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Two Mt. Battie Modern Quilt Guild Challenges

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Turkey Tracks: June 22, 2020

Two Mt. Battie Modern Quilt Guild Challenges

We have held our last two meetings via Zoom.

It isn’t ideal, but it is vastly better than nothing. And, the Zoom meetings have meant that we can continue our progress on our current challenge: Bee Inspired. Each participant lays out what s/he wants, and other participants strive to make something creative within those parameters.

In the Zoom meetings those who are participating in “Bee Inspired” AND who were on the Zoom meeting revealed the blocks they had made for two members.

SARAH’S CHALLENGE

Sarah wanted us to make “circles and sticks,” and she did a great job of giving us color samples that would provide what she wanted, including gifting us with the shades of background greens she wanted. Here’s what a “stick” block looks like—and I am not sure which member made this one. Sarah plans to alternate the “stick” blocks with the “circle” blocks.

You can see some of the blocks we finished on the Mt. Battie Modern Quilt Guild Facebook page. When Sarah has all the blocks, she will decide the layout, how to trim blocks, etc.

I chose to make circles, and I had a lot of fun experimenting with different circle forms. The top, yellow circle is 8 inches, and I made it with Latifah Saafir’s “The Clammy” ruler. This ruler is very nifty—and comes in various sizes. One cuts the backing as well as the circle, in two different cuts, and Saafir has videos to show one how to sew the circle into the hole created in the square. I left this piece big as Sarah, if she uses it, may want to trim it so the circle is off-center. Of course, LOL, when one cuts out the yellow circle, one has a yellow square left over with a hole in it, which begs for being used. AND a green circle left over from the green square cut, which begs to be used. It could be a never-ending process. Especially for someone who likes to use up leftovers…

One thing I found is that it is hard to find methods to make LARGE whole circles. Although I suppose that the cardboard method Tara Faughnan taught us in season 1 of the Color Collective would work, now that I think about it. And, the reverse machine applique method Irene of Sugaridoo used recently in her Bernina Quilt Along (we are now on row 8 of 12 rows) could work as well.

There are MANY circle of geese patterns online, and many are free. I saw this one from #jeliquilts on Kelly Lautenbach’s #itsjustsew Instagram gallery. She was using it for a temperature quilt where each circle has geese representing temperatures for the days in a month. Tia Curtis just recently posted pictures of Kelly’s quilt while she was quilting it. I really love this block. I was able to use four of Sarah’s blue choices to make the circle.

The purple circle on the right is, I think, 10 inches. There are all sorts of sizes of Drunken Path rulers online. And I was able to find the magenta/purples Sarah wanted from my stash.

The bottom two blocks are probably so NOT what Sarah wanted, but I had fun trying to hand cut the Drunken Path forms and then sewing them. The encouragement came from Sherri Lynn Wood’s book THE IMPROV HANDBOOK FOR MODERN QUILTERS. AND, I am getting much better at sewing free-hand curves on the machine. They are fun.

As always, I told Sarah to use or not use whatever she wants, to cut up blocks, to discard them, etc.

JAN’S CHALLENGE

Jan’s challenge was “squares.” We just did this Zoom meeting last Thursday, so these blocks are not yet up on our Facebook page. Jan received some really nice blocks, and it will be fun to see them again online and to see what Jan does with them.

Jan asked for blues and greens, with one other added color of our choice. And, we could use neutrals if we wanted.

I made her Tara Faughnan’s Radiating Log Cabin block from season 1 of The Color Collective. I chose the blues and greens and had my favorite color pop of a warm coral. Then I noticed that I was not stopping to make the blocks because I could not figure out the color order. I wanted the coral to be the center square and radiate outwards, but it was just so not working. When I switched to a softer purple, which I knew Jan liked, I was able to cut and sew the block.

I made some smaller blocks in the colors I chose so she could spread the color around if she wanted. Again, I told her she could NOT use whatever did not work for her, cut up blocks, trim them back, or whatever.

I love how these blocks came out, and it was fun to make them. Tara Faughnan’s use of this Radiating Log Cabin format makes a really handsome block.

Our next challenge reveal will be in September, so I guess I better start thinking about it.

Turkey Tracks: The Maine Modern Quilt Guild Show

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Turkey Tracks:  April 8, 2018

The Maine Modern Quilt Guild Show

Two carloads of our local quilters drove over to New Gloucester, Maine, Saturday, to view The Maine Modern Quilt Guild show.  To the best of my knowledge, this guild and our Mt Battie Modern Quilt Guild are the only modern quilt guilds in the state.

We all had such a good time.  The show was wonderful, and we went home with all kinds of new inspiration bubbling in our heads.  My apologies up front to all quilters whose quilts do not show up here.  I could have taken a picture of every quilt there for sure.  Each quilt was draped over a church pew and had one corner turned so viewers could see the backing fabrics.  And I should have taken a picture of all the church pews with their quilty occupants.

Our local quilt groups (Coastal Quilters and Mt. Battie Modern) challenged ourselves to make Tula Pink’s 100 modern quilt blocks last year.  We have all set our blocks differently, but none of us thought to surround blocks with internal sashing.   I particularly like the use of different sizes of the white sashing in this quilt.  Notice the lower left block.  I had a lot of trouble squaring up these blocks, and this solution would really have helped.  I missed the number on this quilt, but by process of elimination I think it is Sandy Johnson.

Sue Duval’s quilt–more internal sashing:

Jane Hann Morey’s quilt:

Solids, made stripes, funky in places–this form is showing up a lot these days, and I love it.  The go-to designer is Maria Shell, from Alaska, and she has a new book out:  IMPROV QUILTING, which teaches how to make your own stripes and shapes and then how to use them.

Ann-Marie Schechtman:

Ellie Fellers:

Ellie Fellers, I think:

Betsy Cannan:  from a pattern by Amy Garro.  Amy Friend’s work is also similar to this quilt.

Carmen Dickinson:  inspired by Jacquie Gering and Katie Pedersen

Clam shells:  Sharon Provost and Rose Oleksaiak (no. 12).  All three inspired by Latifah Saafir:

Carmen Dickinson, inspired by Elizabeth Hartman.  Look at the machine quilting by Betsy Cannan in this quilt.  Lovely.

Evelyn Landry:  inspired by Mary Thomas.  Love the modern colors in this quilt.  Each block uses solids and ONE patterned fabric.

Innovative courthouse block form here.  And I can’t read the name…  Sorry…

Ann-Marie Schechtman:  inspired by Stephanie Dicola:

This quilt was hanging in an adjoining room and had no attribution.

Demonstrations included foundation paper piecing and working with pearl cotton.  Isn’t this piece lovely?

And this one too.

Karen Martin bought this little zippered bag/pouch.  We loved the way the wedges were cut for the front.  Clever use of scraps.

Yes, we had a nice time.