Mainely Tipping Points 40: “The Battle to Save the Polish Countryside”

Mainely Tipping Points 40

“The Battle to Save the Polish Countryside”

 

Sir Julian Rose inherited Rose of Hardwick House in 1966, when he was 19 years old.  By 1975, at age 28, he began converting the farm to organic production.  In 1984 he moved to the farm full time and began what Wikipedia calls “an intense campaign to promote ecological food and farming in the face of the rapid rise of industrial agriculture.”  He has made numerous broadcasts on national radio and television and has written many articles, all of which call for the support of local and regional food economies rather than global ones. 

In November of 2000, Sir Julian Rose was invited by Jadwiga Lopata to come to Poland and co-direct The International Coalition to Protect the Polish Countryside (ICPPC), which she had founded.  Poland was trying to join the European Union, and Rose and Lopata knew that what Rose calls “the renowned biodiversity” of the Polish countryside soon would be under attack.  Rose has chronicled what ensued in a short article, “The Battle to Save the Polish Countryside,” which is widely available online, including at the Weston A. Price Foundation web site:  http://www.westonaprice.org/farm-a-ranch/the-battle-to-save-the-polish-countryside.    

Why should we care about Poland’s agricultural situation?  The answer is simple:  what is happening in Poland is also happening in Maine now and has already happened across large parts of the United States.  If we are aware of this economic pattern, which is so heavily supported by the political arena, we can each take steps to fight it.  What is at stake is nothing less than our freedom, since our freedom to choose clean, nutrient-dense foods that support our bodies, food that is grown by farmers we know, is being replaced by dirty, poisonous, fake foods that are making us sick while they are making the 1 percent richer. 

And we are sick.  Leigh Erin Connealy, MD, who runs a cancer center in California, said in a recent interview with Kevin Gianni in the online Healing Cancer World Summit that today, cancer is the number 1 killer and will strike one in two men and one in three women.  That’s a plague, isn’t it?  Our broken food system is part of what has gone wrong.

Rose wrote that he and Lapata addressed “the Brussels-based committee responsible for negotiating Poland’s agricultural terms of entry into the EU.”  No one on the committee was from Poland, though 22 percent of the Polish population was involved in agriculture, mostly on small farms.  Rose told the committee that in Britain and other EU countries, restructuring agriculture had “involved throwing the best farmers off the land and amalgamating their farms in to large scale monocultural operations designed to supply the predatory supermarket chains.” 

The committee’s chair countered by saying that the EU’s policy objectives involved ensuring “that farmers receive the same salary parity as white collar workers in the cities” and that the only way to accomplish this goal was to restructure and modernize Polish farms so that they could “compete with other countries’ agricultural economies and the global market.”  Thus, said the chairwoman, one million farmers would need to be shifted off the land and into city and service industry jobs that would improve their economic position.

 Rose countered by pointing out that as unemployment was running at 20 percent, he didn’t see how jobs could be provided for “another million farmers dumped on the streets of Warsaw.”  After a long silence, a committee member from Portugal noted that since her country had joined the EU, 60 percent of small farmers had left their land and that the EU didn’t care about small farmers.

 Rose and Lopata began trying to educate the Polish people about what EU restructuring would actually mean for them.  Rose described the changes in Britain to the Polish parliament:  restructuring had meant “the ripping up of 35,000 miles of hedge rows; the loss of 30 percent of native farmland bird species, 98 percent of species-rich hay meadows, thousands of tons of wind-and-water-eroded top-soil, and the loss from the land of about fifteen thousand farmers ever year, accompanied by a rapid decline in the quality of food.” 

I can tell you that in my lifetime, I have witnessed, around Reynolds, Georgia, the loss of the hedge rows and the loss of the quail that once lived in them.  I have seen the topsoil blowing off of the open fields.  And, seen deep fissures in the eroded land.  Worst of all, I have seen and smelled the toxic poisons sprayed onto the fields and the food growing in them.  I have seen the skull and cross bone signs posting those fields and come home smelling of noxious chemicals because I had walked past those fields—weeks after they had been sprayed.  And they want us to eat this food, to put this food into our bodies?

Poland joined the EU in 2004. And, the restructuring began.  Farmers who took the proffered agricultural subsidies and free advice found themselves, as did Rose himself before them, “filling out endless forms, filing maps, and measuring every last inch of your fields, tracks and farmsteads.  It meant applying for `passports’ for your cattle and ear tags for your sheep and pigs, resiting the slurry pit and putting stainless steel and washable tiles on the dairy walls, becoming versed in HAASP hygiene and sanitary rules and applying them where any food processing was to take place, and living under the threat of convictions and fines should one put a finger out of place or be late in supplying some official detail.”  What is being lost is “our independence and our freedom—the slow rural way of life shared by traditional farming communities throughout the world.”

 Behind the EU agricultural policies, writes Rose, were agribusinesses and seed corporations who wanted to “get their hands on “Poland’s relatively unspoiled work force and land resources.”  The newly passed EU regulatory policies helped. 

Among the “most vicious of anti-entrepreneurial weapons,” writes Rose, are the “sanitary and hygiene regulations” which are “enforced by national governments at the behest of the Common Agricultural Policy of the European Union.”  These “hidden weapons of mass farmer destruction” became the main tool for replacing small farmers with “monocultural money-making agribusiness.”

By 2005, writes Rose, or a mere one year later, “65 percent of regional milk and meat processing factories had been forced to close because they `failed’ (read:  couldn’t afford) to implement the prescribed sanitary standards.  Some 70 percent of small slaughterhouses have also suffered the same fate.  Farmers increasingly have nowhere to go to sell their cattle, sheep, pigs, and milk.”  And, with the destruction of this infrastructure, farmers are forced off the land. 

In Maine, the state government has rescinded a small farmer’s ability to raise and slaughter up to 1,000 chickens and sell them—despite the fact that no one has been made sick.  Small farmers can no longer share slaughtering equipment, a time-honored practice in rural America.   At local farmers’ markets, state government officials have attempted to stop farmers and venders from providing tastes of their foods, unless they can provide hot water for washing hands. 

And, the FDA stopped a local organic farmer from selling fresh-pressed cider at local stores or at the Maine Organic Farmers and Growers Association’s  (MOFGA) fall fair, even though, again, there had been no reports of illness.  (Oddly, unpasteurized cider can be taken across state lines as long as it is properly labeled, unlike raw milk.) 

Who got the MOFGA fair business?  A large grower who either pasteurizes or treats cider with ultraviolet light and who grows apples with Integrative Pest Management (IPM) practices, which means they pause before they go ahead and spray.

The sanitary and hygiene weapons, writes Rose, are now “scything their way through Romanian family farms, whose extraordinary diversity and peasant farming skills are a ready match for Poland’s.”  Rose predicted in 2008 that Turkey would soon be targeted.

This “global food economy,” writes Rose, is “the instrument of a relatively small number of very wealthy, transnational corporations.”   Rose lists Monsanto, Cargill, and their “fellow seed operatives Dupont, Pioneer, and Syngenta.”  What evolves is the patenting of seeds, so farmers have to buy new seeds each year, and the massive use of toxic agricultural chemicals that are killing the structure of the soil.   

Rose describes how the push to introduce GMO seeds into Poland has been relentless.  Under Prime Minister Jaroslaw Kaczynski, Poland tried to ban “the import and sale of GMO seeds and plants in Poland” and to ban GM animal feed by 2008.  As of 2010, this battle continues.  Industry harnessed support from agricultural professors and the media.  (Much of the Polish media is foreign owned, and industry makes huge contributions to academia).  And, the EU has stated that blanket banning of GMOs violates free-trade dictates.  

Meanwhile, Smithfield pigs are being raised on Polish soil and being fed Monsanto soy.  These pigs have flooded the market; their cheapness has undercut pigs raised by traditional pork farmers.  Further, with some of the US’s grain crops going to make biofuels, conventional feeds have become expensive.  So, GM soy and corn, once avoided in Europe, are now the “only cheap option available” in Poland.   

Poland still has one and a half million family farms.  These farmers could mount “a full blown peasants’ revolt to recapture the right to grow, eat and trade their superb farmhouse foods, thus freeing themselves from the increasing stranglehold that the bureaucratically perverse sanitary and hygiene regulations have imposed upon them.”

Rose writes, there are those “who are waking up to the stark choices that confront all of us:  capitulate to the forces of `total control’ or wrest back control of life and work to rejuvenate local communities to do the same.”   

Support your local farmers!   

Turkey Tracks: Tuesday is Clean Sheet Day

Turkey Tracks:  February 12, 2012

Tuesday is Clean Sheet Day

Or, wash day.

And the day we change sheets.

Last Tuesday I took this picture of the counter over the dryer.  I throw my wool socks on to the counter when they come out of the washer.  (Make sure your wool socks are washable!)  I can dry them in the dryer, but I never do as I have the notion that they will last longer if I don’t subject them to the dryer’s heat.

Anyway, all the colors seemed pretty to me lying all next to each other.

Turkey Tracks: “Nature the Greatest Show on Earth” Quilt

Turkey Tracks:  February 12, 2012

“Nature:  The Greatest Show on Earth” Quilt

Here’s this lively, happy  finished quilt:

Here’s a picture of a block close-up:

This block pattern is a very old one–and I have been unable to put a name to it.  It’s just always–there.  If anyone has a name for it, please let me know.

What’s different here is that I surrounded the block with a stripe and used a unifying corner stone.  Then I set the blocks on point.  The idea for using stripes, a unifying corner stone, and setting the blocks on point came from “Quilt Magazine,” Susan McDermott, and her remake of an older traditional quilt using these tatics.  The article was called “Old World Comfort.”  When I xeroxed the article so I could “play the magazine forward,” there were no dates on the pages.  My memory is that it appeared in the late fall/winter of 2011.  The magazine’s web site does not have any listings of what has been published when…so I was unable to find McDermott’s quilt reproduction again.

For over ten years I have been cutting leftover fabric that’s too small to fold into my stash into useable pieces.  The most versitile show up in this block:  3 1/2-inch squares, 2 by 3 1/2- inch rectangles, and 2-inch squares.  The 3 1/2-inch 9-patch you see in the above pic is from a quilt given to my niece, Kerry Enright, some years ago.  I had a few of those 9 patches leftover and just threw them into the bag of 3 1/2-inch squares.  And, for me, it’s fun to see all the pieces of quilts I have made over the years.  I can feel their good energy vibrating in this happy quilt.

What’s cool about this quilt, though, is the backing:

 

I absolutely love this fabric!  It’s called “June Bug.”  You may see some of it turn up in quilt blocks down the road, too…  I especially love the dragonfly which is my artist symbol.  I often use the term “Lovey Dragonfly” to sign a piece of artwork.

The name comes from the binding fabri , which has a round stamp scattered across it that says “Barnum and Bailey Circus:  The Greatest Show on Earth.”  I had been going to call the quilt “Nature Sings” since there is a lot of “nature” in the front blocks as well.  But, the Circus stamp chinched the name for me.

I quilted using an “antique rose” thread, which did not detract from the back and which “dumbed down” the red border on the front, and I used an all-over feather pattern pantograph.  (I really love pantographs!)

This quilt went with love and affection to my great niece and fellow artist, Fiona Whittle.

Turkey Tracks: “Fine China” Quilt

Turkey Tracks:  February 12, 2012

“Fine China Quilt”

This quilt started out with a set of blue and white squares and rectangles.

Here’s the first block–made and placed tentatively on the design wall–four-square blocks alternated with rectangles:

 Here’s the finished quilt:

I alternated the placement of the rectangles on the second block–the first block has the four-patches to the outside; the second has the rectangles to the outside.  What results, still, are lines of light and dark blocks on diagonal lines up and down the quilt.  Since I have a lot of “medium” blues, the lines are not always as stark as if I were using starker darks and lights.

Here’s a close-up of the blocks, so you can see some of the beautiful feather and swirl quilting I did freehand on the long-arm:

John went with me down to Marge’s at Mainely Sewing to choose a backing.  He chose this paisley fabric, which we both thought was perfect, and I chose the binding fabric, which has a lot of visual interest:

This quilt went to Hannah Rheault Kreibich, first daughter of Willow Rheault Kreibich, who is the daughter of our neighbor Sarah Rheault, who is English.  The blue and white floral prints have always looked like English china to me.   But this name is a bit more complicated.  “Fine China” is what our grandsons thought they heard when their parents used real words to describe their younger sisters’ body parts.  Willow topped this story with a similar one from her family.  A son thought his mother had a “china.”  It all became very complicated when they went to a zoo and he saw a panda bear from “China.”  Too funny!  Thanks, Willow.

Turkey Tracks: Quilts, Quilts, Quilts: “Star Light, Star Bright”

Turkey Tracks:  February 12, 2012

Quilts, Quilts, Quilts:  “Star Light, Star Bright”

I’m still quilting like a madwoman.

And, having such a good time making creative use of 10 years of scrap fabric cut into useable pieces.

I sent off three quilts this week.

Here’s “Star Light, Star Bright”–a baby quilt made for a little boy–Meyer James Kelly–who will be born any minute now.  The bed gives you some size references.

 These blocks are in the “La, La Log Cabin” style, taught to Coastal Quilters by Rhea Butler of Alewives Quilting in Damariscotta, Maine.  For the centers, which are deliberately cut “wonky” so the block develops “wonky,” are a set of blocks from a Wynkin, Blikin, and Nod line of fabric that I used in another baby quilt.  I loved the blocks so much that I couldn’t bear to toss what was left.  I had to make two star blocks–I traced the star on a blue fabric, fused it to the star print, and blanket-stitched around it.

Here’s an upright view:

Here’s a close-up of one of the “Wynkin, Blinkin, and Nod ” blocks–there were different pictures in the blocks:

I quilted with a big meander pattern broken by stars–so it will be soft–and tried one of my curved templates in the border.

I love the orange binding with blue stars.  That fabric was a find.

The backing is plain–and I’ve been printing labels and hand sewing them on to the back of the quilt.  I like it that I can put in little sayings, poems, how the quilt emerged for me, and so forth–even pictures!  You can see both backing and the label in this pic:

So fun!  So happy!

Turkey Tracks: “Neil Berg’s 100 Years of Broadway”

Turkey Tracks:  February 12, 2012

Neil Berg’s 100 Years of Broadway

Friday night held a special treat for us, besides dinner with good friends:  Neil Berg’s “100 Years of Broadway,” a Bay Chamber winter concert.

WOW!

Neil Berg is a very successful composer/lyricist–“The Prince and the Pauper,” “The Twelve,” “The Man Who Would Be King,” “Time and Scrooge,” “Heidi,”  and on and on…   He oozes music and knowledge about the history of Broadway.  He puts together this show where he asks major Broadway stars to join him in singing and dancing many of the songs/dances that they, themselves, have sung “on broadway.”  Along the way, we all learned a little Broadway history and some “insider” tales.

Berg played the piano, and there was a drummer and an electric guitar player.  And boy could Berg play the piano!

This show started with Natalie Toro singing some of the major songs from “Evita,” in which she starred.  She also had major roles in “A Tale of Two Cities,” “Les Miserables,” “Cats,” and “A Christmas Carol.”  Her gorgeous voice is laced with passion.

Rita Harvey is a major Broadway star, probably best known for five years as Christine in “The Phantom of the Opera.”  She’s married to Berg, and she has an astonishing soprano–clear and true.

Danny Zolli is probably best known for “Jesus Christ Superstar,” and he blew us out of the Camden Opera House with some of that music–but not before singing “Sherry,” from “Jersey Boys,” which made us all want to sing along and get up and dance.

Ted Louis Levy is a master tap dancer with a mellow voice and a soft-shoe pleasing manner onstage.  He made his Broadway debut in “Black & Blue.”

David Elder danced and sang “Singing in the Rain,” a la Fred Astaire style.  He’s been in “42nd Street, “Kiss Me Kate,” “Once Upon A Mattress,” “Damn Yankees,” “Guys and Dolls,” “Titanic,” “Beauty and the Beast,” and “Curtains.”

Were we ever spoiled or what???

One of the joys of living in a small town with a huge cultural component is that we get to see traveling shows like this one.  The Camden Opera House was sold out.

It’s Sunday now, and we’re still walking around humming bits of songs we heard Friday night.  And, we’ve checked our stash of Broadway CD’s to see what’s there.

The show ended–after three hours with an intermission– with “Seasons of Love” from “Rent.”  We think we’ll order some of the Broadway DVDs and have some fun on these cold winter nights.

If this show comes to a place near you, GO!

Turkey Tracks: Moving the Bees

Turkey Tracks:  February 9, 2012

Moving the Bees

Last Thanksgiving, we were in Charleston, SC, with our children.  Both of our sons and their families live within two blocks of each other, so we stay a chunk of time with each family.

My daughter-in-law, Tami, has been a backyard bee keeper for the past year.  And, by year’s end, she had harvested her first honey:

Tami’s hive was in a shady part of the yard, however, and had acquired a worrisome kind of little beetle that can harm the hive.  So, just after Thanksgiving, she and her bee mentor, with the help of her fellow beekeeper Kay, decided to move the hive to a sunnier spot in the yard.

Here’s Kelly, all ready for the move–see the hive alongside the back fence?

Here’s Kay and Tami with the children, starting the smoker:

The boys are ready for the next step of the move:

The bee mentor and his wife arrive, and here’s the whole crew, moving the bees.  Notice Kay’s daughter standing nearby without any protection.  Bees really are not aggressive unless you directly threaten the hive and/or its honey.  They are especially not aggressive if they’ve been smoked.

Here’s the new site–note the sun:

Here’s the hive in its sunny new site alongside Tami’s raised vegetable beds:

But, this picture isn’t the end of the story.

There are two other pieces.

First, all the bees that were out foraging came home to find no hive where they left it.  Hundreds of them swarmed around the spot where the hive had been.  By nightfall, they lit on the fence and on the ground below the fence.  Tami and I couldn’t bear it; our hearts were breaking.  We donned gloves and took a flashlight and scooped up as many as we could with sheets of newspaper and slid them into brown paper sacks.  We then put the sacks, open, next to the hive.  By morning, the bees were gone.  Rejoined, we hoped, with their hive.  We had “saved,” we hoped, hundreds of bees.

Second, Tami thought the bees were ok in their new spot.  There was a lot of activity at the hive.  Bees were coming and going.  But, when she returned from Christmas in Maine, something didn’t seem quite right.  She donned her gear and opened the hive–something one does not do much in the winter.

The hive was empty.  Not a bee in sight.  And all the honey was gone–though she had left two flats of honey for the bees to use over the winter.  The bee activity she had seen were robber bees from another hive, taking all the honey.

She does not know what happened.  Was the queen damaged in the move?  Did a nearby automatic water sprinkler wet the hive?  There was some mold on the bottom layers…???  Was it colony collapse disorder?  Or, had her bees, simply, departed.

She’s ordered more bees and a new hive, since the old one has to be destroyed in case there was a disease present.

She loves her bees, and this loss was huge.  For us, too, as we loved her honey.

Turkey Tracks: Making Greeting Cards

Turkey Tracks:  February 9, 2012

Making Greeting Cards

Greeting cards have become REALLY expensive.

For a long time now, I’ve been making my own.  I sew on some, I glue things on some, I stamp some, and so forth.

Perhaps one of the easiest is to put a photo into a card.  Swarthmore, for instance, sells 40 photo greeting cards and envelopes with deckle edges, for $20.  That’s 50 cents a card.  (They’re for 4 by 6-inch photos.)  You can order these photo cards online from lots of places.  The last batch I got had modified the slot for the photo so that it’s like a little envelope into which you slide your photo.  Mine have not needed any additional sticking (with the enclosed stickers) to hold them into place without sliding.

Lately, I’ve been using photos of pieces of my quilts.  Here’s what a recent batch looks like:

I write, in pencil, the name of the quilt on the right-hand corner of each card.

I like them a lot!

Turkey Tracks: Cheryl Wixson’s Homemade Ketchup

Turkey Tracks:  February 9, 2012

Cheryl Wixson’s Homemade Ketchup

In our Cheryl Wixson’s Kitchen CSA last month, we got some homemade ketchup:

I keep thinking about pouring some into a spoon and just eating it.  Seriously, this ketchup leaps into my mind on a regular basis.  I find myself thinking about what I can cook that I can put it on.

Next year, I’m definitely going to try to make some for our winter eating.  But, I doubt mine will ever be as good as this one is!

Eat your heart out Kelly Enright!

PS:  Cheryl just sent the list of goodies in our February box which I’ll pick up next Tuesday at the Belfast Coop.  I can hardly wait!

Turkey Tracks: Leftover Sock Yarn

Turkey Tracks:  February 7, 2012

Leftover Sock Yarn

Here’s what my leftover sock yarn pile looks like now:

I was shocked when I rummanged through the yarn bin and saw how much there was.

It’s the same problem as the leftover quilt fabrics.

Last week I bought two sock skeins:  navy and cream.   I’m going to use them to unify these yarns (cuff, heel, toe?) so I can make all the grandchildren socks for next winter.   You can see a pair for Kelly shaping up.  The blues will be easy I think.

I don’t know.  Maybe I need a soft green too?

Yikes!