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Mainely Tipping Points

Posts Tagged ‘The Color Collective

Mid November Quilty Update

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Turkey Tracks: November 13, 2020

I have FOUR quilts to longarm now—each is all set up with all their parts organized, including their labels and bindings.

And while my quilt room is feeling MUCH less tangled with projects now, the bed in the adjacent bedroom is piled high with these projects.

First up to quilt will be the Wild Goose quilt, seen here on the design wall a while back:

Next will be the funky rail fence quilt designed by Sajata Shah and which can be seen in her book CULTURAL FUSION QUILTS.

The TWO Sugaridoo QAL quilt tops are finished as of yesterday. These two quilts have been a year-long journey. Here’s the rainbow solid one. You can see a piece of the backing fabric on the cutting board. I wanted something quiet, though I was tempted by the very bright choices others are making. I am going to bind in the darker grey accent fabric.

Here’s a close up pic of the LAST row, row 11.

Row 11 is so graphic. It was so fun to make. And in general, I have learned a lot during this project and have now 12 new patterns and several quilty methods new to me.

Here is the Cotton+Steel version:

And a close up of those bottom rows:

I have absolutely no idea how I should quilt these quilts. At 70 by 90, they are just way too big to be done on the domestic machine with a grid. And I don’t do intensive longarm quilting with rulers. I just don’t. And I don’t like intensive quilting on a functional quilt as it makes them too stiff. So I will do something overall—either freehand or with a pantograph.

I have TWO leader/ender projects on the design wall; each is endlessly fun and are using up the solid scraps. The tree block is inspired by a quilt by Crazy Mom Quilts, and the striped quilt is inspired by a quilt by Tara Faughnan.

AND, in the relatively clean quilt room, I will now wade into the first Color Collective project as the white background fabric I ordered arrived this week.

People taking the class are showing their completed blocks now in the online social media groups (FB and Instagram), and their different color choices are so fun and so inspiring to see.

Quilty Update Early November 2020

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Turkey Tracks: November 7, 2020

Quilty Update Early November 2020

I have been having so much fun playing with these two projects on my design wall. They have been wonderful ways to cope with all the political chaos of an election in the middle of a pandemic.

Both of these projects are meant to use up solid scraps acquired with two years of The Color Collective online class on Sewtopia, with Tara Faughnan as the teacher and curator of fabrics.

On the left, the “trees” quilt was inspired by Crazy Mom Quilts. And on the right is a quilt inspired by Tara Faughnan’s quilt made with this kind of method.

I pulled out the bin of solid scraps and sorted it—I have piles where the fabrics need to be cut into useable sizes—like, at the very least, different sizes of square blocks. The strips are going into the developing quilt on the right. Occasionally I dive into the bigger bins of bigger pieces of solid fabrics to get a color I want to go with what is here, or to cut new squares for the trees quilt.

I’ve washed and ironed all the fabrics for the first project of season 3 of The Color Collective. The block is “Marrakesh.” The first set of fabrics is a luscious combination.

The funky rail quilt top from Sajata Shah’s CULTURAL FUSION QUILTS book and all the needed parts for the longarm joins the Flying Geese quilt with all its needed parts. I’ll start to longarm quilt these quilts pretty soon now.

The funky rail fence block is super fun to make. I used a suite of fabrics I’ve never used—and added fabrics from my stash. I pieced the back with the remnants, so that’s a lot of fabrics out of the stash. And does it count as an almost-created Unfinished project since I did have a suite of fabrics kept together? I think so. I do NOT want to be one of those people who dies and leaves a huge amount of fabric for my family to manage.

I LOVE this flying geese quilt and can’t wait to see it finished.

I worked on the last row of the solid Sugaridoo QAL quilt yesterday. Along the way I added sashing that is a bit too wide, and the quilt is way, way too long. Sugaridoo planned it at 70-90, which is not a ratio I like. I spent the evening ripping out some of the sashing, and I have at least gotten the quilt back to 70-90. I’ll likely finish these two quilts in the next few days, and I have enjoyed the learning curves involved and all the new block patterns. I have backings for both quilts, but need to organize bindings. Completing these two tops will make FOUR quilts ready for the longarm and binding.

The third row of the EPP project “36 Ring Circus” is going faster than the first two. I’m making all the center blocks in a row at one time now. And I pretty much have all the parts that surround the center glued and ready to go.

I also have two knit garments cut out and some patterns I really want to make. That’s a bit harder since I’m not really seeing anyone with the pandemic situation and so have no place to wear new garments.

My sewing life is rich and satisfying during the winter season here in Maine, and it feels good to get unfinished projects completed and to take on some new challenges.

The Paul Klee “Bee Inspired” Prompt

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Turkey Tracks: October 29, 2020

The Paul Klee “Bee Inspired” Prompt

The challenge “prompt” for this month’s block for the Mt. Battie Modern Quilt Guild’s ongoing “Bee Inspired” challenge—based on the quilting group of modern quilters called “Bee Sewcial” (see #beesewcial on Instagram for their work)—was Paul Klee.

What a fun challenge—which prompted me and I’m sure other members to take an online research trip to see Klee’s paintings. Klee (1879-1940) was a Swiss-born German modern painter whose work took place in the early 1900s. He was deeply interested in color theory.

I chose Klee’s “Characters in Yellow” for my prompt.

But I didn’t want to make the block in yellow as yellow stands out in a quilt like a flashing neon sign. So I used reds.

Klee loved geometric shapes. And in this painting he used analogous colors. And he kept his shapes intact for the most part. No one knows who the “characters” he depicted were. And it does not matter. That’s the whole point really.

I used the method I learned in The Color Collective for this quilt:

Tara Faughnan created this method, and created the visual impression of the blocks floating over the darker background by slashing the geometric shapes and installing strips of the background color. Here, too, the color palette is analogous.

So the “Modern” experiments with shape and color continue… And now Klee’s painting looks…static, fixed…to my eyes anyway.

I love my quilty journey.

Written by louisaenright

October 29, 2020 at 9:00 am

“On Point” Quilt Finished

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Turkey Tracks: October 8, 2020

“On Point” Quilt Finished

This quilt is another very different project for me. But I loved making it, especially as decisions about the colors and the setting of the colors were made for me. The block that guest designer Denyse Schmidt created for Season 2 of The Color Cellective is BIG—20 inches.

This quilt is the final project (7), finished just in time for Season 3 to start in November.

I wasn’t quite sure how to quilt it, but opted in the end for this overall design with curves and some sharp points. I like the texture that developed a lot. The pantograph is Checks and Chase by Lorien Quilting. The row is 8 inches and is double, so 16 inches wide.

The thread color is the same kind of jade green that’s in the quilt—and that worked well too. It was dark enough for the darker fabrics and not too dark for the lighter. My fallback for quilt thread is always shades of grey, but they just didn’t work here with the mixtures of bright/dull/dark and light and dark. I use Signature 40-wt. all cotton thread on the longarm, and this thread color is Jade.

I also wasn’t sure what would work well as a backing, but I’m happy with this duller taupe colored fabric that has sprinkles of color that are, for the most part, also in the quilt. It’s Ruby Star Society, Speckles, and there is a very large range of colors in that line. This backing does not draw attention from the front of the quilt.

The luscious dark brown in the quilt provided enough for the binding, which I always cut on the bias. I did order extra dark brown in order to have enough for this 60 x 60 quilt. I could have easily and happily made this quilt much bigger, but wasn’t sure how it would come out in the end, if I would like the block, and so forth. I have tended to copy the Color Collective projects and then play with them—once I’m sure I understand how they work. I never think about using a luscious dark brown instead of black, but I will now.

November is coming up fast!

Haricot Vert Beans and More

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Turkey Tracks: October 5, 2020

Haricot Vert Beans and More

I voted this morning and came home to pick the filet beans again. I rescued the plants twice about two weeks ago from frost in the night by covering the plants with a tarp, and now they are turning to delicious, tender beans that are such a treat.

Look how healthy the plants look in the cold frame—as do the new raspberry plants behind the beans, which have been trimmed back so they don’t try to fruit.

This was my first batch of these little beans, and I have had two batches since, including this morning. There are loads of flowers and beans growing on the plants, which will fruit until they are stopped by a hard freeze. I thought maybe I had waited to late to seed them into the cold frame this year, but here they are.

And look at these beautiful squashes, garlic, onions, and shallots. They are almost too pretty to eat. The red onions are cipollini onions. I found a recipe to pan sauté them until they are caramelizing in the pan and then to finish them in the oven.

Nights have been much cooler, but rather than organize a wool blanket for my bed, I chose a quilt—the improv quilt I made in 2019—“Parts Department Party”—that includes blocks from two friends as we all made an improv quilt with our shared blocks. (This quilt is BIG and is folded in half here. Here’s the 2019 post that has all the pictures: https://louisaenright.wordpress.com/wp-admin/post.php?post=11105&action=edit)

I love the bear’s face in one of the little stars. The bear is an old Cotton+Steel fabric. But the designers did take their fabric designs when they changed manufacturers, so maybe someday we’ll see this image appear again.

I am putting binding on my “On Point” quilt from The Color Collective, season 2, designed by Denyse Schmidt. She also chose the fabrics and this placement of the colors. I like the way my quilting choice came out on this quilt—it has lovely texture. When the binding is done I’ll post pictures of the whole thing. When I’m sewing binding on a quilt I fold them and put them on this chair so I can admire them as I come and go during the day.

VOTE!!!!

Written by louisaenright

October 5, 2020 at 1:37 pm

“Little Circles” Quilt is Done

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Turkey Tracks: September 18, 2020

“Little Circles” Quilt is Done

The back story on this quilt is that when I did the very first Color Collective project, big circles were involved. When I cut the centers out on the back side, I had all these little circles. (There was also a trial small project from my own solid fabric first—and some of those circles are in this quilt.)

I couldn’t throw these little circles away. They sat in my “to do” pile for almost two years. This past summer I made templates for them that allowed me to make the circles uniform (that was Tara Faughnan’s method), and mounted them on the grey fabric, and the rest is history.

And I love this little quilt.

I quilted it on my domestic, and that was fun too. I love how the back came out.

Here’s the original quilt with the big circles—and I combined projects and 1 and 2 from The Color Collective in this quilt.

And here’s my little sample quilt before I cut into Tara Faughnan’s color palette for this project:

Can I just say that I made myself throw out the grey circles that arrived when I cut out the backs of the little circles I had mounted!!!

I was tempted though…

Written by louisaenright

September 18, 2020 at 9:23 am

“My ‘Give and Take’” Done and Hung

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Turkey Tracks: September 9, 2020

“My `Give and Take’’’ Done and Hung

Oh boy!

Wow!

I made this quilt for this spot, and I’m so pleased with how it turned out. I hung it this morning.

To remind, Tara Faughnan created this improv “give and take” method for The Color Collective, season 2. And she curated the analogous fabrics for the online class.

But look where she has taken this method:

I don’t know. Tara has used a palette here that I personally love. And look how she is varying the background colors here. There may be more of this type of quilt in my life.

Written by louisaenright

September 9, 2020 at 9:37 am

The Color Collective Season 3

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Turkey Tracks: September 1, 2020

The Color Collective Season 3

It’s back!

It will start in October.

I signed up for the half-yard, 7 month version.

I have so enjoyed and benefitted from the two previous seasons and really am looking forward to Season 3.

(I don’t know if the copied post will be ok on the wordpress platform, but you can get the idea anyway and go to the Sewtopia website.)

We’re back with Tara for the Color Collective Season 3!Sewtopia Tara Faughnan are back for Season Three of the Color Collective Season! Join us on a colorful adventure that will expand your color palette and quilting skills. 
Every month you will receive a color bundle curated by Tara as well as a block pattern designed by Tara. In addition you will receive tips and tricks to make the block, access to a private Facebook Group where you can get advice and feedback from Tara, Sewtopia, and other members. Each month we will have and a monthly giveaway exclusive to the Color Collective membership. 
Sewtopia and Tara would like to welcome Latifah Saafir as a Special Guest to the Color Collective. Instead of a normal six month subscription, we are extending it one month, where Latifah will take over and curate a solid bundle and incorporate it in her own block pattern.
Returning club members will receive an exclusive discount. Please use the link below to sign up as they are not available to the public.Half Yard Subscription w/ Special GuestHalf Yard SubscriptionFat Quarter Subscription with Special GuestFat Quarter SubscriptionSpecial Guest – Latifah SaafirLatifah Saafir is known for her bold and innovative modern quilts. Combining her training as an engineer with her lifelong passion for sewing, Latifah creates designs that are graphic and contemporary, featuring challenging techniques with meticulous attention to detail. A co-founder of both the Los Angeles Modern Quilt Guild and the worldwide Modern Quilt Guild, Latifah currently teaches workshops to guilds around the country.
Latifah Saafir Studios is a quilt and sewing pattern and product company representing two brands, Latifah Saafir Studios and Quilt Cadets. Latifah Saafir Studios will feature a full range of patterns and products that will explore many innovative designs and techniques.
Quilt Cadets is a line that will teach the kids in your life to quilt through various sewing projects. These projects range from bags and softies to bags and of course ultimately quilts! The patterns are written in a simple yet clear manner so that kids ages 8 – 12 can easily work from the pattern with minimal help. The patterns include plenty of illustrations for the visual learner.Sewtopia8819 South Redwood Rd. #A3West Jordan, Utah 84088FOLLOW US ‌  ‌  ‌
Amy Newbold | 8819 South Redwood Rd.#A38819 South Redwood Rd., #A3,
WEST JORDAN, UT 84088 4356251476Unsubscribe louisaenright@gmail.comUpdate Profile | Our Privacy Policy | About our service providerSent by info@gosewtopia.com powered byTry email marketing for free today!

Written by louisaenright

September 1, 2020 at 9:14 am

“My `On Point’” Quilt Top is Done

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Turkey Tracks: August 24, 2020

“My `On Point’” Quilt Top is Done

Messy photo, as there are two other projects on my design wall, but this last project from season 2 of The Color Collective is done. Denyse Schmidt, as a guest designer for a 7th month, designed this big, graphic block (20 inches) and curated the color palette.

At 60 by 60, it is a good lap quilt. This block is tricky to make. I found that the seams around the grey center needed to be VERY scant, for instance, to get the 20 1/2 inch trim right. I’m wondering if that grey square should be cut just a bit bigger??? Precision is everything on this big, graphic block. There are two colorways for the block. I emphasized the warm block. If one emphasized the cooler blue block, the quilt would have the blues as intersecting lines in the middle.

I’ll quilt this one on the longarm with something curvy and likely a dark grey thread, but who knows… And I need to organize a backing. I don’t have something in my stash that will work. The binding will be the dark brown as I did order more of it to get the 9 blocks. Thank heavens I ran out of fabric…or I’d be making at least one more row.

I would still like to make ME a “Stacks” as I gave the one I made as a wedding present. I think “Stacks” and “On Point” will appeal some day to my two grandsons as they are more masculine in nature. But who knows. I love them both myself.

Summer is winding down now up here in Maine. Temps are dropping into the 50s at night, which makes for great sleeping. The days are warm enough for shorts and so clear. And we did get some rain this past week, but not nearly enough. The growing season this summer for vegetables has been very, very slow. For instance, the glut of tomatoes has not yet arrived, even if the plants are inside hoop houses.

It is way past time to clean up the garden. The deadheading chore is badly needed to be executed. This summer just flew by…

Written by louisaenright

August 24, 2020 at 9:10 am

“My `Bedrock’” Quilt is Done and Hung

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Turkey Tracks: August 13, 2020

“My `Bedrock’” Quilt is Done and Hung

I love this quilt!

The method comes from Tara Faughnan and is part of this past season’s (2) The Color Collective online class hosted by Amy Newbold of Sewtopia. Tara also selects the color palette and teaches the method in a video. She called her own quilt “Bedrock,” so this quilt below, which is my improv version of the block method, is “My `Bedrock.’ “ I think I did a good job of balancing color and taking the eye around the quilt.

It is quite safe to say I never would have made this quilt without this class. My improv skills are growing, as is my confidence with improv.

I am using up stash pieces big enough for backings. I’ve always liked this one.

I hung this quilt outside my quilt room. It does hang straight; the camera distorts a bit. I think the matchstick quilting in a very soft cream with darker overtones came out really well. It does not distract from the quilt itself at all.

My quilt room is at my back in this picture. The door to the right goes to a bedroom/office where (LOL) I’ve taken over the closet for quilting “stuff.” I also have a sewing table and my serger in this bedroom.

Here’s the cotton 12-weight thread I ordered from Sulky for under $2 each. I had the pale blue on hand. And I filled more color needs from my size 8 perle cotton stash. I want to keep the thread color to the blocks of color in this “Give and Take” quilt top.

I’ve started THE LAST project from season 2, so pics to follow soon. It’s a BIG and GRAPHIC BLOCK (20 inches finished), designed by Denyse Schmidt as guest for a month 7 project. Tara curated the color palette.

It is now Queen Anne’s Lace and Rudbeckia time of this summer. Both are so hardy and cheerful.

Written by louisaenright

August 13, 2020 at 1:18 pm