rabbit hole with Serpentine and checkerboard blocks and played to my heart’s content–and that is the purpose of this “block” class.
The 5th of 6 planned blocks comes out at the end of next week. And Dale Flemings’ book on “the 6-minute circle” method is now in the mail. I love having learned that method and am likely far from being “done” with it.
She sent me this picture a few days back–of her just-finished first project of 2024.
What a lovely pattern and such lovely colors.
Giovanna said she has not blocked this piece yet. It is a rectangle.
PS: I made the quilt in back of this piece for Giovanna–some years back. It was such a lovely project–made from Carolyn Friedlander fabrics and her pattern.