Turkey Tracks: The Very Hungry Caterpillar Quilt and The Handmade Doll

Turkey Tracks:  November 20, 2013

The Very Hungry Caterpillar Quilt

and

The Handmade Doll

I have a granddaughter who will be three next week.

When Sister Susan and I visited Greenville in October, I bought this handmade doll from Gallery On The Lake, owned by Becky Morse.   I fell in love with it immediately.  I put her on the downstairs bed, and she has been good company since mid-October.  This love is amazing since I never played with dolls growing up–and I didn’t want to play with this one.  I just thought she was one of the cleverest fiber arts projects I’ve seen in a while.

Ailey's girl

I saw something recently that made me think that this kind of knitting/crocheting has a special name.  But now I don’t know where I saw the reference.  If any of you know, please let me know so I can put up more information about this kind of fiber art.

* * *

I bought the kit for “The Very Hungry Caterpillar” in Williamsburg, VA, with my Virginia quilting buddies at least three years ago.  We go for a week, stay in a time-share resort, and quilt our brains out for a week and attend the Mid-Atlantic Quilt Show (Mancuso Brothers).

Talk about planning ahead…  But I’ve yet to see a child who does not love the hungry caterpillar book series.  And my granddaughter now has a baby sister who sleeps in the crib.  So, this quilt was meant to be for the moment when the oldest child moved into a “big bed.”  And, so we have arrived at that moment now.

Hungry Caterpillar

I realized with some horror that this kit HAS MITRED BORDERS!   But I sucked up my dread, and look how pretty they came out.  We should all do more mitered borders as they really are so pretty and are not all that hard once you get the hang of them–especially if you are working with border prints.

One trick is to sew all your borders together and put them on the quilt as a unit.  The other is to be sure to allow for enough length for the miters in the borders themselves–at least 8 or 9 extra inches on each side, depending on how wide the border unit is.  I’m sure there are formulas in some of the books I have…

Here are some closeups of a mitred corner–don’t look at the big stripes, look at the red  and green borders:

Hungry Caterpillar mitered border

And:

Hungry Caterpillar mitered border 2

And of a star block:

Hungry Caterpillar block

And of the BIG sun block:

Hungry Caterpiller sun

And the BIG moon block:

Hungry Caterpiller moon

Here the quilt is ready to be quilted on “Lucy the Longarm”:

Hungry Caterpillar long arm

I quilted with the pantograph “Deb’s Swirls” in the medium size as I just wanted a general overall pattern that would not distract from the quilt.

Here’s the backing:

Hungry Caterpiller backing

The kit did not give me enough fabric to do two side-by-side panels of the blue–and the narrow panel would have required a lot of piecing, so I used some of the leftover border print to fill out what was needed.  Bah Humbug!

And I made a label from more of the border fabric–Bonnie Hunter style–an 8-inch piece folded diagonally and basted into the corner before sewing on the binding:

Hungry Caterpiller label and backing

(This is my 90th quilt.)

I know this kit is lovely.  And the ensuing quilt is, too.  BUT, I found myself to be quite agitated while making the quilt.  I didn’t dare wash the given fabrics as I might throw something off–and I hated working with the starchy fabrics.  And I was always afraid I’d cut something wrong and be in a pickle since these fabrics are gone, gone, gone.

Well, now this quilt is done, washed, dried, and gone, gone, gone…

PS:  I’m putting the binding on the winding ways/wheels of mystery quilt–now named “Earth.”  It’s gorgeous!

Turkey Tracks: Leah Day’s Video: Sewing Hexies

Turkey Tracks:  November 18, 2013

Leah Day’s Video

Hand Piecing Hexies

The post previous to this one discusses sewing hexies at some length–and gives some current texts.

But, Leah Day’s weekly post this week consisted of terrific videos on how to design and piece hexies.

And, you should be aware that the old whip-stitching method has been, thankfully, replaced by a better method.

The Free Motion Quilting Project: 73. English Paper Piecing Part 2: Turning Hexagon Edges.

Enjoy!

PS:  If you are a quilter and have not signed up for Leah Day’s blog, you might seriously want to consider doing so.

Turkey Tracks: I’m Obsessed: Hand Sewing

Turkey Tracks:  November 18, 2013

I’m Obsessed

with

Hand Sewing

It’s official.

I’m obsessed with hand sewing.  I have one project going and two more planned.  And I can’t wait for dark to fall so I can settle in and hand sew while watching something fun on the television.  Though just at the moment I’m hand-quilting the clam shell quilt which is, as yet, nameless, but not homeless.  And, I’m putting the binding on the Winding Ways/Wheels of Mystery quilt which I’m naming “Earth.”

I think my obsession all started with Bonnie Hunter’s numerous posts on her hexie projects.  Hexies are all the rage in quilting these days, which I’m sure most quilters know.  And these projects are NOT your grandmother’s flower garden variety.

Or, maybe it was seeing the gorgeous quilt that Rhea Butler of Alewives quilting, in Damariscotta Mills, Maine, from Kathy Doughty and Sarah Fielke’s MATERIAL OBSESSION 2 book.  (Those gals are from Australia, the home of fantastic quilting.)

I did a hexie project a while back–a challenge to depict a grocery store product–I chose Green Hive Honey, a local raw, unheated honey.  That quilt was called “A Thousand Flowers” since that’s what it takes to make a ridiculously small bit of raw honey.  (You can search for it elsewhere on the blog.)  I found sewing the hexies tedious–especially the whip stitching that joined them.  And the stitches showed in a way I didn’t like.

BUT, But, But!  There is a better way to do this whole process.  And I began to discover that only recently with Micky Dupre and Bonnie Hunter’s book, RING AROUND THE HEXIES:  A Collaboration Celebration.

Hexie blocks

You can English Paper Piece the hexies and then the way you join them is NOT with whip stitching.  I’m posting a video from Leah Davis that’s a close-up of her hands piecing hexies in the “new” way in a separate post.  (Ask and you shall receive from the universe.)

So, Bonnie makes a pieced quilt, leaving, in the above case, blank black squares on-point.  Micky pieces a hexie formation–and she manipulates the hexies to get interesting color changes–and appliques her arrangement onto the quilt.  They are beautiful.  The resulting quilt is beautiful.

But, I think my own obsession stemmed from Rhea Butler’s quilt from MATERIAL OBSESSIONS–hanging in Alewives.  And somehow I did not take a picture of the whole quilt.

Kite Block book

That quilt is made of large hexies–all constructed from a kite-shape (a quadrilateral) that when combined forms a hexie.

Here are some examples of those bigger blocks.  You can see the “kite” in the dark, outer prints with circles–it takes two “kites” to form that dark patch.  The outer neutral fabric is also made of the “kite” shape.  The red dotted fabric is used to link a line of blocks together–it’s a large diamond shape.

Kite Template block

And, here hyou can see the kite shape a bit better:

Kite block 2

These big hexies are joined with interesting geometric shapes and lavish, BIG borders from contemporary fabrics.

Here’s fabric for my first try at these blocks–and you can see the kite template.  The dark fabric will be used on the outer ring.  I suspect the peach fabric will form the inner ring.

Kite Block fabrics

I was going to do these by hand, but Rhea says they sew well on the machine, too.  So, I’ll play around.

BUT, if I’m not going to hand-sew these, what is going to occupy my fingers?

This project I suspect:

Take a hexie and pull out the sides, and you get a “honeycomb” hexie.  And back in the day in England, a woman named Lucy Boston used that shape to construct the most amazing quilts.  Rhea Butler was already playing with this honeycomb hexie when I saw her last.

Here’s the book, done by Linda Franz, and a packet of honeycomb papers.  One varies the block by varying the fabric color within the block.

Honeycomb blocks

Whatever I do I’ll pull from the stash.

So, on to Leah Day’s excellent video.

Turkey Tracks: Jo Diggs Visits Coastal Quilters

Turkey Tracks:  November 14, 2013

Jo Diggs Visits Coastal Quilters

Jo Diggs, of Portland, Maine, visited Coastal Quilters for our November 9th meeting.

We are so lucky to have so many nationally recognized quilters here in Maine, and Jo Diggs is a bright star among that number.   To top it off, Jo is funny, clever, gracious–a lovely, lovely lady.

Here she is (grey sweater) talking to our members after her trunk show.

CQ, Jo Diggs, Nov 2013

I took LOTS of pictures.  But my little camera just didn’t do justice to her work.  So, I’ve posted a link to her blog where you can enjoy really good pictures of her work.  So, take a minute and take yourself on a little art outing.  Jo’s work is applique, and she does large and small art pieces–though in the future, she says, she is going to concentrate on large pieces.

Gallery.

ENJOY!

Turkey Tracks: Sewing Update

Turkey Tracks:  November 3, 2013

 

Sewing Update

 

The Wheels of Mystery/Winding Ways quilt top is finished.  (This light/dark block is known by both names.)

I have Bonnie Hunter to thank for the border treatment, and I think it works really well.

 

wheels of mystery top

I am working on piecing the back now–which is taking 9 yards of fabric right out of my stash.  YEAH!!  This quilt is finishing up at just under 90 by 90 inches.

I have yet to find a binding I like…

Here’s a close-up of the blocks:

wheels of mystery close-up

I hand pieced more than half of these blocks–and really enjoyed the hand sewing.  Indeed, I’m off on a whole new hand-sewing project list–which I’ll talk about in another post.  But these blocks sew well on the machine too.

This kind of quilt is drawn from what can only be called “deep stash”–Bonnie Hunter’s term–as there are so very many wonderful fabrics in the quilt–fabrics that have been collected for over 10 years.

The other hand-quilting project is this little clam shell quilt–made from fabrics inherited from a local quilter here who died tragically of cancer, Susan Barry.

I have two clam shell templates–this one (4 inches) and, yikes!, a smaller one.  I could not find much online on how best to sew a clam shell block.  There is a lot of excess fabric in the curve that has to be eased into its complimentary arc.  It isn’t easy.  Many on-line suggestions involve appliqueing the blocks, but I didn’t want to do that.  Clipping the curve is absolutely necessary.  Deeply clipping.  And lots of pinning and lots of easing in by hand.  One could, I suppose, sewing a basting line to ease in the material, but I did not.

This week I got the clam shells trimmed up and the borders on.  These pictures do not do this little quilt justice.  It’s pale and sweet, and just isn’t showing up well at all.

Here it is on the design wall, where it is absolutely dying with the white border on the white wall:

Clam shell top

Here’s a close-up of the blocks:

 

Clam shell top close-up

Here’s a close-up of the border fabrics.  I wanted something darker to set off the clam shells’ paleness.  And the little rose fabric came in the fabric mixture.  I had thought it would be the backing.  But it isn’t.  I used, instead, a white rose with green accents fabric–which I did not take a picture of here.

 

Clam shell border on top

I am going to hand quilt it.  I layered it together late one night–too late–I should have stopped.  And used a too-thick batting I had on hand.  I am so spoiled with Lucy the Longarm.  I have not layered and pinned a quilt in a long time.  It’s so tedious.  Anyway, I took it all apart and put in a thinner batting–and it’s hand-quilting so nicely now.

Clam Shell Hand Quilting

Enjoying my quiet nights of hand quilting and watching tv shows…

Have seen all of HOMELAND, Season 2; all of FALLING SKIES; all of SUITS; all of ORANGE IS THE NEW BLACK; DAMAGES, season 5; all of Kenneth Branaugh’s WALLANDER; and am up-to-date with THE GOOD WIFE and REVENGE.  Last night I watched a very young Reese Witherspoon in THE MAN IN THE MOON, which is a real tearjerker.  Now moving on to new episodes of NIKITA, but it’s starting to play out now as a series.  Am waiting for GAME OF THRONES, season 3; NEWSROOM, season 2; CALL THE MIDWIVES, season 3?; and, of course, DOWNTON ABBEY.

 

 

Turkey Tracks: Friendship Samplers Quilt Show, Belfast, Maine

Turkey Tracks:  November 1, 2013

Friendship Samplers Quilt Show

Belfast, Maine

 

Friendship Samplers is the Pine Tree Quilting Guild chapter located to Camden’s north, in Belfast, Maine.

(We are the Coastal Quilters here in Camden.)

The Friendship Samplers quilters are strong, competent, wonderful quilters.  There is just so much talent in that group.

They do a quilt show every other year, and this year was the year.

And this year, their show was as wonderful as ever.

I did not begin to take pictures of everything–or even of some of the most amazing quilts–and there were many.  I took pictures of work that stimulated my own creativity.  And do remember that the quilts I love best are scrappy quilts that are functional.

First, my most favorite quilt was my friend Joan Herrick’s “Logs and Ladders”–where she has combined a log cabin block with a Jacob’s Ladder block–and took advantage of their strong directional orientations.  There’s one of these in my future!

Frienship S's, J. Herrick Logs and Ladders

I was intrigued by the quilting in this quilt–and later realized it’s called “McTavishing,” after Karen McTavish, who invented it.  You can see how to do it on Leah Day’s web site, along with at least 400 other free-motion quilting designs she has put onto utube videos.

Friendship S's 3

Don’t you love this modern “take” on the log cabin block?

Friendship S's 2

I love the work of Alice Parsons.  And she had a hand in this quilt below:

It’s stitched with bright orange thread in squiggly lines up and down the quilt.  And look at the use of purple for the sashing.  That purple is making the yellow leap out of the quilt!

Friendship S's 6

Look at how the center square is varied–and the use of the adorable funky bird–and the use of rows of the squares…

Friendship S's 5

I want to make a quilt with birds at the center of some kind of block.  And I love what these quilters have done here.  It’s just so much fun!

Friendship S's 4

 

Here’s another creative idea for making use of a central square with something (birds!) fussy cut inside it.  Surround the square with flying geese and corner blocks:

Friendship S's 9

 

The flying geese and their backgrounds can vary in color choice.  What’s uniting the quilt here is the sashing/border fabric–in this case black and white and the use of the center square with a border around it.

 

Friendship S's 8

 

The Friendship Samplers always have a “quilt alley” where you buy chances (25 for $2!!!) and put your chances in the can/s of the quilt/s number you like.

All these quilts were to be “won” on Friday.  Another set went up on Saturday.

Friendship 18

I found many little quilts I liked on this wall.  But this one was my favorite:

Frienship S's 19

 

Here’s a close-up of the blocks:

Friendship S's 22

The Friendship Samplers always have goodies to eat–and they COVER FOOD TABLES WITH QUILTS–which fascinated Giovann McCarthy–on her first outing to a Frienship Samplers Quilt Show:

Friendship S's 10

I really loved some of these “table cloth” quilts.  I cringed at using a quilt for a table cloth, but their use does remind one that quilts are made to be used and loved:

Here’s a close-up of a table cloth quilt.  I’ve never found a squared square form that I didn’t like:

Friendship S's 13

Here’s a close-up:

Friendship S's 11

I was most intrigued with this pattern as well:

Friendship S's 12

 

Here below you can see the two blocks that make the pattern together:  4 half-square triangles with the colors to the inside making a square AND a sixteen patch with four red blocks making the center.  I’d cut the block to combine two of the white squares into a rectangle though

Friendship S's 15

This quilt was HAND STITCHED!!!

 

Friendship S's 14

Imagine it made in any number of colors–as long as you keep the light and dark values:  blue, yellow, orange, brown, etc.

SO, our group really enjoyed the Friendship Samplers Quilt Show 2013 and look forward to attending in 2015!

Thanks Friendship Samplers!

After the show we had lunch at Chase’s Daily–which specializes in local foods mostly from (in season) their farm.  And we visited Nancy’s Quilt Shop on Route 3 just outside Belfast to pick up more of a fabric that two of our quilters wanted to buy more of than Nancy had at the show.

 

 

Turkey Tracks: “Big Bunny Hug” Quilt

Turkey Tracks:  September 30, 2013

“Big Bunny Hug” Quilt

 

Here’s a quilt I mailed a few weeks ago to my niece and namesake Louisa Nancy Howser Gardner–called Nan–celebrating the birth of her second beautiful son almost a month ago now.

Big Bunny Hug 3

I bought the fabric three or so years ago in Williamsburg while with my Virginia quilting friends for a week.  The panel was meant to be a fabric book, but I thought I would like to make a quilt with the story inside it.  I did a similar quilt for Nancy’s sister Lauren for the birth of her first son almost two years ago now.

The red brick fabric and the green swirly fabric came out of my stash.  I had intended a border fabric to run along the sides, but decided I liked it on the back instead.

Here are some individual blocks:

Big Bunny Hug Block

 

Big Bunny Hug Block 3

 

Big Bunny Hug Block 2

Here’s the back, made up of the border fabric;

Big Bunny Hug Backing

And a close-up of the border print:

Big Bunny Hug Border detail

And here’s how the front, binding, and backing work together:

Big Bunny Hug Backing and Binding

I quilted with a limey green thread that just goes right into the quilt–with the pantograph “Deb’s Swirls,” medium size.  The quilting is lovely if I do say so myself.  (I’m getting so much better.)

It’s a cute quilt with very cute fabric.  BUT, but, getting the blocks all to match mathematically was a small nightmare as the “book” pages were not all the same size.  I’m glad it all came out nicely.

 

 

xxx

Turkey Tracks: Wheels of Mystery Quilt

Turkey Tracks:  September 22, 2013

Wheels of Mystery Quilt

I started this hand project earlier in the summer.  I wanted to take a break from knitting and do some hand sewing at night watching tv shows and movies–that I stream.  I HATE all the noise and confusion of watching tv shows with commercials. It’s just plain painful.

So, this quilt has grown a lot since this picture…

Wheels of Mystery

I’m going to do 9 rows by 11 rows.

And, it’s all out of my stash.  And, scrappy, of course.

This block is an old traditional block–and I love what the curved pieces do when hung together.

See?

Wheels of Mystery 2

They make BIG circles.  Isn’t that cool?

I have a childish delight in this quilt.

I tried to draw the block on QE7, but have been totally unable to do it.

Will try again, as I’d like to play with light and dark borders.  And what would an outer border of 9 patches look like?  Made with these same fabrics…

Turkey Tracks: Fifty-year Friendships

Turkey Tracks:  August 27, 2013

Fifty-year Friendships

For an Air Force Brat whose family moved around a lot, old friendships go back to either my mother’s home town, Reynolds, Georgia, or to high school.

I went to about 14 different schools over the course of my education.  So I can’t remember who my teachers were or, in a lot of cases, who my friends were.  Something about that kind of transient life just whisked away memories other people hold very dear.

The closest I can come to these old memories is high school.  We were stationed in Omaha, Nebraska, home of Strategic Air Command (SAC) headquarters.  I think this posting was the longest we ever had–and I still went to three different schools.  I arrived at Bellevue High School in Bellevue, Nebraska, which was adjacent to Offutt Air Force Base, in my sophomore year.  (I went to Central HIgh School in Omaha my freshman year, and made a long bus ride to get there.  I didn’t know a single soul and could not break into cliques of students who had known each other from pre-school.

But a lot of Air Force Brats attended Bellevue High School–and I knew Becky Reavis (now Meyer) from Barksdale Air Force Base in Shreveport, Louisiana.  After Barksdale, we went to Tampa, Florida.  I don’t know where Becky went, if anywhere, before Bellevue.  But she was there, and she took me under her wing immediately.  She is a year older, class of 1962.

I had many friends in the class of 1962.  Among them is Carroll Risk Rhodes, who called me out of the blue the other day.  And guess what?  She’s a passionate quilter too and still makes a lot of her clothes.

Here are some pictures of her beautiful quilts:

Like me, she loves using squares.  This one is all batiks.  Isn’t it lovely?  It reminds me a bit of the “La La Log Cabin” quilt that Rhea from Alewives Quilting here in Damariscotta Mills taught local quilters to do.  There’s one of mine on this blog elsewhere called “Sun, Sea, Sand.”

Carroll Risk quilt

Here’s a stunning, contemporary “rail fence” idea.  I love Carroll’s use of color here.  Isn’t the border fabric wonderful?  I wonder if she chose the block colors using the border fabric or chose the border using the block fabrics?  This idea would be a fun way to use stash fabrics, too.

Carroll Risk quilt 7

Here’s another contemporary quilt, and again, I love the way Carroll uses  color.  This one hangs in her sewing room.

Carroll Risk quilt 6

And, finally, how fun is this quilt which Carroll has back of a grey couch.  Love the contemporary way she has used the bar form, and the piano key border with random widths is terrific.

Carroll Risk quilt 5

I’m trying to talk Carroll into coming to Maine to visit and quilt with me.  But she lives in Florida with a water view, so I know it’s going to be tough!

It would be so fun for our Coastal Quilters group to meet her and see her quilts.

Thanks for calling me, Carroll!

And, my own 1963 Bellevue High School class is having its 50th reunion this September in Omaha.  I have reconnected with so many of my classmates recently, and that has been wonderful, too.

 

 

 

Turkey Tracks: “Sunshine and Shadows” Quilt

Turkey Tracks:  August 23, 2013

Sunshine and Shadows Quilt

I’m addicted to my scrappy project–Louisa Enright’s Scrappy Project–and have been for the past two years.  I’m determined to use my stash and to get it into some sort of useable condition.

As part of my addiction to scrappy quilting, I had started saving Bonnie Hunter’s columns in Quiltmaker magazine.  One of my earlier quilts–Spinner–pictured on this blog I’m sure–came from one of Bonnie’s columns.

Then our state quilt guild hosted two workshops by Bonnie Hunter–and that coincided with my getting her book on “leaders and enders”–and then getting ALL the books (she’s a genius with scrappy quilt design)–then finding her blog (quiltville.com), all her free patterns (more genius), her Facebook page, and QuiltCam, where she sews and talks to those who have put aside the time to sew and visit with her.   That led to the quilt “Green Camden Hills Beauty”–a green version of her “Blue Ridge Beauty”–which is in one of the books and which I also found in my “ideas” file when I cleaned it out recently.

On several QuiltCams this spring, Bonnie worked on two quilts for two family babies that she called “Dancing Nines” because the nine-patch blocks are offset so they “dance.”  She used old shirting materials from these babies grandfathers’ old shirts.  I had a whole bunch of “leader/ender” four-patch green blocks from working with my green stash–so they were easy to make into nine-patches.

And, here’s “Sunshine and Shadows”–a Bonnie Hunter “Dancing Nine” quilt.

Note that the sashing fabric is NOT yellow, but a green/yellow that blends beautifully with the blocks.  I love the piano key border.  And it’s a bit different in size than Bonnie’s since I was using strips that I had already cut.

Sunshine and Shadows quilted

The narrow inner border also works best with this quilt.  I had this perfect fabric in my stash, but it was TERRIBLE in a wider version.  I should have trusted Bonnie’s eye to begin with.

Here’s another view–but that sashing still looks yellow…

Sunshine and Shadows quilted 2

Like Bonnie, I used the pantograph “Deb’s Swirls”–but I can’t tell if Bonnie used the small or medium version.  I have both the medium and the large and have been using both a lot.  I think it’s funny that I had it already when Bonnie mentioned it…

Sunshine and Shadows blocks quilted

Here’s a close-up of the inner border:

 

Sunshine and Shadows top 2

And one of the binding and backing–the backing is like our forests in spring–all greens and yellow and golds.  It works really well with the front.

Sunshine and Shadows binding and backing

This quilt is so versatile.  It’s a great scrappy project with a lot of visual interest.  It can be made large or small, bright, dull, contemporary, sweet, bold, whimsical, and on and on.  I know I’ll be making it again.

Best of all, the only thing I had to buy for this quilt was the backing.  And I could have pieced a back, but since the quilt was smaller, and meant for a baby I know, I thought one piece of fabric would be best.