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Posts Tagged ‘Tara Faughnan

My Color Collective Season 3 Quilts

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Turkey Tracks: September 6, 2021

My Color Collective Season 3 Quilts

I thought it would be good, for me at least, to review the work I did last year (season 3) in the online class (The Color Collective) hosted by Sewtopia (Amy Newbold) with designer Tara Faughnan (for six months of projects and fabric palettes) and with guest designer Latifah Saafir (for an extra seventh month).

The quilts are more or less in the order of the monthly projects. Tara gives us the pattern and the fabric (there are also helpful videos) and shows us her version of the project—then we have at it. Pretty much all of us make the project differently, and that outpouring of creativity is really fun to see and experience.

If you want to know more about each of my quilts, there are separate blog posts. You can search on the name of the quilt on the right sidebar.

My “Marrakesh”:

My “Pips”:

My “Splice,” and this one differs from Tara’s layout in that I laid out the strips to form that central diamond. I hand quilted this one with 12-weight cotton thread (Sulky).

My “Bokeh”:

Bokeh is a photographic term for the manipulation of the background to make it intentionally fuzzy.

My “Tenderoni”—which I called “Fractures”:

Latifah Saafir was the guest designer for the 7th CC month this year. She spread out her Tenderoni block by using plain squares of the fabric palette to make the Tenderoni blocks stand out—which of course made a lap-size quilt. I wanted to see how the Tenderoni shapes played together up close and I wanted a wall hanging. I hand quilted with 12-weight cotton thread (Sulky).

I made this wall hanging from the leftover “Offcut” quarter circle pieces and hung the two quilts opposite each other on the walls outside my quilt room. This one, too, is hand quilted with 12-weight cotton thread (Sulky).

I didn’t do “Hitch” (an improv project) or “Rex” (an appliqué project) this year. Both projects were very nice; they just landed here when I was really busy. There might come a day…. Both projects offer a lot of room for experimentation and play. These two projects are the only ones I have not made in the three years of the class—not a bad record for this class I think—for me or for Tara Faughnan.

I am so looking forward to Season 4, which starts November 1.

Written by louisaenright

September 6, 2021 at 8:57 am

The Color Collective: Season 4

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Turkey Tracks: September 1, 2021

The Color Collective: Season 4

It’s BACK for SEASON 4.

I signed up.

I couldn’t resist.

https://www.tarafaughnan.com/color-collective

The 7th and final month designer will be Annabel Wrigley. Take a look at her exciting work:

https://annabelwrigley.com

Two of the 12 fabrics in this year’s palette of solids will be shot cotton from Windham’s Artisan Cotton collection, which Tara helped design.

Fabrics for the first project will ship in October, and the first pattern will be released November 1.

I have to say that I have been so engaged with the projects of the last three years, and it has been such fun to see where Tara takes these projects over time—and that has often been to award-winning quilts.

I have learned so much! It’s like learning to read: once learned you can’t go back.

Written by louisaenright

September 1, 2021 at 2:11 pm

“Offcut Circles” Quilt

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Turkey Tracks: August 29, 2021

“Offcut Circles” Quilt

I finished the scrappy wall hanging I have been making from the “offcut” quarter circles left over from the last project of this year’s The Color Collective season. The 7th and final month’s project this year was designed by Latifah Saafir. I loved her block (Tenderoni) and also loved her color palette.

I hung “Offcut Circles” at the entrance to my quilt room, opposite from its parent, the Tenderoni block wall hanging I’m called “Fractures.”

The small quarter circles in “Offcut Circles” comes from the way the small circles are cut and discarded from the Tenderoni block—replaced by a larger quarter circle that makes the math in the Tenderoni block work.

For both quilts, I quilted a grid with Sulky 12-weight cotton thread in many different colors related to the palette. You can buy this thread on small spools that cost under $2 a spool. They have plenty of thread on the spool for most projects where one wants lots of different colors. I get them from Red Rock Threads and order online.

I used the rusty dark brick color for the binding. The backing is just made from whatever I had in my stash that would fit. This time a warm paisley.

I made the circles using the template method Tara Faughnan taught us in our very first The Color Collective project in Season 1 and appliquéd them to the backing square. You know, in thinking about what I did, I don’t think I trimmed out the back of the background block after sewing down the circles. ???? I must have been resisting creating MORE CIRCLES that I would find hard to throw away.

Here’s the very first circle quilt from the very first project in season 1 of The Color Collective. I combined blocks from the first and second months.

Here’s a link to the original post about XOXO.

Here’s a link to the quilts I made from the first season of The Color Collective:

https://louisaenright.com/?s=Season+1+quilts+from+the+color+collective

Written by louisaenright

August 29, 2021 at 9:30 am

Funky Wedding Ring Quilt Top

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Turkey Tracks: August 2, 2021

Funky Wedding Ring Quilt Top

What a fun scrappy quilt!

It is so lively and so full of good energy. And I have not named it yet.

This is just a quick and dirty picture—and the quilt is hanging over another quilt in progress, so things look lumpy.

A reminder that this block comes from Freddy Moran and Gwen Marston and is in their book FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS. I mixed printed and solid scraps in the blocks and am happy with how that evolved.

And here is what is going on BEHIND this quilt:

This quilt is designer Tara Faughnan’s “Wedding Ring” quilt.

It is so fun to make!

I have a busy day but can’t wait to spend some time today making more of the scrappy rings.

“Fractures” Quilt

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Turkey Tracks: July 28, 2021

“Fractures” Quilt

I finished “Fractures” last night and hung it outside my quilt room this morning—after retiring one quilt and moving another.

I am really happy with this quilt.

Latifah Saafir was the guest designer for this year’s 7th month in season 3 of The Color Collective. She called her block “Tenderoni.”

Latifah spread out her block by using blank pieces of her fabric palette (which I really love), but I wanted to play with how the block worked when all were together without interruption. Latifah’s version, though, is a very handsome quilt and a better choice I think if one wants a bigger quilt.

I hand quilted with 12-wt cotton Sulky thread in various colors—using a Tulip Saskido needle.

Written by louisaenright

July 28, 2021 at 9:51 am

Design Wall, July 2021

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Turkey Tracks: July 18, 2021

Design Wall, July 2021

My quilt room looks like a bomb went off in it as there are color-coordinated piles of fabric everywhere as apparently I am working on four projects at the same time.

(1) Here are the strips for the log cabin, all cut—with two blocks organized on the right. I am using the Creative Grids 12-inch log cabin ruler for this project—which makes log cabin blocks super easy and fast to make.

I fell in love with Tara Faughnan’s Wedding Ring quilt the moment I laid eyes on it a few years ago. [Let’s face it: I’ve fallen in love with so many of Tara’s patterns now, having been introduced to her in The Color Collective (Sewtopia, Amy Newbold) three years ago.] This past spring I got as far as buying her pattern, and last week I photo copied the 10-inch versions on to freezer paper and thought I’d “just make a trial block.” Yeah. All of you quilters know how THAT goes. Here’s where I was by last night:

I’m finding it takes a lot of cutting to get started on this project—but that it is gobbling up solid scraps like mad.

The “funky” wedding ring quilt top—now a leader/ender project—is coming along. I will make it 4 blocks wide by 5 blocks (14-inch blocks) so it comes out 56 by 70. That will be a nice lap size. Previous posts cover the origin of this project for me. The block is by Freddy Moran and Gwen Marston and is in their book FREDDY AND GWEN COLLABORATE AGAIN: FRIENDS. And I am indebted to Debbie Jeske (A Quilters Table blog) for making the block without sashing which makes it much more modern.

And here’s how Maria Shell’s “Rattlesnake” zig-zag pattern gets formed with light and dark isosceles triangles. I used Tri Rec rulers to make mine, but Maria Shell shows how to free-hand cut these triangles in her book IMPROV PATCHWORK. I love the scrappy nature of this project.

I’ve cut a lot of strips while going through solid scraps, but have put this one on hold until I get the “funky” wedding ring top off the design wall.

It’s a totally rainy day today, so it will be a lovely sewing day for me—with breaks to console AC doggie.

A Fun Quilty Journey

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Turkey Tracks: July 12, 2021

A Fun Quilty Journey

It started with seeing Debbie Jeske’s triangle quilt from a class she took with Alaskan quilter Maria Shell at this past year’s QuiltCon virtual (during covid) 2021 meeting—where Maria Shell also won a major award.

I am a big fan of both of these quilters.

Here’s Debbie’s quilt—which is based on Maria Shell’s “Rattlesnake” quilt—and which is on Debbie’s blog, A Quilter’s Table. Among her many workshop class offerings, Maria Shell teaches workshops on dynamic triangle quilts.

My heart started beating the minute I saw Debbie’s quilt. I pulled out Maria Shell’s book IMPROV PATCHWORK, which I have really wanted to start exploring during quilty “play” time, and reminded myself of her “Rattlesnake” quilt, which is featured in her book and in her workshop class list.

I am noticing now how Maria Shell’s triangle lines form a zig zag with her manipulation of the dark colors. Hmmm…. Flashlight! That’s the snake. I can be so dense sometimes when I get overwhelmed with pattern and color. No wonder this quilt is longer rather than wider. I’ll probably have to try this idea down the road. And I am also seeing how the side pieces to each triangle can be different dark colors, but also have some light “pop” colors thrown into the mix.

Anyway, I had an unused palette from this year’s The Color Collective, Tara Faughnan designer, for a project I couldn’t get my head around. (After 3 years and 20 projects, having only 2 projects that didn’t draw me in is an awesome record for Tara Faughnan.) I put the palette and Shell’s book and a picture of Jeske’s quilt in the “to-do play” pile until I had time to get to it.

And that happened this past week as a quilt top on the design wall got finished (“Monkey Business”) and there were several rainy days. Here’s my mostly finished top. There is one block on the far right that is too dark, so I’ll take few minutes to replace that one dark green patch today with the light green and call it a day.

The big challenge was balancing the colors. I did add the pale orange to the original palette. You would think that having 12 colors would be enough, but I really needed one more light color, and I think the orange addition was a good choice.

It will finish at 34 long by 45.5 wide—and I have absolutely no idea how I’ll quilt it. I’ll bind with the dark green, use whatever fabric in my stash that fits the back, and set it up as a wall hanging.

Amy Newbold and Tara Faughnan are going to do a season 4 of The Color Collective. I really feel like I have grown so much as an improv quilter due to The Color Collective, so likely I’ll continue this part of my quilty journey.

It’s Monday Again

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Turkey Tracks: June 14, 2021

It’s Monday Again

Funny how Monday rolls around each week.

One thing about time, it is always moving forward.

It was a quiet weekend here, as most weekends are. I worked in the yard mostly and was too tired to sew in the late afternoon. Plus, I did something to my right foot with all the outside work, so there has been pain. And now I really need to stay off of it and let it heal. Nothing serious, just something to slow me down a bit.

So, the good news is that now I will have time to finish sewing this quilt top together.

Reminder: This year Latifah Saafir is the guest designer for Sewtopia’s The Color Collective, season 3, month 7. This “Tenderoni” block and the color palette are her design. Members of The Color Collective this year are making some really interesting quilts using this block. I got intrigued with all the shapes and patterns that can be made by keeping the blocks close together. I’m calling it “Fractures.”

I’ll call this one finished. It will be a wall hanging. I’ll bind with the dark red in the fabric palette, and I found a paisley backing in my stash that will work really well. I may grid quilt it, but I don’t know if I’ll do that by hand yet or not.

Plus, I am playing around with the discarded quarter circle pieces that arrive when the block pieces are cut. I’ll need to redo this trial one as it got itself off-center while being sewed. And maybe I’ll machine stitch it down with a tiny blanket stitch done in invisible thread—as Tara Faughnan taught us way back in the first project of Season 1. I don’t mind the hand stitching though. I suppose those choices will depend on how many circles are available from the scraps.

I had fun this weekend discovering more gardening by Mother Nature.

She planted this Kousa dogwood some years back—when facing the garage, it is on the left, just down a very steep hill. I don’t have any dogwoods, nevermind Kousas, so this tree is so fun.

AC is DELIGHTED to have one of his old balls available for play OUTSIDE. It is now living in my work tool bucket.

I throw garden refuse along the top edge of that hill, both to stabilize it and to see what might start to grow. It is always amazing to see what begins to grow there. Right now there are some wildflowers, including some orange daylilies, some Joe Pye weed, some Bishop’s Weed, and look what else just emerged in the rocky ground.

Three white Fox Glove plants. I also found two more along the driveway over by the rock wall. (Yes, I know they are poisonous for dogs, but AC doesn’t really chew at plants unless I weed and throw them for him to chase, and I won’t be doing that with these plants if by chance they get weeded.)

I was able to mow yesterday, but it got hot again so I came inside. By then my foot was saying “enough.” When it is better, I’ll finish the last two beds on the far side of the house that need massive weeding. One is almost done and the other is small.

And here we are with another week of Maine summer to enjoy!

Written by louisaenright

June 14, 2021 at 8:54 am

“My Bokeh” is Done

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Turkey Tracks: May 15, 2021

“My Bokeh” is Done

“Bokeh” is a photographic term for when one manipulates the camera so that it makes the background fuzzy in a picture. In my mind, the darker colors are the “background” here—they are softer and less sharp in that way, though one could easily think that what is also interesting is how all the squares are like the pixels in a photo.

I really enjoyed making this quilt—and after I had an acceptable piece to say I tried it—I went back and made it all bigger as I was not ready to stop at a wall hanging size This one is now a nice lap size, and I used pretty much all the fabric. I added white and cream to the palette.

This project was one of this year’s The Color Collective online classes, hosted by Amy Newbold of Sewtopia. Tara Faughnan is the designer, and she picks the palette colors for each of the six yearly projects that she teaches to TCC students. I think this palette is particularly nice. (A guest designer staffs the 7th month, and this year that person is Latifah Saafir.)

I quilted from the front with an organic kind of doodle—using a wheat/gold thread that worked for the front and the back. I added in lots of curves to soften all the straight lines.

The backing is an architectural pattern—and I would not have thought of using this warm color until I had the top with me in a local fabric store. It was so much more interesting than any of the other colors represented in the quilt.

I am now working on Latifah’s project, and it is really fun.

And look what I had for lunch today!

This lettuce started out late last fall—as it was seeded into the cold frame and covered for the winter. Then, there is that moment in early, early spring when the light is changing, when the snow is melting, and when I walk by the cold frame and can see green down in the dark earth. It is still a long time before the cold frame cover can be removed permanently, not just on warm days, and before I can start harvesting the lettuce and sharing it with friends. Underneath the egg is a bit of leftover rice/lamb/veggie stir fry, and the white is a cottage cheese that I can tolerate on low histamine days.

These are the last of the daffodils, and the first of the very fragrant viburnam white “balls.”

The cool spring has been really good for the daffodils and forsythia this year.

Written by louisaenright

May 15, 2021 at 2:14 pm

Virtual Tour of Nancy Crow’s “Riff” Quilts

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Interesting Information and Quilts: April 2, 2021

Virtual Tour of Nancy Crow’s “Riff” Quilts

I forget now how this information about this exhibit and history of Nancy Crow’s “Riff” quilts came into my social media, but I was immediately drawn to these quilts for several reasons. One is that while I knew Nancy Crow was an early creator of the turn quilting took toward art quilts and innovative “riffs” on traditional quilting back in the day, I had not connected her work to either what we now see often in “modern” quilting or to more recent quilters like Maria Shell, the Alaskan quilter who won a major prize at this year’s Modern Quilt Guild show, Quilt Con. Or, to Tara Faughnan, who is the featured designer in Sewtopia’s online class The Color Collective. Or, to Timna Tarr. And I’m sure there are many more current quilters Nancy Crow has influenced—including all the students working with these clever teachers.

Crow’s “Riff” quilts were on display at the International Quilt Museum in Lincoln, Nebraska, until the end of March 2021.

Crow’s originating idea was started with remembering some railroad tracks from her childhood. Then she went deep with her explorations of those images, and her progression is seen in the way these “Riff” quilts were hung.

Maria Shell has been a student with Nancy Crow. Here is the quilt that made her a top winner at the 2021 Modern Quilt Guild’s Quilt-Con show this year: “Mosh Pit @the Golden” quilt. So you can see where Nancy Crow’s work has influenced and inspired other quilters.

And here’s a link to Maria Shell’s blog where she talks about creating “Mosh Pit”:

https://talesofastitcher.com/2018/02/17/mosh-pit-quilt-riot-stitched-anarchy/

Enjoy!