Turkey Tracks: September 2, 2015
…and time just keeps on marching on…
…it’s been a lovely summer…
…and I’m looking forward to fall.
So, as usual, I have a lot of quilting projects “in process.”
This quilt, as yet unnamed, is on the long arm:
You already know that the block is Bonnie Hunter’s block for the American Patchwork and Quilting Magazine‘s four-patch 2015 challenge, AND that this is the first quilt using blocks from the sewing I did for most of the summer–making light/dark four-patches from the two-inch square bin.
The backing is a fabric I bought on sale some years back:
You can see part of the pantograph in the above picture. I’m using a limey green that goes well with the green in the quilt and in the backing:
I will finish with the long arm later today–“God Willing and The Creek Don’t Rise”–as my dad used to say.
I’ve been trying to make one of Bonnie Hunter’s most recent blocks from her column in Quiltmaker magazine every day or do…
Bonnie Hunter’s 2015 leader/ender challenge is to use the tumbler block. It so happened that I have a really nice tumbler template bought years and years ago AND a bunch of veggie/fruit fabrics also purchased years and years ago. So, I seem to have gotten a little side-tracked with this project, like making it a main project, not a leader/ender, and look what’s happening:
I added some fabrics to the collection to get more variety at the Pine Tree Quilt Guild state show in late July when I knew I’d use these fabrics with the tumbler block. Otherwise, I had way too many reds, oranges, and greens.
Using the dark prints together is making a nice border–something Bonnie suggested somewhere along the way.
Finally, Coastal Quilters issued a little challenge at the June 2015 meeting. The organizers gave us a brown paper bag with a collection of fabric, including a backing piece to indicate size. We were to create whatever we wanted, and we could add some fabric, but we had to use some of all the pieces in the bag.
I made a little quilt called spring moon:
I added the green polka dot background, the orange chicken legs, and the chicken’s neck fabric.
Here’s a close-up of the chicken:
(I may move her eye back just a hair. I used a picture of one of my chickens, and the bead is where the eye is in the picture, but it isn’t translating quite right here.)
I quilted with the domestic machine and by hand with pearl cotton.
Why this chicken?
I spent the summer looking at the fabric I got, and the black and white fabric looked like it wanted to be a kitchen or bathroom floor. Or, a foyer. And I just could not get excited about that idea. Eventually I worked my way around to the chicken. AND, one factor was that in an earlier challenge I made a black and white picture of my Copper Black Maran rooster, Napolean.
So now he has a sweet little hen named Spring Moon to accompany him in his quilty journey: