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Quilting Information: Tackling the International Quilt Festival 2014, Houston

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Quilting Information:  November 5, 2014

Tackling the International Quilt Festival 2014

 

DAY ONE:

I flew on Thursday–having driven to Portland, Maine, from Camden (two hours) on Wednesday and having stayed in the Comfort Inn, which lets me park my car.  In Houston, I was swished from the airport in a car (Bettini)–arranged by friend Gina Caceci–who, as it turned out, was in Houston on business at the same time.  She extended by one night, and we had the best visit.  We ate at The Grove, a nice restaurant on the green that sits just in front of the Convention Center and which is less than a block from my hotel, The Four Seasons.  (Don’t gasp as I got a special festival rate when I made reservations back in January–and it is LOVELY to be here.)

Here’s a picture of the deck at The Grove, where Gina and I ate:

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DAY TWO, FRIDAY:

My plane connections Thursday were in Atlanta, and there were quilters on that flight.  One was Shelley Kirk, whom I met again at breakfast on Friday, and we tackled the Festival together.  Shelley is from coastal North Carolina, the Cape Fear/Wilmington area, and is a new quilter.  This show is her FIRST big show.

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Shelly and I did about half of the vendors and, maybe, three rows of quilts–all of which were for sale.  Gorgeous quilts.  I especially liked Russian quilter Olga Milovanova’s “Peasant Yard” 

Of course I did–it was of a rooster.  (This quilt is copyrighted, so I could not take a picture.)  Olga is from the old Russian city of Kovrov, and I could not find an on-line picture of this very special quilt.

Alex Andersen and Ricky Tims of The Quilt Show have a booth, and Shelley and I met Victoria Findlay Wolfe demonstrating her newest quilts.  Victoria’s first book is a delight:  15 MINUTES OF PLAY.  Since then, she’s been making innovative wedding ring quilts (some of which we saw), and that book will come out in January. 

The table they were using had a white covering with names of people that have been on the show.  I saw one of our local quilter’s names among the rest:  Dianne Hire.  That was a fun moment.

We also saw Eleanor Burns at The Quilt Show booth (Quilt in a Day quilts) and later at her own booth.

And it’s always fun to see Deb Tucker of the “rapid fire” templates.  She is so amazing.  The quilts in her “Studio 180 Design” are so interesting, colorful, and beautifully quilted. 

Then we went to The Grove for a late afternoon meal and back to the quilt show for about an hour.  After walking about five hours, I was tired and settled into my wonderful room for the evening.

DAY TWO:  SATURDAY

Shelley took classes all day, and I walked all day.  It took me about three hours to see the rest of the quilts.  And that didn’t include stopping to admire each one separately.  There were so many…  And so many that were so beautiful.

Here are a few favorites–though I could have taken pictures of every single quilt there.  Sometimes I take pictures so that I remember something about the technique in a quilt, and I’m afraid that’s what I mostly brought home in terms of pictures.

When NASA Astronaut Karen Nyberg was on board the International Space Station, she made a quilt block.  Her block pattern was combined with star-themed blocks made by quilters from all over the world.  The blocks were sewn into quilts that look like this one and displayed in this exhibit:  ASTRONOMICAL QUILTS! BLOCK CHALLENGE.  There were about a dozen of these quilts.  And, isn’t this whole idea just so…quilty?

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In the exhibit WHAT’S FOR DINNER, 3-D dinners were exhibited, each on its own placemat.  They were so much fun!

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Of course I fell in love with the exhibit IT’S RAINING CATS AND DOGS.

Here’s “Summer Camp” by Barbara Bates Beasley:

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And, also, Beasley’s “Can We Talk About the Steak?”  Don’t you love her use of purple and green?

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I have been drawn, for some time, to different color variations of one image.

Here’s Deborah Yates’s “A Warhol Zakoosa”–Zakoosa is her dog, a boxer.

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Here’s a log cabin by Mary Cammizzaro.  I’m in a log-cabin moment,and what I liked about this quilt is that the use of one fabric for the dark side of the block.  Interesting…

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Here’s a Lucy Boston variation by Suet-Fern Lee of Singapore.  This block is pieced as an elongated hexie, called a honeycomb.  I am playing around with this block piece as well, but with bright fabrics.  I’m using pre-made paper pieces to make it.  The blocks are linked together with an assortment of different shapes, including the tiny squares you see here.

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Here’s a close-up:

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Here’s a very different use of the New York Beauty block by Carol Anne Ludington.  I LOVE the New York Beauty block.

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Here’s “As American As…” by Laura Fogg, shown in an exhibit highlighting American-made fabrics which are, for the moment, all solids.

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Here’s a gorgeous hexie quilt by Miyuki Hamaba Sanda of Japan.

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Here’s a close-up:

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I took a break after the quilts in the food court–which was HUGE.  The camera could not take in the whole thing.  This is about a third of it.

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I sat with a coffee for a while with a group of four women from the Houston area.  They were gracious and funny and it was a delight to visit with them for a bit.  Then I tackled the other half of the vendors.  I kept running into this group of women with shark hats. 

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I found two patterns for little girl short skirts, a special ruler with a rotary cutter attached that does not slide away from you when you cut, the two log cabin rulers I wanted (I’m long cabin mad at the moment), a plastic widget that sews curves when attached to your machine, and some chicken fabric for a new bow-tie purse as my current one is wearing out.

DAY THREE:  SUNDAY

Bonnie Hunter posted pictures from her quick visit to the show before going to Galveston for a cruise.  She saw Edyta Sitar–one of my favorite quilters–and I did not realize that Edyta and her Laundry Basket Quilts had a booth.  I sought her out, had a lovely visit with her, which included her telling me about seeing Bonnie.  I bought her newest book, HANDFULS OF SCRAPS.  She GAVE ME two of her journals, one for me and one for my local quilt group, Coastal Quilters.  The new book has a gorgeous hexie quilt pattern that I will likely make my winter hand sewing project.  Best of all, I saw many of her beautiful, beautiful quilts up close and personal.  There was one especially that is haunting me and for which I may have to order the pattern. 

Edyta, like Bonnie Hunter, likes complicated quilts with small pieces.  But they use entirely different color arrangements, and Edyta does a lot with very innovative and gorgeous applique borders.  I might have the courage to try one of these borders if I do the hexie quilt.  My only problem is going to be choosing which color scheme to use:  Edyta’s rich warm colors or brighter contemporary colors. 

So, I quit about 2:00 p.m., too tired and too overwhelmed to see or think about another thing.  I got a coffee at Phoenicia foods and sat around the Four Seasons pool and read Edyta’s book–and tried not to think about the blizzard raging back in Maine. 

Dinner will be a salad from Phoenicia as well.  And, the maid changed the room’s clock for me so I will wake up on time now for my 5:30 a.m. pick-up.

It’s been a fun and enriching trip, but I am wild to go home and sew, sew, sew.

Turkey Tracks: Dianne Hire: Master Quilter

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Turkey Tracks:  January 12, 2014

Dianne Hire:  Master Quilter

 

Yesterday was a miserable, rainy, icy, threatening day.

BUT, the Coastal Quilters met, and many members managed to make it to the meeting–where we were treated to a history of Dianne Hire’s gorgeous quilts and books, and the story of her latest book, “APP is for Appliqué.”

Really, we all felt as if in the middle of this challenging day we were basking in so much warmth.  Dianne’s gracious humor, her own color-drenched and amazing quilts, the quilts of so many local quilters made from Dianne’s new patterns and brought in to share up close and personal, and our being all together made for a wonderful morning.  And by the time we left, the weather had warmed considerably and grass was appearing in the snow paths.

For this new book, her fourth, Dianne drew fourteen complex, amazing patterns, and quilters she knew, many of them local, some of them met while she taught around the country, each took a signature pattern for their personal quilt–which would be included in the planned and approved book.  The quilters could also use the other patterns in their quilts.   And if you know quilting and quilters at all, you can begin to imagine the diversity these quilts represent.  No two are even remotely alike, and all are astonishing!

Here is a quote from Stevie Kumble, Coastal Quilter’s press person, describing the new book in our press release:

The book itself has received acclaim from the quilting world and beyond. According to one reviewer, “The result is a nicely disguised technical manual as a feast for the eyes and an exciting project book. Fourteen stylized floral pattern designs provide the reader with the right place to embark on a unique journey of creativity. Tips and techniques from each contributing quilter will advance the reader’s sewing expertise in multiple ways. This book will either set appliqué design on its ear, advance it for the ages, or both.”

Dianne is famous for her use of color, and she helped pioneer the use of curves, innovative piecing, and so on.  Dianne was on the cusp of taking quilts out of the traditional and into the contemporary.  

Here is a web site with a lot of her quilts pictured–just scroll down and enjoy:  http://dhquiltsandclasses.blogspot.com.

As you perhaps know, I can applique, but I am very drawn to and happy with my ongoing scrappy piecing project and using up my stash.  But Dianne swears that these complex designs are not hard to make.  The results, I can tell you, are well worth the effort.

The quilts of Coastal Quilter’s members Gail Galloway Nicholson and Roxanne Wells appear in Dianne’s new book.

And, this program was arranged by Gail Galloway Nicholson.  Thanks, Gail!

And Dianne’s information is as follows:

Dianne S. Hire

One Hundred Bayside Road, Northport, Maine 04849

207-338-4789

email:  alternatives2@bluestreakme.com

Written by louisaenright

January 12, 2014 at 5:57 pm

Turkey Tracks: Dianne Hire’s Quilts

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Turkey Tracks:  December 16, 2010

Dianne Hire’s Quilts

Dianne Hire came to visit with Coastal Quilters during their December monthly meeting.  She has a new book out, and we wanted to see it and some of her quilts that appear in it.

Dianne Hire is a nationally recognized quilter and teacher.  Her quilts have hung in major shows, like Houston and Kentucky.  Some are in permanent collections, like Houston.  We are so lucky that she lives nearby, in Northport. 

Her new book VIVACIOUS CURVY QUILTS came out in October:

Here’s the quilt from the cover:

Here is a picture of a quilt that uses the curved piecing method Dianne’s book teaches:

Isn’t it wonderful?  So lively.

Here’s a picture of this quilt hanging beside a quilt that has hung in numerous major shows:

Dianne also showed us a work-in-progress quilt that will be a masterpiece, a large quilt that will make a huge statement in the world of quilting.  I hesitate to show the whole top or even parts of it as I’m superstitious and because I’m not sure she’s ready to reveal this work at this stage.  But, hold your breath because it’s an amazing, delightful, intricate, colorful quilt.  And, quite different from her other work.  Dianne says this quilt has been living in her head for about 14 years.

I fell in love with a border she developed in her first book,  QUILTERS’ PLAYTIME:  GAMES WITH FABRICS.   Here’s a picture:  it’s the black and white border to the left of the quilt:

But, my interest was still bubbling at the meeting.  It wasn’t until I went home that I realized I really wanted to learn how to do these kinds of odd borders.  So, I ordered QUILTERS’ PLAYTIME online.  I wish I’d bought it from Dianne! 

GO DIANNE!  Finish that masterpiece!

Written by louisaenright

December 16, 2010 at 1:32 pm