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Posts Tagged ‘FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS

Design Wall, July 2021

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Turkey Tracks: July 18, 2021

Design Wall, July 2021

My quilt room looks like a bomb went off in it as there are color-coordinated piles of fabric everywhere as apparently I am working on four projects at the same time.

(1) Here are the strips for the log cabin, all cut—with two blocks organized on the right. I am using the Creative Grids 12-inch log cabin ruler for this project—which makes log cabin blocks super easy and fast to make.

I fell in love with Tara Faughnan’s Wedding Ring quilt the moment I laid eyes on it a few years ago. [Let’s face it: I’ve fallen in love with so many of Tara’s patterns now, having been introduced to her in The Color Collective (Sewtopia, Amy Newbold) three years ago.] This past spring I got as far as buying her pattern, and last week I photo copied the 10-inch versions on to freezer paper and thought I’d “just make a trial block.” Yeah. All of you quilters know how THAT goes. Here’s where I was by last night:

I’m finding it takes a lot of cutting to get started on this project—but that it is gobbling up solid scraps like mad.

The “funky” wedding ring quilt top—now a leader/ender project—is coming along. I will make it 4 blocks wide by 5 blocks (14-inch blocks) so it comes out 56 by 70. That will be a nice lap size. Previous posts cover the origin of this project for me. The block is by Freddy Moran and Gwen Marston and is in their book FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS. And I am indebted to Debbie Jeske (A Quilters Table blog) for making the block without sashing which makes it much more modern.

And here’s how Maria Shell’s “Rattlesnake” zig-zag pattern gets formed with light and dark isosceles triangles. I used Tri Rec rulers to make mine, but Maria Shell shows how to free-hand cut these triangles in her book IMPROV PATCHWORK. I love the scrappy nature of this project.

I’ve cut a lot of strips while going through solid scraps, but have put this one on hold until I get the “funky” wedding ring top off the design wall.

It’s a totally rainy day today, so it will be a lovely sewing day for me—with breaks to console AC doggie.

The Design Wall, June 26, 2021

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Turkey Tracks: June 23, 2021

The Design Wall, June 26, 2021

The “Tenderoni” quilt top is done, layered, and basted via the longarm basting. I’m almost certainly going to hand quilt it with a 12-wt. cotton in the honey color in the quilt. The binding (the darkest red in the quilt) is here and washed—I’ll cut it this week. I’m calling it “Fractures,” and I’m really pleased with the movement in this quilt. It will be a wall hanging—30 by 42.

Latifah Saafir designed this block and chose the color palette as a guest designer for this year’s The Color Collective (Sewtopia, Amy Newbold). And it has been really interesting to see what other people made with this block.

So with “Fractures” removed, the design wall looks like this now:

The “Monkey Business” blocks are all done. I may still move some blocks later today, but I’ll sew the blocks together after I try one more move with some of the blocks at the bottom. Basically this quilt is a “sampler” quilt of Cotton+Steel/Ruby Star Society fabrics. As such it is fun. And I loved making the blocks. Abbey Lane Quilting designed “Monkey Business,” which appeared in Issue 22 of Simply Modern magazine. The blocks finish at 13 inches—so it will be a fun lap size quilt.

The leader/ender “Funky” wedding ring scrappy top on the left is coming along as well. The pattern is in FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS by Freddie Moran and Gwen Marston. Debbie Jeske of A Quilter’s Table blog made a quilt top recently where she took out the sashing Moran and Marston used, which made the top even more modern. I’ll probably wind up with a lap size top as I don’t see my version as a wall hanging—and I’m liking having fun making this block and using up both solid and printed scraps.

The little round circles are being made from the off-cuts from the “Tenderoni” block.

I thought about moving the circles into different positions on the background block—both sideways and up and down, but when sketching it, I couldn’t make the design work in a coherent way.

There is something really pleasingly “glowy” about this fabric palette as it appears with these little circles.

And now, as we had a good soaking rain yesterday, I need to go and weed! I’m rounding the final corner of the house now.