Turkey Tracks: Raw Dog Food and Sojos

Turkey Tracks:  February 18, 2012

Raw Dog Food and Sojos

When I was a child visiting in Reynolds, Georgia, the home of my grandparents, no one gave the many fine bird dogs dried dog food.

They didn’t because commercial dried dog food had not yet been developed.

The dogs ate table scraps.

And they lived long and healthy lives.

I fed our first dogs dried dog food.  That’s what everyone did by the time I was 30.  Our beautiful pair of Springer Spaniels had chronic ear problems, chronic itching skin problems, and when they got old, massive flea problems.  By the time they died, the poor things were skin and bones and miserable.

After the springers, I started reading about feeding dogs raw foods.  And, remembering back to what my family used to feed dogs before dried dog food made feeding dogs “easy.”

Our rat terriers have never had dried dog food since they crossed the threshold of our house.  At 9 and 10 this spring, they both still play like puppies, their coats glisten, and they don’t have any grey starting on their faces.  The only vet bills I have had are for rabies shots; the occasional teeth cleaning mostly for Miss Reynolds Georgia, since she isn’t as diligent about chewing bones as Penolope is; and the heartworm medicine I give them ONLY in the spring and summer.  And, I space that out to about 45 or 50 days.

The digestive tracks of dogs are most like that of humans.

Would you eat dried dog food if you had a choice?

How would it seem to you if you constantly smelled delicious food cooking, but you never got any?

And, like humans, too many grains, or any at all for dogs, put too much stress on dogs’ bodies.

And, dogs don’t fare any better on chemical brews than humans do.

Our dogs eat, mostly, raw meat.  I am so lucky because I can get whole chickens–skin, bones, organs, everything–ground up for $1.49 a pound.  But, for years, and sometimes now, the two dogs ate a half-pound each of raw hamburger a day.  They also like whole chicken necks, skin and all.  I supplement with table scraps, yogurt, and fresh eggs from time to time.  Miss Reynolds Georgia loves roast chicken better than I do.

Recently, friend Patricia Shea showed me Sojos, which is a bag of dehydrated veggies that one mixes into the meat  with a bit of added water to dehydrated the mixture.  It’s full of mostly good things:  veggies, fruit, garlic, and so forth.  And, it smells fresh and clean and very nice.  It isn’t organic though, so I only use it when I just don’t have any cooked veggies in the house to give the girlies.

  

Vets and people who raise dogs and sell them are horrified when one mentions table scraps.  My holistic vet, however, knows raw food is better and is a strong advocate for it.  Remember that mainstream vets are taught that real food is bad for dogs.   Bless their hearts, they don’t know any better.  And, most of them think what they “know” is right and that they are doing good things.

But, never forget that the power of industry to inculcate unscientific nonsense so it can sell more products is awesome.  And, cynically speaking, vets do benefit from treating chronically sick dogs and from giving them a bunch of shots and “protective” medicines dogs don’t need and which wreck their immune systems.

The same pattern is likely true for human docs too.

Those of us who “remember” are getting older now.  Soon, no one will know that there was another way to live and another way to feed people and dogs and chickens and cows and so forth so that they all had abundant health.

PS:  If you are thinking of switching a dog to raw food, proceed very VERY slowly, and with the help of a holistic vet if you have one in your area.  Dogs on dried dog food lose the enzymes that will process real food, so you need to help them redevelop those enzymes.  It’s easier to switch a puppy over than it is an older dog…  But, it can be done.

Turkey Tracks: Tuesday is Clean Sheet Day

Turkey Tracks:  February 12, 2012

Tuesday is Clean Sheet Day

Or, wash day.

And the day we change sheets.

Last Tuesday I took this picture of the counter over the dryer.  I throw my wool socks on to the counter when they come out of the washer.  (Make sure your wool socks are washable!)  I can dry them in the dryer, but I never do as I have the notion that they will last longer if I don’t subject them to the dryer’s heat.

Anyway, all the colors seemed pretty to me lying all next to each other.

Turkey Tracks: “Nature the Greatest Show on Earth” Quilt

Turkey Tracks:  February 12, 2012

“Nature:  The Greatest Show on Earth” Quilt

Here’s this lively, happy  finished quilt:

Here’s a picture of a block close-up:

This block pattern is a very old one–and I have been unable to put a name to it.  It’s just always–there.  If anyone has a name for it, please let me know.

What’s different here is that I surrounded the block with a stripe and used a unifying corner stone.  Then I set the blocks on point.  The idea for using stripes, a unifying corner stone, and setting the blocks on point came from “Quilt Magazine,” Susan McDermott, and her remake of an older traditional quilt using these tatics.  The article was called “Old World Comfort.”  When I xeroxed the article so I could “play the magazine forward,” there were no dates on the pages.  My memory is that it appeared in the late fall/winter of 2011.  The magazine’s web site does not have any listings of what has been published when…so I was unable to find McDermott’s quilt reproduction again.

For over ten years I have been cutting leftover fabric that’s too small to fold into my stash into useable pieces.  The most versitile show up in this block:  3 1/2-inch squares, 2 by 3 1/2- inch rectangles, and 2-inch squares.  The 3 1/2-inch 9-patch you see in the above pic is from a quilt given to my niece, Kerry Enright, some years ago.  I had a few of those 9 patches leftover and just threw them into the bag of 3 1/2-inch squares.  And, for me, it’s fun to see all the pieces of quilts I have made over the years.  I can feel their good energy vibrating in this happy quilt.

What’s cool about this quilt, though, is the backing:

 

I absolutely love this fabric!  It’s called “June Bug.”  You may see some of it turn up in quilt blocks down the road, too…  I especially love the dragonfly which is my artist symbol.  I often use the term “Lovey Dragonfly” to sign a piece of artwork.

The name comes from the binding fabri , which has a round stamp scattered across it that says “Barnum and Bailey Circus:  The Greatest Show on Earth.”  I had been going to call the quilt “Nature Sings” since there is a lot of “nature” in the front blocks as well.  But, the Circus stamp chinched the name for me.

I quilted using an “antique rose” thread, which did not detract from the back and which “dumbed down” the red border on the front, and I used an all-over feather pattern pantograph.  (I really love pantographs!)

This quilt went with love and affection to my great niece and fellow artist, Fiona Whittle.

Turkey Tracks: “Fine China” Quilt

Turkey Tracks:  February 12, 2012

“Fine China Quilt”

This quilt started out with a set of blue and white squares and rectangles.

Here’s the first block–made and placed tentatively on the design wall–four-square blocks alternated with rectangles:

 Here’s the finished quilt:

I alternated the placement of the rectangles on the second block–the first block has the four-patches to the outside; the second has the rectangles to the outside.  What results, still, are lines of light and dark blocks on diagonal lines up and down the quilt.  Since I have a lot of “medium” blues, the lines are not always as stark as if I were using starker darks and lights.

Here’s a close-up of the blocks, so you can see some of the beautiful feather and swirl quilting I did freehand on the long-arm:

John went with me down to Marge’s at Mainely Sewing to choose a backing.  He chose this paisley fabric, which we both thought was perfect, and I chose the binding fabric, which has a lot of visual interest:

This quilt went to Hannah Rheault Kreibich, first daughter of Willow Rheault Kreibich, who is the daughter of our neighbor Sarah Rheault, who is English.  The blue and white floral prints have always looked like English china to me.   But this name is a bit more complicated.  “Fine China” is what our grandsons thought they heard when their parents used real words to describe their younger sisters’ body parts.  Willow topped this story with a similar one from her family.  A son thought his mother had a “china.”  It all became very complicated when they went to a zoo and he saw a panda bear from “China.”  Too funny!  Thanks, Willow.

Turkey Tracks: Quilts, Quilts, Quilts: “Star Light, Star Bright”

Turkey Tracks:  February 12, 2012

Quilts, Quilts, Quilts:  “Star Light, Star Bright”

I’m still quilting like a madwoman.

And, having such a good time making creative use of 10 years of scrap fabric cut into useable pieces.

I sent off three quilts this week.

Here’s “Star Light, Star Bright”–a baby quilt made for a little boy–Meyer James Kelly–who will be born any minute now.  The bed gives you some size references.

 These blocks are in the “La, La Log Cabin” style, taught to Coastal Quilters by Rhea Butler of Alewives Quilting in Damariscotta, Maine.  For the centers, which are deliberately cut “wonky” so the block develops “wonky,” are a set of blocks from a Wynkin, Blikin, and Nod line of fabric that I used in another baby quilt.  I loved the blocks so much that I couldn’t bear to toss what was left.  I had to make two star blocks–I traced the star on a blue fabric, fused it to the star print, and blanket-stitched around it.

Here’s an upright view:

Here’s a close-up of one of the “Wynkin, Blinkin, and Nod ” blocks–there were different pictures in the blocks:

I quilted with a big meander pattern broken by stars–so it will be soft–and tried one of my curved templates in the border.

I love the orange binding with blue stars.  That fabric was a find.

The backing is plain–and I’ve been printing labels and hand sewing them on to the back of the quilt.  I like it that I can put in little sayings, poems, how the quilt emerged for me, and so forth–even pictures!  You can see both backing and the label in this pic:

So fun!  So happy!

Turkey Tracks: “Neil Berg’s 100 Years of Broadway”

Turkey Tracks:  February 12, 2012

Neil Berg’s 100 Years of Broadway

Friday night held a special treat for us, besides dinner with good friends:  Neil Berg’s “100 Years of Broadway,” a Bay Chamber winter concert.

WOW!

Neil Berg is a very successful composer/lyricist–“The Prince and the Pauper,” “The Twelve,” “The Man Who Would Be King,” “Time and Scrooge,” “Heidi,”  and on and on…   He oozes music and knowledge about the history of Broadway.  He puts together this show where he asks major Broadway stars to join him in singing and dancing many of the songs/dances that they, themselves, have sung “on broadway.”  Along the way, we all learned a little Broadway history and some “insider” tales.

Berg played the piano, and there was a drummer and an electric guitar player.  And boy could Berg play the piano!

This show started with Natalie Toro singing some of the major songs from “Evita,” in which she starred.  She also had major roles in “A Tale of Two Cities,” “Les Miserables,” “Cats,” and “A Christmas Carol.”  Her gorgeous voice is laced with passion.

Rita Harvey is a major Broadway star, probably best known for five years as Christine in “The Phantom of the Opera.”  She’s married to Berg, and she has an astonishing soprano–clear and true.

Danny Zolli is probably best known for “Jesus Christ Superstar,” and he blew us out of the Camden Opera House with some of that music–but not before singing “Sherry,” from “Jersey Boys,” which made us all want to sing along and get up and dance.

Ted Louis Levy is a master tap dancer with a mellow voice and a soft-shoe pleasing manner onstage.  He made his Broadway debut in “Black & Blue.”

David Elder danced and sang “Singing in the Rain,” a la Fred Astaire style.  He’s been in “42nd Street, “Kiss Me Kate,” “Once Upon A Mattress,” “Damn Yankees,” “Guys and Dolls,” “Titanic,” “Beauty and the Beast,” and “Curtains.”

Were we ever spoiled or what???

One of the joys of living in a small town with a huge cultural component is that we get to see traveling shows like this one.  The Camden Opera House was sold out.

It’s Sunday now, and we’re still walking around humming bits of songs we heard Friday night.  And, we’ve checked our stash of Broadway CD’s to see what’s there.

The show ended–after three hours with an intermission– with “Seasons of Love” from “Rent.”  We think we’ll order some of the Broadway DVDs and have some fun on these cold winter nights.

If this show comes to a place near you, GO!

Turkey Tracks: Moving the Bees

Turkey Tracks:  February 9, 2012

Moving the Bees

Last Thanksgiving, we were in Charleston, SC, with our children.  Both of our sons and their families live within two blocks of each other, so we stay a chunk of time with each family.

My daughter-in-law, Tami, has been a backyard bee keeper for the past year.  And, by year’s end, she had harvested her first honey:

Tami’s hive was in a shady part of the yard, however, and had acquired a worrisome kind of little beetle that can harm the hive.  So, just after Thanksgiving, she and her bee mentor, with the help of her fellow beekeeper Kay, decided to move the hive to a sunnier spot in the yard.

Here’s Kelly, all ready for the move–see the hive alongside the back fence?

Here’s Kay and Tami with the children, starting the smoker:

The boys are ready for the next step of the move:

The bee mentor and his wife arrive, and here’s the whole crew, moving the bees.  Notice Kay’s daughter standing nearby without any protection.  Bees really are not aggressive unless you directly threaten the hive and/or its honey.  They are especially not aggressive if they’ve been smoked.

Here’s the new site–note the sun:

Here’s the hive in its sunny new site alongside Tami’s raised vegetable beds:

But, this picture isn’t the end of the story.

There are two other pieces.

First, all the bees that were out foraging came home to find no hive where they left it.  Hundreds of them swarmed around the spot where the hive had been.  By nightfall, they lit on the fence and on the ground below the fence.  Tami and I couldn’t bear it; our hearts were breaking.  We donned gloves and took a flashlight and scooped up as many as we could with sheets of newspaper and slid them into brown paper sacks.  We then put the sacks, open, next to the hive.  By morning, the bees were gone.  Rejoined, we hoped, with their hive.  We had “saved,” we hoped, hundreds of bees.

Second, Tami thought the bees were ok in their new spot.  There was a lot of activity at the hive.  Bees were coming and going.  But, when she returned from Christmas in Maine, something didn’t seem quite right.  She donned her gear and opened the hive–something one does not do much in the winter.

The hive was empty.  Not a bee in sight.  And all the honey was gone–though she had left two flats of honey for the bees to use over the winter.  The bee activity she had seen were robber bees from another hive, taking all the honey.

She does not know what happened.  Was the queen damaged in the move?  Did a nearby automatic water sprinkler wet the hive?  There was some mold on the bottom layers…???  Was it colony collapse disorder?  Or, had her bees, simply, departed.

She’s ordered more bees and a new hive, since the old one has to be destroyed in case there was a disease present.

She loves her bees, and this loss was huge.  For us, too, as we loved her honey.

Turkey Tracks: Making Greeting Cards

Turkey Tracks:  February 9, 2012

Making Greeting Cards

Greeting cards have become REALLY expensive.

For a long time now, I’ve been making my own.  I sew on some, I glue things on some, I stamp some, and so forth.

Perhaps one of the easiest is to put a photo into a card.  Swarthmore, for instance, sells 40 photo greeting cards and envelopes with deckle edges, for $20.  That’s 50 cents a card.  (They’re for 4 by 6-inch photos.)  You can order these photo cards online from lots of places.  The last batch I got had modified the slot for the photo so that it’s like a little envelope into which you slide your photo.  Mine have not needed any additional sticking (with the enclosed stickers) to hold them into place without sliding.

Lately, I’ve been using photos of pieces of my quilts.  Here’s what a recent batch looks like:

I write, in pencil, the name of the quilt on the right-hand corner of each card.

I like them a lot!

Turkey Tracks: Cheryl Wixson’s Homemade Ketchup

Turkey Tracks:  February 9, 2012

Cheryl Wixson’s Homemade Ketchup

In our Cheryl Wixson’s Kitchen CSA last month, we got some homemade ketchup:

I keep thinking about pouring some into a spoon and just eating it.  Seriously, this ketchup leaps into my mind on a regular basis.  I find myself thinking about what I can cook that I can put it on.

Next year, I’m definitely going to try to make some for our winter eating.  But, I doubt mine will ever be as good as this one is!

Eat your heart out Kelly Enright!

PS:  Cheryl just sent the list of goodies in our February box which I’ll pick up next Tuesday at the Belfast Coop.  I can hardly wait!

Turkey Tracks: Leftover Sock Yarn

Turkey Tracks:  February 7, 2012

Leftover Sock Yarn

Here’s what my leftover sock yarn pile looks like now:

I was shocked when I rummanged through the yarn bin and saw how much there was.

It’s the same problem as the leftover quilt fabrics.

Last week I bought two sock skeins:  navy and cream.   I’m going to use them to unify these yarns (cuff, heel, toe?) so I can make all the grandchildren socks for next winter.   You can see a pair for Kelly shaping up.  The blues will be easy I think.

I don’t know.  Maybe I need a soft green too?

Yikes!