Turkey Tracks: July 24, 2011
“Corinne’s Beach Braid,” A Quilt
Last February during my annual trip to Williamsburg, VA, to quilt with my Virginia quilt friends and to attend the Mid-Atlantic Quilt Show, I started a special quilt for my daughter-in-law–and new mother–Corinne–whose birthday is the day after mine. Pisces! ( And yes, we both love water.)
I used a French Braid pattern from FRENCH BRAID QUILTS, by Jane Hardy Miller and Arlene Netten, which I have long admired.
http://www.amazon.com/French-Braid-Quilts-Dramatic-Results/dp/1571203265/ref=sr_1_1?s=books&ie=UTF8&qid=1311529589&sr=1-1.
Since Corinne lives on Isle of Palms, SC, 2 blocks from the beach, I wanted to use blues, greens, and sandy colors, from light to dark–with a contrasting inner diamond of red/orange–all batiks.
To execute the pattern I picked from the book, one was supposed to pick about 10 fabrics for a run, with 2 for starting and ending triangles. (These quilts can be directional, with a run of fabrics that moves from light to dark, or vice versa.) I came home with more like 14 in total. So, the two runs together, made for a LONG narrow quilt, which I realized when I saw the first few runs actually completed. I knew I had to add two more runs at a minimum and that I would be bumping up against my long-arm machine width limit of about 83 inches.
I had used all of the orange-ish batik fabric I was using for the inner diamonds, and I was lucky enough to find it THE LAST DAY of the big quilt show in Williamsburg.
Finally, I discovered Anne Bright pantographs for the quilting and found two that had beach motifs–I ordered the one with sea horses, stars, big conch shells, and so forth for the body of the quilt, and the one with flip-flops and shells for the border–which would mean I would have to repin the quilt sides after quilting the top and bottom borders and the body of the quilt to get at the side borders. You can see Anne Bright’s web site at http://www.annebright.com/shop/category/store/paper-pantographs/.
So, here’s the finished quilt across the end of the bed:

And, here it is from out upper front porch–in bright sun which has distorted the colors. John and valient Talula (tiny hands on the left) are holding it. You can just about make out the flip-flop pattern on the bottom border.

Several long-arm quilters strongly suggested that I use a poly thread–So Fine–for the bobbin thread. As it is fine, a bobbin goes a long way. And, So Fine seems to make the top, cotton thread stand up. But, the downside, I discovered, is that the elaborate patterns I used on the body of the quilt and on the borders and the stitch-in-the-ditch I did so well do not show on the back of the quilt at all. See:

Here are some close-ups of some of the braids:


I really love this quilt, and I’d love to make more with the French Braid pattern. It’s a fun pattern to do and would lend itself to all kinds of interesting color schemes and fabrics. From now on though, I’m remaining an all-cotton girl!