Turkey Tracks: July 5, 2012
Flamboyant Fall Quilt
This contemporary bar quilt is another colorway of an earlier quilt: “Bar None”–which is on this blog.
I started with Flamboyant Fall with bar strips of neutral rectangles–2 by 3 1/2–cut up and saved as I finished other quilts. I cut up any leftover scrap that was not approximately the size of a fat quarter. Bigger pieces went back into my stash. About 2 years ago, I realized that I had bags and bags of pre-cut squares and rectangles, and I began to quilt with them. I purchased a Handi-Quilter long-arm two years ago and that enabled my production rate to increase sharply. This past winter, I made a real dent in the saved bags of pre-cut quilting fabric.
At first I thought this quilt would be really pretty with browns, golds, and creams–and here’s what I pulled from my stash to highlight the neutral rectangle “bars.”
Here’s what the dark brown strips and the neutral bars look like on the design wall…
At this point, I headed off to Marge’s Mainely Sewing to get borders. I had bought some lovely large fabrics for backing at a sale at Quit Diva’s in Rockland–one of which really wanted to be part of this quilt. TAnd I did not have enough of the paisley to use in the quilt. The plan for a mostly neutral quilt went right out the window.
Here are the fabrics that came home with me–the backing is the third from the left–the fabric with the leaves. Marge found the big Kaffe Fasset floral for me, and I loved it at first sight. (The laundry basket is a dog bed for whichever dog is hanging out with me in the quilt room.)
Here’s the top on the design wall–ready to be put on Lucy the longarm and quilted:
I quilted with a varigated thread that had all the colors of the quilts in it–all the golds, oranges, deep reds, and so forth. This pic doesn’t do this thread justice, but you can at least see the pantograph pattern:
Here’s a good pic of the outer and inner borders. Note how the inner border has the dark brown of the bars. I love how the swirly fabric worked for the binding. I cut all bindings on the bias these days, so that really made this fabric’s movement shine.
Look at how well the backing and the binding work with the quilt.
Here are two pics of the quilt on a low bed upstairs. Neither do it justice. One is faded and the other’s colors are a bit “off.” But, here they are.
Flamboyant Fall is both wild and controlled, what with the bars in the center. I love the fabrics in this quilt. I’m really pleased with how it came out.