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Turkey Tracks: The Maine Modern Quilt Guild Show

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Turkey Tracks:  April 8, 2018

The Maine Modern Quilt Guild Show

Two carloads of our local quilters drove over to New Gloucester, Maine, Saturday, to view The Maine Modern Quilt Guild show.  To the best of my knowledge, this guild and our Mt Battie Modern Quilt Guild are the only modern quilt guilds in the state.

We all had such a good time.  The show was wonderful, and we went home with all kinds of new inspiration bubbling in our heads.  My apologies up front to all quilters whose quilts do not show up here.  I could have taken a picture of every quilt there for sure.  Each quilt was draped over a church pew and had one corner turned so viewers could see the backing fabrics.  And I should have taken a picture of all the church pews with their quilty occupants.

Our local quilt groups (Coastal Quilters and Mt. Battie Modern) challenged ourselves to make Tula Pink’s 100 modern quilt blocks last year.  We have all set our blocks differently, but none of us thought to surround blocks with internal sashing.   I particularly like the use of different sizes of the white sashing in this quilt.  Notice the lower left block.  I had a lot of trouble squaring up these blocks, and this solution would really have helped.  I missed the number on this quilt, but by process of elimination I think it is Sandy Johnson.

Sue Duval’s quilt–more internal sashing:

Jane Hann Morey’s quilt:

Solids, made stripes, funky in places–this form is showing up a lot these days, and I love it.  The go-to designer is Maria Shell, from Alaska, and she has a new book out:  IMPROV QUILTING, which teaches how to make your own stripes and shapes and then how to use them.

Ann-Marie Schechtman:

Ellie Fellers:

Ellie Fellers, I think:

Betsy Cannan:  from a pattern by Amy Garro.  Amy Friend’s work is also similar to this quilt.

Carmen Dickinson:  inspired by Jacquie Gering and Katie Pedersen

Clam shells:  Sharon Provost and Rose Oleksaiak (no. 12).  All three inspired by Latifah Saafir:

Carmen Dickinson, inspired by Elizabeth Hartman.  Look at the machine quilting by Betsy Cannan in this quilt.  Lovely.

Evelyn Landry:  inspired by Mary Thomas.  Love the modern colors in this quilt.  Each block uses solids and ONE patterned fabric.

Innovative courthouse block form here.  And I can’t read the name…  Sorry…

Ann-Marie Schechtman:  inspired by Stephanie Dicola:

This quilt was hanging in an adjoining room and had no attribution.

Demonstrations included foundation paper piecing and working with pearl cotton.  Isn’t this piece lovely?

And this one too.

Karen Martin bought this little zippered bag/pouch.  We loved the way the wedges were cut for the front.  Clever use of scraps.

Yes, we had a nice time.

 

Turkey Tracks: Quilty Update March 2018

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Turkey Tracks:  March 8, 2018

Quilty Update march 2018

I am working on a Traveling Quilt right now.

And I’ve almost finished quilting the Tula Pink 100 Modern Quilt blocks on the long arm.  By later today, maybe, I’ll make and attach the binding.  I’ll finish up the binding at night while watching tv.  This quilt is all Cotton+Steel fabric, which I continue to love.

(I am still watching PROJECT RUNWAY, regular and All Stars, but have almost caught up.  I find the creativity in these programs to be endlessly engaging.  AND, a friend suggested I take a look at SISTER WIVES (The Brown family) on The Learning Channel.  Oh my.  I am fascinated with this program.)

I spent some time trying out these large selvage blocks.  They are a riff on Amy Friend’s “Circuitry Quilt” in her INTENTIONAL PIECING.  Mine are larger and, for the most part, using busier neutral fabrics alongside.  The blocks are subtle.  I’ll mix in the purple blocks I’m working on now.  I think I’m looking at a warm and a cool quilt, but who knows.  Time and more blocks will tell.

“Valse Brilliant” is coming together.  The secondary patterns are emerging.  I’m working on the third row now.  And that upper right corner piece.

This block is a leader/ender project, with a center of “made” fabric from my bags of crumb fabrics–for the most part.  I now have 30 block centers of the 63 I will need.  making the centers is total play for me, and as such, very peaceful and soothing.

Betsy Maislen is working at her “Long Time Gone” blocks.  She’s now finished her set of churn dash blocks:

Look at those fun centers.  The churn dash block is my all-time favorite block.  Well, ok, alongside New York Beauty.  And any kind of square in a square. And…  Face it, I just love to piece blocks.  I am so looking forward to making these little guys.  They are…smallish.

Now I only have “On Ringo Lake” (Bonnie Hunter’s 2017 mystery quilt) to quilt on the long arm.  I have several leader/ender projects going, but I am beginning to see my way clear to start the neutral/vanilla quilt I want to make with my Cotton+Steel fabrics.  I despaired about getting the project pile down, but there is only a foundation pieced tree block I designed in Amy Friend’s workshop with Coastal Quilters left to do.  AND, LOL, a whole lot of knit fabrics to sew into delicious clothes.

And she persisted…

 

 

Turkey Tracks: The Coastal Quilters’ 2017 October Retreat, Part 3

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October 24, 2017

The Coastal Quilters’ 2017 October Retreat, Part 3

The Work

Wow!  Look at this fun quilt Deb Hazell is making:

Here the pattern:

Deb H. also worked on this yummy wool blanket that is meant for “ownself.”

The blanket is yummy, but look, too, at the nifty portable sewing table Deb has.  The top has a clear acrylic piece that fits exactly around your machine.  I think the brand is Sew Eaze???  They are not horribly expensive either.  To her right is one of the portable tables that let you put your cutting board or ironing pad and iron right at your fingertips.  I got one at Amazon and can’t imagine what I did before I had it.

Tori Manzi is a master foundation piecer.  She finished the side sections of this quilt on this retreat.  There is a big plain section that goes between the arrow points.  And see below that the arrow head and some of the stock are elaborately foundation paper pieced.

Tori has a lot of the components of this quilt done now.  I think the little stars on the right will go into that middle section.  My goodness!!

I love this quilt Jan Corson is doing.  Blue and neutrals, stars and log cabins, what’s NOT to like??  She got the top done this trip and all the blocks trimmed up so the quilt will lie true.

Next, she made these little pouches for her daughter’s wedding in July–gifts for the bridesmaid’s.  Four done!

The inside of each has a different, charming fabric.  If these pouches run away from home, Jan, you could start looking at my house.

I am living vicariously through Deb Torre, who is just moving into the most beautiful farm house with a BARN and outbuildings.  Animals are coming in the spring.  I voted for chickens.  Hubby has a new tractor.  Deb is making this “star” quilt to go with the new bedroom’s colors.  She made great progress during the retreat.

In addition to her star quilt, Mary Bishop also made this Halloween table runner.

Mac Saulnier worked on these log cabin wreaths.  If I understand her correctly, they will be put together back to back to make a hanging for Thanksgiving and one for Christmas.

Jan Kelsey worked on two Christmas funky block log cabin quilts.

But her big project for several retreats now has been this quilt that uses old postcards saved by her grandparents during their travels.  She copied the cards and printed the copy on to fabric.

Clever!  And, a lovely way to capture family history.

Vicki Fletcher got borders on her “disappearing 9- patch” quilt.  From a distance, this quilt looks so lacy.

I got the last 40 Tula Pink blocks done, from TP’s book 100 MODERN QUILT BLOCKS.  I used all Cotton + Steel fabrics and will set the blocks in this “city” setting.  Mary B. said the blocks remind her of old-fashioned comic book pages, all colorful and each page different.  Yeah!  That’s the look I wanted.  Now I am looking for C+S setting fabric.  The ones I like are virtually sold out.  I really liked the sparkle/Stardust fabric in grey.

I relaxed by making some Wild and Goosey blocks with my teeny scraps–a pattern from Bonnie Hunter.

I’ll set them with black and white strips and will set the blocks with wide sashing grounded by a small-block 9-patch.

I made two of the big star blocks (16 inches) that I designed after taking Amy Friend’s improv workshop.  Her book on this method is IMPROV PAPER PIECING.

It was a productive retreat.

Turkey Tracks: Mt. Battie Modern September Show and Tell

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Turkey Tracks:  October 6, 2017

Mt. Battie Modern September Show and Tell

We had fun at our September meeting.

It was fun to see Joann Moore, who worked all summer.  She brought two quilts with her.  She’s a new grandmother, so there is a fun baby quilt.

And her version of a quilt in Amanda Jean Nyberg’s book NO SCRAP LEFT BEHIND called “Happy Rails.”  Love her use of the blue background and the bright fabrics with it.

Vicki Fletcher has been working on this English Paper Piecing large hexagon quilt.  She is enjoying this project and loves the old-fashioned fabrics.  They are special, and so is she.

Tori Manzi showed us a new bag she acquired from an internet “swap” friend.  Wow!  Great bag.  We examined it in detail as we are, most of us, bag crazy.

Paula Blanchard showed us this small quilt from Amy Friend’s Improv workshop with us last spring.  Amy’s blog is “During Quiet Time,” and the method is in her book IMPROV PAPER PIECING.  This is a “wow” quilt, isn’t it?

Karen Martin has her Tula Pink blocks not only done, but put into a top.  Didn’t it come out gorgeous?  These blocks are a challenge for Coastal Quilters, but Karen is the first person among us to finish a quilt top with the blocks.  We finish making the blocks in December.  I have about 40 more to go, but will catch up soon.  The book is 100 MODERN QUILT BLOCKS, and they are all about the fabric.

Love the sashing fabric with the different intensities of black dots.

Here’s Karen:

Mt. Battie had a challenge to make a “minimalist” quilt, from directions and discussion in the MIGHTY LUCKY QUILTING CLUB 2016 WORKBOOK–“Minimalist Improvisation” by Season Evans.

Here’s Becca’s:

Here’s Paula’s:

And here’s mine:

I am enjoying these exercises.  I am making and using bias tape in both quilts and clothing now.  And I’ve found that I’m thinking differently about quilt compositions all at once–along the lines of the creativity that can come with constraint.  It is freeing somehow.

On to the next challenges–which will make the next two months more interesting.

Turkey Tracks: And Then There Were Two: Quilty Update

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Turkey Tracks:  September 19, 2017

And Then There Were Two:  Quilty Update

 

I haven’t been able to work on this project–which came out of an Amy Friend workshop earlier in the year–because I was trying to catch up on other started projects.  I’m kind of driven that way, actually, and I allowed myself to start too many projects–which made me cross.  Amy showed us how to design our own blocks, and this is mine.  I am so happy to have had time to make another block last week.  They are 16 inches and foundation pieced, so each one takes a bit of time.  I am using all Cotton+Steel fabrics on the charcoal solid background.  You can start to see the funky shape a bit now.  I am loving these blocks!

By the way, Amy has her first designed fabrics out now.  You might want to go to her blog (During Quiet Time) to see the fabrics, which she designed to be used in foundation pieced projects as that is her first love AND to see what she is making with these fabrics.

I have Bonnie Hunter’s 2016 Mystery Quilt, En Provence, on the long arm, but have been distracted with–among other projects–picking some clothing patterns, making my “cutting out” patterns, buying some fabric, and–oh my goodness–making the first one, a tunic in linen.  More pictures coming on these projects soon.  Meanwhile, En Provence, has at least two runs done and the binding made.  I’m using a pale lavender thread which is awesome with this quilt and its backing.

I FINISHED MY KATJA MAREK MILLEFIORE QUILT.  It’s been a year long project to paper piece it, and I LOVE how it came out.  More pictures coming when it is quilted and bound.  It will go on the long arm next, and I finally figured out how I want to quilt it.

Now I am doing Willyne Hammerstein’s paper pieced quilt called “Valse Brillante,” from her book MILLEFIORI QUILTS.  And then there were…SEVEN blocks.  These guys are a bit more tedious to make, but aren’t they fun?  I am liking this project.

My rules are text, brights, and some solid fabrics.  We learned about making “rules” to follow from Timna Tarr when she came to Coastal Quilters (Maine) last year for a workshop.  When I glue blocks, I make two of each block with the brights and text fabrics reversed:  one small, one large of each.

 

Friend Becca Babb-Brott lucked into taking a two-day Gee Bend quilters class at Maine’s recent Fiber College.  Of my friends, Becca is the one who loves improv quilting the most I think.  So this class was right up her funway path.  Here’s what she has done so far.  Note the use of solids.  These pieces will be connected, and they are actually wider than they appear here now.  Note the jean pocket on the lower piece.  She plans to add another pocket.  Using old denim is something the Gee Bend quilters do/did a lot.  They used what they had.  The Gee Bend quilters advocate working out the width of your piece and them building more to the top and bottom.  It will be interesting to see where this one goes.

 

Gee Bend comes back every other year, and we are already plotting going when they return.

If you don’t know the Gee Bend history, take a minute to google them.  Their quilts are unique and are both old and modern and not quite describable.  They defy “rules.”

 

Turkey Tracks: Bag Obsession–June 2017

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Turkey Tracks:

Bag Obsession–June 2017

Here are two more bags made with the pet screen.  Yes, I am bag obsessed.  I’d like to make a few more that are 16 inches or so as those would store a 12-inch block project.

The little green bag is in my “traveling” kit and holds thread.  The big one is, right now, empty.  It may wind up being a gift.

I kind of feel like I’m living out of the cold frame these days in terms of food.  I’m so enjoying the fresh, fresh, fresh lettuce.  I’ve reseeded the cold frame and I noticed this morning that the seeds are sprouting.  BIT, the days are getting hotter too, which does not bode well for tender lettuce and greens.  The sprig on the left is a garlic that seeded itself into the cold frame.

I seeded this cold frame last fall and covered it–after replenishing the dirt and laying the worm castings on the top.  A raised bed is ONLY as good as the dirt inside it.  You can grow pretty things, but they will not have the nutrients you need.

Look at the blush on this particular lettuce variety.   So pretty.

I am quilting the Big Star quilt–made with selvages:

I quilted the selvage pieces on the long arm and pinned the charcoal pieces before taking the quilt off.

Now I’m using my Janome 8900 to quilt the charcoal pieces.  This machine is new, and I do love it.

A friend here fixed my sewing machine table so that I can pull it out and use the back leaf to support a quilt.

This quilt is NOT perfect by any stretch of the imagination, but I’m learning the intricacies of the Janome 8900 (wide throat space) and enjoying being able to lay in a grid on a quilt.  I don’t have the skills to do that work on the long arm.  In any case, this quilt will be functional and fun.  You can READ it.

I color sorted my selvages and am now making rectangles–using a pattern by Amy Friend, “Circuitry” from her book INTENTIONAL PIECING, but I’m making the rectangles bigger.  I’ve done blue, aqua, red, and yellow and am working on purple.   Here are the yellows:

I’m not worried about lining up the selvages perfectly straight as selvages are kind of funky anyway.

I’m plotting which fabrics to use for my next bag project:  a fabric “thread catcher” bag for my “traveling” kit.  I actually sew rather a lot with friends, so my traveling bag is always packed and includes everything I will need.  I only have to grab it, my project, and my machine, and I’m good to go.

I hope you’re enjoying your summer!

 

Written by louisaenright

June 21, 2017 at 11:16 am

Turkey Tracks: My Improv Paper Piecing Designs

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Turkey Tracks:  April 13, 2017

My Improv Paper Piecing Designs

I can’t quite believe it, but I designed some quilt blocks–thanks to Amy Friend, author of IMPROV PAPER PIECING.  AND, it seems two quilts.

(See the post before this one.)

I drew and colored on EQ7–which is both fun and frustrating as I have a LONG way to go before getting some proficiency with this program.

Here’s one design–which I learned to “export” to my photos, but from which I forgot to remove the blank border feature.

Oh well…

“Dawn Winter Trees”

There are TWO blocks here, because if I set them without a sashing strip, the tree trunks would make one long line down the quilt.  So the second block’s trunks are off-set from the first.  And the stained glass background has all mixed up color–no set pattern there.

I have shot cottons for the pieces–all in soft “dawn” colors.

The first block I made is beautiful.

AFTER the workshop, I started thinking about a more modern setting.

I like both settings.  Which one will I make?  I will play around with the stained glass blocks before deciding.   But I am drawn to this second quilt.

It will be a wall hanging.

I can also see hand quilting with pearl cotton in curving lines across the horizontal–but NOT across the lavender trees.

I drew this star point block in the drawing part of our workshop.  When I got home, I drew it on EQ7 and learned how to rotate it to make all four pieces of the big FUNKY star.

I always saw it with a solid charcoal background and the low-volume Cotton+Steel fabrics.  I love the big dark whirl-a-gig that has formed.  And the partial diamonds of its fans.  And the suggestion of an octagon come undone around each star.  I love it so much I think I will keep the traditional grid setting.  It’s something like 60 by 72–so a nice lap size.  There will be no borders–and probably just a charcoal binding.  I’ll decide that later.  I don’t want anything to distract from how the quilt is just as it is now.

Here’s my block done at 6 inches–to make a 12-inch block.  I can see right away that the center whirling star needs to be more defined.  Imagine it in one of the darker low volumes.

AND, I’m now wondering about making it at 8 inches…  It would be bigger, more dramatic, and could show off more of the low-volume fabrics.

Big blocks have never drawn me much, but I seem to be changing a little…

There are a lot of cat fabrics in the Cotton+Steel fabrics have.  Hmmmm.  That could be dangerous.  A friend of mine here drew a black dog and one came into her life about a year later.  Cats are a whole different ball of wax from dogs though.  And I do not have a logical space for kitty litter in this house.  And they can scratch furniture…

 

As I said, my brain is spinning…

Written by louisaenright

April 13, 2017 at 3:58 pm

Posted in Quilting

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