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My Color Collective Season 3 Quilts

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Turkey Tracks: September 6, 2021

My Color Collective Season 3 Quilts

I thought it would be good, for me at least, to review the work I did last year (season 3) in the online class (The Color Collective) hosted by Sewtopia (Amy Newbold) with designer Tara Faughnan (for six months of projects and fabric palettes) and with guest designer Latifah Saafir (for an extra seventh month).

The quilts are more or less in the order of the monthly projects. Tara gives us the pattern and the fabric (there are also helpful videos) and shows us her version of the project—then we have at it. Pretty much all of us make the project differently, and that outpouring of creativity is really fun to see and experience.

If you want to know more about each of my quilts, there are separate blog posts. You can search on the name of the quilt on the right sidebar.

My “Marrakesh”:

My “Pips”:

My “Splice,” and this one differs from Tara’s layout in that I laid out the strips to form that central diamond. I hand quilted this one with 12-weight cotton thread (Sulky).

My “Bokeh”:

Bokeh is a photographic term for the manipulation of the background to make it intentionally fuzzy.

My “Tenderoni”—which I called “Fractures”:

Latifah Saafir was the guest designer for the 7th CC month this year. She spread out her Tenderoni block by using plain squares of the fabric palette to make the Tenderoni blocks stand out—which of course made a lap-size quilt. I wanted to see how the Tenderoni shapes played together up close and I wanted a wall hanging. I hand quilted with 12-weight cotton thread (Sulky).

I made this wall hanging from the leftover “Offcut” quarter circle pieces and hung the two quilts opposite each other on the walls outside my quilt room. This one, too, is hand quilted with 12-weight cotton thread (Sulky).

I didn’t do “Hitch” (an improv project) or “Rex” (an appliqué project) this year. Both projects were very nice; they just landed here when I was really busy. There might come a day…. Both projects offer a lot of room for experimentation and play. These two projects are the only ones I have not made in the three years of the class—not a bad record for this class I think—for me or for Tara Faughnan.

I am so looking forward to Season 4, which starts November 1.

Written by louisaenright

September 6, 2021 at 8:57 am

The Color Collective: Season 4

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Turkey Tracks: September 1, 2021

The Color Collective: Season 4

It’s BACK for SEASON 4.

I signed up.

I couldn’t resist.

https://www.tarafaughnan.com/color-collective

The 7th and final month designer will be Annabel Wrigley. Take a look at her exciting work:

https://annabelwrigley.com

Two of the 12 fabrics in this year’s palette of solids will be shot cotton from Windham’s Artisan Cotton collection, which Tara helped design.

Fabrics for the first project will ship in October, and the first pattern will be released November 1.

I have to say that I have been so engaged with the projects of the last three years, and it has been such fun to see where Tara takes these projects over time—and that has often been to award-winning quilts.

I have learned so much! It’s like learning to read: once learned you can’t go back.

Written by louisaenright

September 1, 2021 at 2:11 pm

“Fractures” Quilt

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Turkey Tracks: July 28, 2021

“Fractures” Quilt

I finished “Fractures” last night and hung it outside my quilt room this morning—after retiring one quilt and moving another.

I am really happy with this quilt.

Latifah Saafir was the guest designer for this year’s 7th month in season 3 of The Color Collective. She called her block “Tenderoni.”

Latifah spread out her block by using blank pieces of her fabric palette (which I really love), but I wanted to play with how the block worked when all were together without interruption. Latifah’s version, though, is a very handsome quilt and a better choice I think if one wants a bigger quilt.

I hand quilted with 12-wt cotton Sulky thread in various colors—using a Tulip Saskido needle.

Written by louisaenright

July 28, 2021 at 9:51 am

A Fun Quilty Journey

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Turkey Tracks: July 12, 2021

A Fun Quilty Journey

It started with seeing Debbie Jeske’s triangle quilt from a class she took with Alaskan quilter Maria Shell at this past year’s QuiltCon virtual (during covid) 2021 meeting—where Maria Shell also won a major award.

I am a big fan of both of these quilters.

Here’s Debbie’s quilt—which is based on Maria Shell’s “Rattlesnake” quilt—and which is on Debbie’s blog, A Quilter’s Table. Among her many workshop class offerings, Maria Shell teaches workshops on dynamic triangle quilts.

My heart started beating the minute I saw Debbie’s quilt. I pulled out Maria Shell’s book IMPROV PATCHWORK, which I have really wanted to start exploring during quilty “play” time, and reminded myself of her “Rattlesnake” quilt, which is featured in her book and in her workshop class list.

I am noticing now how Maria Shell’s triangle lines form a zig zag with her manipulation of the dark colors. Hmmm…. Flashlight! That’s the snake. I can be so dense sometimes when I get overwhelmed with pattern and color. No wonder this quilt is longer rather than wider. I’ll probably have to try this idea down the road. And I am also seeing how the side pieces to each triangle can be different dark colors, but also have some light “pop” colors thrown into the mix.

Anyway, I had an unused palette from this year’s The Color Collective, Tara Faughnan designer, for a project I couldn’t get my head around. (After 3 years and 20 projects, having only 2 projects that didn’t draw me in is an awesome record for Tara Faughnan.) I put the palette and Shell’s book and a picture of Jeske’s quilt in the “to-do play” pile until I had time to get to it.

And that happened this past week as a quilt top on the design wall got finished (“Monkey Business”) and there were several rainy days. Here’s my mostly finished top. There is one block on the far right that is too dark, so I’ll take few minutes to replace that one dark green patch today with the light green and call it a day.

The big challenge was balancing the colors. I did add the pale orange to the original palette. You would think that having 12 colors would be enough, but I really needed one more light color, and I think the orange addition was a good choice.

It will finish at 34 long by 45.5 wide—and I have absolutely no idea how I’ll quilt it. I’ll bind with the dark green, use whatever fabric in my stash that fits the back, and set it up as a wall hanging.

Amy Newbold and Tara Faughnan are going to do a season 4 of The Color Collective. I really feel like I have grown so much as an improv quilter due to The Color Collective, so likely I’ll continue this part of my quilty journey.

The Design Wall, June 26, 2021

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Turkey Tracks: June 23, 2021

The Design Wall, June 26, 2021

The “Tenderoni” quilt top is done, layered, and basted via the longarm basting. I’m almost certainly going to hand quilt it with a 12-wt. cotton in the honey color in the quilt. The binding (the darkest red in the quilt) is here and washed—I’ll cut it this week. I’m calling it “Fractures,” and I’m really pleased with the movement in this quilt. It will be a wall hanging—30 by 42.

Latifah Saafir designed this block and chose the color palette as a guest designer for this year’s The Color Collective (Sewtopia, Amy Newbold). And it has been really interesting to see what other people made with this block.

So with “Fractures” removed, the design wall looks like this now:

The “Monkey Business” blocks are all done. I may still move some blocks later today, but I’ll sew the blocks together after I try one more move with some of the blocks at the bottom. Basically this quilt is a “sampler” quilt of Cotton+Steel/Ruby Star Society fabrics. As such it is fun. And I loved making the blocks. Abbey Lane Quilting designed “Monkey Business,” which appeared in Issue 22 of Simply Modern magazine. The blocks finish at 13 inches—so it will be a fun lap size quilt.

The leader/ender “Funky” wedding ring scrappy top on the left is coming along as well. The pattern is in FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS by Freddie Moran and Gwen Marston. Debbie Jeske of A Quilter’s Table blog made a quilt top recently where she took out the sashing Moran and Marston used, which made the top even more modern. I’ll probably wind up with a lap size top as I don’t see my version as a wall hanging—and I’m liking having fun making this block and using up both solid and printed scraps.

The little round circles are being made from the off-cuts from the “Tenderoni” block.

I thought about moving the circles into different positions on the background block—both sideways and up and down, but when sketching it, I couldn’t make the design work in a coherent way.

There is something really pleasingly “glowy” about this fabric palette as it appears with these little circles.

And now, as we had a good soaking rain yesterday, I need to go and weed! I’m rounding the final corner of the house now.

It’s Monday Again

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Turkey Tracks: June 14, 2021

It’s Monday Again

Funny how Monday rolls around each week.

One thing about time, it is always moving forward.

It was a quiet weekend here, as most weekends are. I worked in the yard mostly and was too tired to sew in the late afternoon. Plus, I did something to my right foot with all the outside work, so there has been pain. And now I really need to stay off of it and let it heal. Nothing serious, just something to slow me down a bit.

So, the good news is that now I will have time to finish sewing this quilt top together.

Reminder: This year Latifah Saafir is the guest designer for Sewtopia’s The Color Collective, season 3, month 7. This “Tenderoni” block and the color palette are her design. Members of The Color Collective this year are making some really interesting quilts using this block. I got intrigued with all the shapes and patterns that can be made by keeping the blocks close together. I’m calling it “Fractures.”

I’ll call this one finished. It will be a wall hanging. I’ll bind with the dark red in the fabric palette, and I found a paisley backing in my stash that will work really well. I may grid quilt it, but I don’t know if I’ll do that by hand yet or not.

Plus, I am playing around with the discarded quarter circle pieces that arrive when the block pieces are cut. I’ll need to redo this trial one as it got itself off-center while being sewed. And maybe I’ll machine stitch it down with a tiny blanket stitch done in invisible thread—as Tara Faughnan taught us way back in the first project of Season 1. I don’t mind the hand stitching though. I suppose those choices will depend on how many circles are available from the scraps.

I had fun this weekend discovering more gardening by Mother Nature.

She planted this Kousa dogwood some years back—when facing the garage, it is on the left, just down a very steep hill. I don’t have any dogwoods, nevermind Kousas, so this tree is so fun.

AC is DELIGHTED to have one of his old balls available for play OUTSIDE. It is now living in my work tool bucket.

I throw garden refuse along the top edge of that hill, both to stabilize it and to see what might start to grow. It is always amazing to see what begins to grow there. Right now there are some wildflowers, including some orange daylilies, some Joe Pye weed, some Bishop’s Weed, and look what else just emerged in the rocky ground.

Three white Fox Glove plants. I also found two more along the driveway over by the rock wall. (Yes, I know they are poisonous for dogs, but AC doesn’t really chew at plants unless I weed and throw them for him to chase, and I won’t be doing that with these plants if by chance they get weeded.)

I was able to mow yesterday, but it got hot again so I came inside. By then my foot was saying “enough.” When it is better, I’ll finish the last two beds on the far side of the house that need massive weeding. One is almost done and the other is small.

And here we are with another week of Maine summer to enjoy!

Written by louisaenright

June 14, 2021 at 8:54 am

Design Wall June 2021

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Turkey Tracks: June 3, 2021

Design Wall June 2021

I’m having fun with quilt projects these days.

The design wall is full of fun.

Here’s the “funky” wedding ring block found in FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS by Freddie Moran and Gwen Marston—and also made recently by Debbie Jeske of A Quilter’s Table blog. I’ve wanted to make this block since I saw Debbie’s modern version. Two blocks are together, but I’ll leave the other parts loose until all are made. I see some already I’ll be wanting to move. And, of course, I’m using up both solid and print scraps in this project.

Here’s Debbie Jeske’s version, which I love. Note that she begins to incorporate some printed fabrics in her half-square triangles at the bottom right. I really like that touch. She has such a great design eye.

Moran and Marston pioneered modern funky blocks, which they often made and put in what they called their “parts department” bins so they would have blocks ready to use. It is always fun to go back and revisit their work.

Guest designer for the seventh and last project from The Color Collective, season 3, is Latifah Saafir. “Tenderoni” is already taking many forms as members of the collective work with the block. Here’s what I have now. I’m thinking 5 by 7 rows, but who knows if this design of mine will hold. I could expand it with insertions of plain blocks of fabric. But I’m kind of liking the “windmill” that is taking shape—and of course all the fractured “parts” of a circle.

This next block designed by Abbey Lane Quilts for Issue 22 of SIMPLY MODERN magazine is called “Monkey Business.” I thought it might work to whittle down my Cotton+Steel/Ruby Star Society fabrics. The block is way fun to make, and I’m having such fun combining fabrics in each block and then making some sense out of where to put each block.

Abby Lane Quilts did a lap size of 4 by 5 blocks, so with a 13 inch block, that’s a nice lap size of 52 by 65.

I’m in no rush on any of these projects. It is just nice to have “play” time on the design wall.

I’ll likely get to the light grey/dark grey big log cabin later in the summer. And I’m looking forward to making it.

I heard this morning that my new longarm is coming in late July! The log cabin will be the first quilt to be quilted on it I think.

“My Bokeh” is Done

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Turkey Tracks: May 15, 2021

“My Bokeh” is Done

“Bokeh” is a photographic term for when one manipulates the camera so that it makes the background fuzzy in a picture. In my mind, the darker colors are the “background” here—they are softer and less sharp in that way, though one could easily think that what is also interesting is how all the squares are like the pixels in a photo.

I really enjoyed making this quilt—and after I had an acceptable piece to say I tried it—I went back and made it all bigger as I was not ready to stop at a wall hanging size This one is now a nice lap size, and I used pretty much all the fabric. I added white and cream to the palette.

This project was one of this year’s The Color Collective online classes, hosted by Amy Newbold of Sewtopia. Tara Faughnan is the designer, and she picks the palette colors for each of the six yearly projects that she teaches to TCC students. I think this palette is particularly nice. (A guest designer staffs the 7th month, and this year that person is Latifah Saafir.)

I quilted from the front with an organic kind of doodle—using a wheat/gold thread that worked for the front and the back. I added in lots of curves to soften all the straight lines.

The backing is an architectural pattern—and I would not have thought of using this warm color until I had the top with me in a local fabric store. It was so much more interesting than any of the other colors represented in the quilt.

I am now working on Latifah’s project, and it is really fun.

And look what I had for lunch today!

This lettuce started out late last fall—as it was seeded into the cold frame and covered for the winter. Then, there is that moment in early, early spring when the light is changing, when the snow is melting, and when I walk by the cold frame and can see green down in the dark earth. It is still a long time before the cold frame cover can be removed permanently, not just on warm days, and before I can start harvesting the lettuce and sharing it with friends. Underneath the egg is a bit of leftover rice/lamb/veggie stir fry, and the white is a cottage cheese that I can tolerate on low histamine days.

These are the last of the daffodils, and the first of the very fragrant viburnam white “balls.”

The cool spring has been really good for the daffodils and forsythia this year.

Written by louisaenright

May 15, 2021 at 2:14 pm

“My Splice” and “Trees”

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Turkey Tracks: March 31, 2021

“My Splice” and “Trees”

“Trees” is on the longarm—mostly because I need another night time hand-sewing project. Though, I should confess, I can fall back on the EPP project that has been underway for several years now. But, it is a hard project. Sewing binding is more soothing.

This quilt is SUPER BRIGHT, for sure.

But…cheerful.

And I have finished and hung “My Splice,” a project from this year’s Color Collective class with Tara Faughnan—hosted by Amy Newbold’s Sewtopia. I wanted something I’ve made for this spot in the living room, so I made a wall hanging rather than a larger quilt.

I quilted with 12-weight Sulky cotton, with a Tulip Sashiko needle AND had a lot of fun using different color threads.

The corner where I hung it had an old opera poster—Turandot—that was looking faded and stodgy. “My Splice” has certainly brightened up that corner of the living room.

Here’s one more:

The April project will arrive online tomorrow.

Ah, anticipation unfolds strongly today. The fabric is already here and is very pretty.

More Bits and Pieces

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March 7, 2021

More Bits and Pieces

I finished the expanded “My Bokeh” quilt top today and purchased a backing for it this past week.

You may recall that I thought I’d finished it. Only, it kept calling to me, and I had more fabric. So I turned what I had on its side and added more rows. Now it is a lap-quilt size: 60 by 72. And I like it a lot.

Now it has joined the other ongoing projects on the bed next door to my quilt room. There are two finished quilt tops that need to go on the longarm, all the ironed fabric for the blue/grey log cabin for my niece, backing and binding fabric for the log cabin, a pile of fabric sent by Sewtopia for this month’s Color Collective project, a BIG block I cut out to see how it would look that needs to be sewn together, and the “funky” wedding quilt project I’d like to try out—the one Debbie on A Quilter’s Table blog tried and posted, from a book by Gwen Marston and Freddie Moran (COLLABORATE AGAIN) about “funky” quilt blocks and projects (see a previous post for pics).

I cleaned off the design wall and put up the log cabin blocks I’ve already made. My niece and her husband chose a barn raising format. So now I’m really excited to cut more fabric and to make more blocks. I’m thinking 8 rows at the very most—that would be 96 inches square. But it is already looking really pretty!

The best thing about roasting a big chicken may be what comes after that first meal, as in the gorgeous lunch salad the next day:

Or the broth-dense soup for dinner last night:

Unfortunately, I’ve reacted slightly to this soup, so now it’s a benedryl nap day. I don’t know if it is that the stock cooked too long in the Instant Pot, or if it is the teaspoon of tumeric I added, or both. I’m resisting throwing out the other half of the soup. The 5.5 pound chicken produced 2 dinner meals, a big lunch salad, 3 soup meals, and 4 cups of stock frozen in 1-cup portions. AND, some really healthy and delicious meals.

My boy was so pretty yesterday that I took a picture of him.

That’s “the look” that says it is well past time for us to do something TOGETHER.

And so we did.