Louisa Enright's Blog

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Posts Tagged ‘Wild and Goosey quilt block

Turkey Tracks: “Wild and Goosey” Quilt

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Turkey Tracks:  January 12, 2020

Wild and Goosey Quilt

She’s FINALLY done.

This one has been YEARS in the making.

Bonnie Hunter designed the foundation pieced block-which is 1/4 of the block arrangement I chose.  When combined with 3 other blocks and some inner sashings, you get what I have below.  I then used 3-inch wider sashings and a 9-patch to surround each block.  Friend Betsy Maislen suggested the low-volume border, and I added in narrow strips of the grey randomly as I went along.  This project is all scrappy, of course.

I quilted with a light grey thread and bound with a light grey solid.  The pantograph is Anne Bright’s 12-inch Simple Feathers pattern, which is a favorite of mine to lay down a curved, overall design that does not intrude.

I love, love, love the backing.  Betsy Maislen brought this one in to my life as well, and I bought enough to have for a backing down the road.

The block is very effective and dramatic, but it takes me (at least) a long time to make one of them.  Still, I love them, so the effort was worth it.

Turkey Tracks: I DID IT!!!

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Turkey Tracks:  December 26, 2019

I DID IT!!!

On Christmas Day I met a friend with a dog for a super pleasant hour of exercise for all involved.  It was cold enough that the dog park mud was frozen.  Others came, the thrown balls bounced high and traveled far, and the dogs and people were all happy to spend this time together.

I came home, had a nice lunch, and…started my planned Christmas Day project.  In between I talked with various family members via Facetime.

With the help of a terrific video, I took apart my Brother 1034D serger, cleaned it, greased it, CHANGED THE KNIVES, changed the needles, and rethreaded it.

I had some trouble at the end with getting the thread on one of the loopers right, but this morning…

PERFECTION!

And now I understand EXACTLY how that looper threading works.

That serger is running like a dream!  The new knives made all the difference—and the lubrication and cleaning, well, the thing is running super smooth.  Now to make the knit garments I have stockpiled for winter sewing.  PLUS, I’ve realized I don’t have to take EVERYTHING apart just to change the knives.  But, cleaning this machine thoroughly may become a Christmas project yearly.

Here’s the very helpful video, and I had a lot of fun assembling the products this generous woman uses for this project.

Look what’s on the longarm today—Bonnie Hunter’s Wild and Goosey block is now in a quilt.  This one has been a LONG project—two or three years all told, off and on.  Many, many, many hours have been used in getting all these blocks done and into a quilt.

Happy Holidays Everyone!

And all my best to everyone for 2020 and beyond.

Turkey Tracks: Mt. Battie Modern Quilt Guild October 2019 Stay Retreat

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Turkey Tracks:  November 3, 2019

Mt. Battie Modern Quilt Guild October 2019 Stay Retreat

It was fun.

A Stay Retreat means those who can’t travel elsewhere for various reasons can quilt for two days at our local Lions Club alongside other Mt. Battie Modern QG or Coastal Quilters members.

A Retreat offers a time for intensive sewing where projects can be finished while sharing time and projects with other quilters.

I finished the top of this YEARS LONG project:  a quilt made from Bonnie Hunter’s Wild and Goosey quilt block—an intense foundation pieced block that is fun, but time consuming to make.  Look at all those tiny, tiny pieces

I like how the neutral border came out—a light grey binding will stop the eye and the light border holds the quilt middle nicely.  Thanks Betsy Maislen for this idea.  I like, too, the bits of color in the neutrals.

This block can look very, very different in other hands—like Linda Satkowski’s.  Her quilt with carefully chosen colors and a darker background is so handsome.  She has been my quilting companion during this long, long project—for both of us.  At this retreat she is sewing rows together—I think there will be 7 or 8 rows.

I have a very cool backing for this quilt—again thanks to Betsy Maislen who found it summer before last and brought me a fat quarter of it.

I have the Slopes quilt top on the longarm now—from Amanda Jean Nyberg’s NO SCRAP LEFT BEHIND.  Mine is made from Cotton+Steel fabrics—the dark colors, not neutrals—collected over past years.