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Turkey Tracks: Mt. Battie Modern Show and Tell, November 2018, Part 2

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Turkey Tracks:  November 17, 2018

Turkey Tracks:  Mt. Battie Modern Show and Tell, November 2018, Part 2

Tori Manzi took an improv class with Kristy Daum last summer, and this quilt top is the result.  Rules included choosing a color family (blue here) with light and dark representations AND a “pop” color (bright pink) AND using solids with a specified minimum number of printed fabrics.  (Daum’s web site is stlouisfolkvictorian.com)

Tori has agreed to lead us in an improv workshop one day soon to try out this process, which she says is very interesting and freeing.

During the summer three years ago Becca Babb-Brott, Linda Satkowski, and myself decided to create “parts department” blocks for a future improv quilt.  We each made blocks and make enough of each block type for each other.  (The “parts department” idea comes from improv books by Freddy Moran and Gwen Marston, and I’m pretty sure I blogged about making some of the blocks that summer.)

Becca raided her parts department box recently and put this quilt together.  Linda and I had so much fun seeing the blocks we made in this quilt.  We three agreed that we learned a lot about how to make this kind of quilt from doing Jen Kingwell’s “Long Time Gone” quilt this past year.  And LInda and I agreed that we really wanted to get into our own parts department boxes this winter.

AND, this kind of project could make a viable project down the road for Mt. Battie Modern.

Anne Bargetz made this jacket in our recent “Stay Retreat.”  It’s the “Women’s Kimnono Sleeve Jacket” from shopwiksten.com.

Anne used a Cotton+Steel print for the outer jacket.  She says it is warm and toasty and that she is using it a lot.  Several members said that they wanted to make the jacket as well.

Written by louisaenright

November 17, 2018 at 10:41 am

Turkey Tracks: Two Granddaughter Quilts: Yellow Bird and Wise Bird

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Turkey Tracks:  April 5. 2016

Two Granddaughter Quilts

Wise Bird and Yellow Bird

I have two granddaughters (3 and 5 years) who are now sharing a bedroom.  They have a new baby sister, so bedrooms needed to be rethought and renovated for the long haul that will involve, eventually, three teen-age girls..

For the new living arrangement and the new bedroom, I made them each a quilt–with the hope that these quilts are not the same, but go together.  And I wanted something that would interest them for a long time.

What emerged after a LOT of piecing and a lot of fun for me was “Yellow Bird” and “Wise Bird.”

“Yellow Bird”:

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“Wise Bird”:

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“Yellow Bird” has a yellow bird in the border fabric.

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“Wise Bird” has a backing of owls, and this granddaughter LOVES owls.

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“Yellow Bird” has a Kaffe Fasset fabric for the background.  I think this one is called “Roman Coins.”

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“Yellow Bird’s” organizing block is Bonnie Hunter’s “Carolina Chain,” which appeared in Quiltmaker magazine’s March/April 2010 issue–in Bonnie Hunter’s “Addicted to Scraps” column.  The pantograph is “Check and Chase” by Lorien Quilting.  I used, as I recall, a soft rose thread.

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I am so loving the interesting neutrals–or “low volume” prints–on the market today.

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“Wise Bird’s” central block is Bonnie Hunter’s “Criss Cross” block–from her “Addicted to Scraps” column in  Quiltmaker magazine’s September/October 2915 issue.

This quilt center started with me just making a block or two for fun one day–and I got hooked.

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I surrounded the center with rows of different quilt blocks–many of which came out of the “parts department” where I keep blocks I’ve made from leftovers of other quilts.  (The term “parts department” has come from Freddie Moran and Gwen Marston’s book COLLABORATIVE QUILTING.)  And I used lots of the polka dot fabrics I have acquired.

The pantograph for “Wise Bird” is also “Check and Chase” from Lorien Quilting.  I quilted with a soft limey green.

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I did make the flying geese and the larger “primitive star” outer border for this quilt.  I like this primitive star a lot.  And of course I had to make some blocks to add to the ones I already had in the parts department.

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Here’s a view up and down the length of the quilt.  I am certifiably crazy about polka dots.  I really like how the orange/green polka dot on the binding came out.

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Baby girl will get a quilt that blends with these two completed quilts.  It will be made from Bonnie Hunter’s “Wild and Goosey” block–which also appeared in her “Addicted to Scraps” Column in Quiltmaker magazine, May/June 2013.  This block is Foundation Pieced on paper, and since it appeared, it has acquired a large and solid fan club.  I succumbed this winter while using up my “crumb” bag–which is not used up at all, but growing like mad with all the quilting.  AND after taking Bonnie Hunter’s class at Craft Online University–which I highly recommend.  (One of the cool things is seeing five or six quilts at the end of each segment–each using a block in a different way.)

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These blocks will sit on a soft grey polka dot, and it brings out all their vibrant colors and works well with the black and white sashing.  I’ll use a 3 1/2-inch sashing in the setting–which will give me a 3 1/2-inch corner stone of some kind.

 

 

 

Turkey Tracks: “Crayon Crumbs Box” Quilt

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Turkey Tracks:  March 16, 2016

Crayon Crumbs Box Quilt

I have been obsessed for much of the winter with making use of the small leftover pieces from my quilt projects.  These pieces are too small, for the most part, to cut into a 1 1/2-inch strip or a 2-inch block.  so, I started making 2 1/2 inch wide strips with the “crumbs” (as Bonnie Hunter calls them).  I use a flip and sew method–and trim from the back when I am done.

I used these strips as sashing for the cheddar version of Bonnie Hunter’s 2015 American Patchwork and Quilting Magazine‘s four-patch challenge.

My four-patch blocks came from my “parts department”–so named by Freddy Moran and Gwen Marston in their excellent book COLLABORATIVE QUILTING.  Remember that I spent a lot of time last summer making four-patches from my two-inch bin of squares–cut from leftovers from finished quilts.  I love this idea of having a “parts department.”  Bonnie Hunter also amasses and uses blocks from her quilt projects–like the small triangles one can salvage from making half-square triangles by laying a square over the corner of a rectangle or larger square (as with a snowball block), sewing from corner to corner, and trimming.  Bonnie Hunter uses a template to also mark a sewing line for this smaller triangle.  For more info, see her quiltville.com web site and click on tips/etc. at the top of the page.  Right now I’m getting about 400 2-inch half-square triangles from a snowball block project–using Bonnie’s method.  (They’re going into a border on that quilt.)

So, here is the finished quilt:

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Red-orange (or cheddar in quilting terms), teal blue/green, and violet magenta form a triad on the color wheel.

The backing and binding bring in the violet purple/magenta:

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You can see the quilting–an soft rose colored thread from Signature–on the border:

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The rose color “knocked back” the brightness just a bit.  I like it.

The pantograph is “Whirlwind” by Patricia Ritter.

Here are some pics of the quilt top–so you can see the way this block and the sashings work together.

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And one showing a secondary pattern:

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I have loved every minute of this project!!!