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Posts Tagged ‘FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS

“Liberated Wedding Ring” Quilt

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Turkey Tracks: October 1, 2021

“Liberated Wedding Ring” Quilt

This is the first quilt on my new Innova longarm.

It is made from the “liberated” wedding ring block designed by Freddy Moran and Gwen Marston in their book FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS.

I used solid and print scraps to make the rings, but went to my grey solids for the backgrounds. As you know, greys can be blue grey, green grey, brown grey, etc. So I just mixed them all up for this scrappy look.

I bought this backing on sale some time back and I thought it would be fun to use it here. I like it.

The green grey binding blends with the teal on the backing and looks just fine on the front.

I quilted with an icy blue thread that blended well on both back and front. The pantograph provided lovely texture I think: Check and Chase by Lorien Quilting.

First Quilt on Innova

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Turkey Tracks: September 22, 2021

First Quilt on Innova

What a joy the Innova is! It’s like moving a feather that is floating on an air current over the quilt—which is especially lovely when following pantograph lines.

Gradually I’m learning to let go of my death grip on the Innova handles as this machine is NOT going to jump away from the pantograph lines.

Here’s my first completed quilt—made from the ”funky” wedding ring block created by Freddy Moran and Gwen Marston in their now-vintage book FREDDY AND GWEN COLLAGORATE AGAIN: FRIENDS. These two women pioneered many of the improv methods that are used today—some with little updating as Freddy and Gwen ”got” it from the get-go. What has moved along, I think, is how a block now gets ”set” in improv/modern quilting. One doesn’t see sashing all that often, for instance. AND, I trimmed the quilt on the table in the back of the machine for the first time. It’s ready to bind.

Look at this beautiful stitching:

The back is MOSTLY as pretty. After a while the tension there slipped a bit in places—so I do need to do more tension adjusting. It is all passable, but could be more consistently wonderful. The top thread is showing through in places—and as time went on, the bobbin thread was too flat. I’ll figure it out.

I’ll load in a quilt sandwich next and fiddle with the tension so it is 100%.

Here’s how the trimming on the back went. You can see that I can use my big square ruler as there is plenty of room. This method sure beats what I had been doing to trim a quilt.

On to the next!

Written by louisaenright

September 22, 2021 at 10:25 am

I Lost My Mojo For This Quilt

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Turkey Tracks: September 12, 2021

I Lost My Mojo For This Quilt

I started this EPP project in 2018.

It’s the “36-Ring Circus” designed by Joanne Lewis. The pattern and template kit are at Paper Pieces.

I am using Cotton+Steel/Ruby Star Society fabrics for the centers, pastel solids for the rings, and darker solids for the rest.

I now have three rows done after three years—three more to go.

But it seems I put off working on it to do other handwork on a regular basis.

It is an elegant pattern, for sure.

But it is hard and in many ways, seems tedious to me. Sewing the rings to the centers is…hard. I’ve found taping from the front and using a flat stitch on the back helps.

I have all the solid pieces cut and glued, so I will finish it someday.

I hope it doesn’t take another three years—one for each row!!!

I did organize all the centers for the 4th row, so that’s something. The first center is done, but not the rings.

Meanwhile, I seem to be more than a little interested in wedding ring quilt versions.

Here’s the funky one whose top is now done: from Freddie Moran and Gwen Marston’s book FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS.

And Tara Faughnan’s Wedding Ring Quilt:

I’m ready to start sewing together the last and final row.

Funky Wedding Ring Quilt Top

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Turkey Tracks: August 2, 2021

Funky Wedding Ring Quilt Top

What a fun scrappy quilt!

It is so lively and so full of good energy. And I have not named it yet.

This is just a quick and dirty picture—and the quilt is hanging over another quilt in progress, so things look lumpy.

A reminder that this block comes from Freddy Moran and Gwen Marston and is in their book FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS. I mixed printed and solid scraps in the blocks and am happy with how that evolved.

And here is what is going on BEHIND this quilt:

This quilt is designer Tara Faughnan’s “Wedding Ring” quilt.

It is so fun to make!

I have a busy day but can’t wait to spend some time today making more of the scrappy rings.

Design Wall, July 2021

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Turkey Tracks: July 18, 2021

Design Wall, July 2021

My quilt room looks like a bomb went off in it as there are color-coordinated piles of fabric everywhere as apparently I am working on four projects at the same time.

(1) Here are the strips for the log cabin, all cut—with two blocks organized on the right. I am using the Creative Grids 12-inch log cabin ruler for this project—which makes log cabin blocks super easy and fast to make.

I fell in love with Tara Faughnan’s Wedding Ring quilt the moment I laid eyes on it a few years ago. [Let’s face it: I’ve fallen in love with so many of Tara’s patterns now, having been introduced to her in The Color Collective (Sewtopia, Amy Newbold) three years ago.] This past spring I got as far as buying her pattern, and last week I photo copied the 10-inch versions on to freezer paper and thought I’d “just make a trial block.” Yeah. All of you quilters know how THAT goes. Here’s where I was by last night:

I’m finding it takes a lot of cutting to get started on this project—but that it is gobbling up solid scraps like mad.

The “funky” wedding ring quilt top—now a leader/ender project—is coming along. I will make it 4 blocks wide by 5 blocks (14-inch blocks) so it comes out 56 by 70. That will be a nice lap size. Previous posts cover the origin of this project for me. The block is by Freddy Moran and Gwen Marston and is in their book FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS. And I am indebted to Debbie Jeske (A Quilters Table blog) for making the block without sashing which makes it much more modern.

And here’s how Maria Shell’s “Rattlesnake” zig-zag pattern gets formed with light and dark isosceles triangles. I used Tri Rec rulers to make mine, but Maria Shell shows how to free-hand cut these triangles in her book IMPROV PATCHWORK. I love the scrappy nature of this project.

I’ve cut a lot of strips while going through solid scraps, but have put this one on hold until I get the “funky” wedding ring top off the design wall.

It’s a totally rainy day today, so it will be a lovely sewing day for me—with breaks to console AC doggie.

The Design Wall, June 26, 2021

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Turkey Tracks: June 23, 2021

The Design Wall, June 26, 2021

The “Tenderoni” quilt top is done, layered, and basted via the longarm basting. I’m almost certainly going to hand quilt it with a 12-wt. cotton in the honey color in the quilt. The binding (the darkest red in the quilt) is here and washed—I’ll cut it this week. I’m calling it “Fractures,” and I’m really pleased with the movement in this quilt. It will be a wall hanging—30 by 42.

Latifah Saafir designed this block and chose the color palette as a guest designer for this year’s The Color Collective (Sewtopia, Amy Newbold). And it has been really interesting to see what other people made with this block.

So with “Fractures” removed, the design wall looks like this now:

The “Monkey Business” blocks are all done. I may still move some blocks later today, but I’ll sew the blocks together after I try one more move with some of the blocks at the bottom. Basically this quilt is a “sampler” quilt of Cotton+Steel/Ruby Star Society fabrics. As such it is fun. And I loved making the blocks. Abbey Lane Quilting designed “Monkey Business,” which appeared in Issue 22 of Simply Modern magazine. The blocks finish at 13 inches—so it will be a fun lap size quilt.

The leader/ender “Funky” wedding ring scrappy top on the left is coming along as well. The pattern is in FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS by Freddie Moran and Gwen Marston. Debbie Jeske of A Quilter’s Table blog made a quilt top recently where she took out the sashing Moran and Marston used, which made the top even more modern. I’ll probably wind up with a lap size top as I don’t see my version as a wall hanging—and I’m liking having fun making this block and using up both solid and printed scraps.

The little round circles are being made from the off-cuts from the “Tenderoni” block.

I thought about moving the circles into different positions on the background block—both sideways and up and down, but when sketching it, I couldn’t make the design work in a coherent way.

There is something really pleasingly “glowy” about this fabric palette as it appears with these little circles.

And now, as we had a good soaking rain yesterday, I need to go and weed! I’m rounding the final corner of the house now.