Louisa Enright's Blog

Mainely Tipping Points

Posts Tagged ‘Amy Friend

Turkey Tracks: The Coastal Quilters’ 2018 Mothers’ Day Retreat, Part 4

leave a comment »

Turkey Tracks:  May 21, 2018

The Coastal Quilters’ 2018 Mothers’ Day Retreat, Part 4

 

Jan Corson’s “Stained Glass” quilt, which is her own design.  It’s foundation pieced and came out of a workshop with Amy Friend on IMPROV PAPER PIECING, from that book.

Lynn Vermeulen worked on this top, but also on one of the Mt. Battie Modern Quilt Guild’s traveling quilts, which will have another “reveal” next Thursday.  (We can’t wait.)  And she worked on her Long Time Gone blocks, where she is using solids.

Becca Babb-Brott got this big hexie top together.  She is going to hand quilt it with pearl cotton.

And she played with making some curves.  Wow.  I really like what she is doing here.  She is also working on another spider web/selvage quilt.

Here is Vicki’s newest project, being made for a young family member.  I love this block and its colors.  They shimmer in the light.

Vicki also got borders on her EPP hexie quilt.  How fun to see it finished.

Linda Satkowski and I are both working on Bonnie Hunter’s “Wild and Goosey” blocks.  Linda’s are on the left.  We were sharing a design wall for a bit when this picture was taken. You can see some of mine on the right.  I’ll post more info on what I did at the retreat in a separate post.

 

 

Written by louisaenright

May 21, 2018 at 3:14 pm

Turkey Tracks: “Winter: Dawn Trees” quilt

leave a comment »

Turkey Tracks:  May 8, 2018

“Winter:  Dawn Trees” Quilt

This quilt is my own design, and I really love the way it came out.  I am a bit fixated on winter trees anyway, and, also, on the amazing Maine winter dawn light that coats the earth with a marmalade color that I love.  Winter in Maine is, actually, very colorful.  I chose the purple of the trees based on the purple shadows that appear over the snow in winter.

The quilt started in a workshop with Amy Friend (blog:  during quiet time) that used her newly issued book IMPROV PAPER PIECING.  I drew the three blocks on what was then EQ7.  I have since upgraded to EQ8.  (The other quilt that came out of that workshop was a big star made with Cotton+Steel fabrics–see below and see an earlier blog post).

Right now the quilt is hanging in my quilt room–which is a bit messy as I’m packing for a weekend quilty retreat.

Sarah Fielke’s “The Seasons” in the book she co-authored with  Kathy Doughty:  MATERIAL OBSESSION 2.

I also have a bare trees pattern designed by Carolyn Friedlander which I may start next winter.  I love the pattern.

Here’s the Cotton+Steel Big Star Quilt:

Amy is a marvelous teacher, and the way she teaches her students how to design their own patterns is…wonderful.  And surprisingly easy.

 

Turkey Tracks: April 2018 Quilty Update

with 4 comments

Turkey Tracks:  May 2, 2018

April 2018 Quilty Update

“Winter:  Dawn Trees” is now sewn together and is being quilted–with a grid pattern on my domestic Janome 8900.  This quilt is my design, inspired by Amy Friend’s workshop and book, IMPROV PAPER PIECING.  I drew the three different blocks on EQ7 (now EQ8) and had that system print out the patterns.  I started with ALL tree blocks lined up in a traditional pattern of rows and rows–until after the workshop.  Then I put them into a more “modern” arrangement.  I really like the quilt and will post pics when it is totally finished, which won’t be long now.

Thanks Amy!!

Here is an EQ8 picture of what the quilt would have looked like if I had not added the fractured dawn light block and just lined up the trees.  Pretty, but not as interesting I think.

The main part of top of “Valse Brilliant” is done.  I’m now picking out the English Paper Piecing papers–at night while watching tv.  It’s a slow process, of course.  VB, as those of us doing it in Coastal Quilters Maine call it, comes from Willyene Hammerstein’s book MILLIFIORE QUILTS.  (I did not do WH’s border treatment.)  My “rules”–setting rules comes from workshops with Timna Tarr–were simple:  brights and text in every block.

I’m going to put some wide charcoal Essex Linen (blend) borders.  Right now, this quilt is not big enough, really, to be lap size.  The border fabric is washed, but NOT ironed yet.

Here are my monthly blocks for our Mt. Battie Modern Quilt Guild challenge to make Jen Kingwell’s “Long Time Gone” quilt.  It’s an improv type quilt.  I am using all Cotton+Steel.  Roxanne Wells gave me the idea of using the more formal quarter log cabin style to get stripes, and I like how that came out.  The courthouse step blocks started out being blue, green, and pink/red done in ombre, light to dark.  Then I decided I liked them mixed up better, so put all the darks together, all the mediums, and all the lights.

Here are my May blocks.  Yes!!  I am ahead now and have all of May to catch up with other projects.

Here’s what all my blocks look like now.  I’m really liking how they are going together.

And here is a reminder of what Long Time Gone looks like:

Turkey Tracks: The Maine Modern Quilt Guild Show

leave a comment »

Turkey Tracks:  April 8, 2018

The Maine Modern Quilt Guild Show

Two carloads of our local quilters drove over to New Gloucester, Maine, Saturday, to view The Maine Modern Quilt Guild show.  To the best of my knowledge, this guild and our Mt Battie Modern Quilt Guild are the only modern quilt guilds in the state.

We all had such a good time.  The show was wonderful, and we went home with all kinds of new inspiration bubbling in our heads.  My apologies up front to all quilters whose quilts do not show up here.  I could have taken a picture of every quilt there for sure.  Each quilt was draped over a church pew and had one corner turned so viewers could see the backing fabrics.  And I should have taken a picture of all the church pews with their quilty occupants.

Our local quilt groups (Coastal Quilters and Mt. Battie Modern) challenged ourselves to make Tula Pink’s 100 modern quilt blocks last year.  We have all set our blocks differently, but none of us thought to surround blocks with internal sashing.   I particularly like the use of different sizes of the white sashing in this quilt.  Notice the lower left block.  I had a lot of trouble squaring up these blocks, and this solution would really have helped.  I missed the number on this quilt, but by process of elimination I think it is Sandy Johnson.

Sue Duval’s quilt–more internal sashing:

Jane Hann Morey’s quilt:

Solids, made stripes, funky in places–this form is showing up a lot these days, and I love it.  The go-to designer is Maria Shell, from Alaska, and she has a new book out:  IMPROV QUILTING, which teaches how to make your own stripes and shapes and then how to use them.

Ann-Marie Schechtman:

Ellie Fellers:

Ellie Fellers, I think:

Betsy Cannan:  from a pattern by Amy Garro.  Amy Friend’s work is also similar to this quilt.

Carmen Dickinson:  inspired by Jacquie Gering and Katie Pedersen

Clam shells:  Sharon Provost and Rose Oleksaiak (no. 12).  All three inspired by Latifah Saafir:

Carmen Dickinson, inspired by Elizabeth Hartman.  Look at the machine quilting by Betsy Cannan in this quilt.  Lovely.

Evelyn Landry:  inspired by Mary Thomas.  Love the modern colors in this quilt.  Each block uses solids and ONE patterned fabric.

Innovative courthouse block form here.  And I can’t read the name…  Sorry…

Ann-Marie Schechtman:  inspired by Stephanie Dicola:

This quilt was hanging in an adjoining room and had no attribution.

Demonstrations included foundation paper piecing and working with pearl cotton.  Isn’t this piece lovely?

And this one too.

Karen Martin bought this little zippered bag/pouch.  We loved the way the wedges were cut for the front.  Clever use of scraps.

Yes, we had a nice time.

 

Turkey Tracks: Quilty Update March 2018

with one comment

Turkey Tracks:  March 8, 2018

Quilty Update march 2018

I am working on a Traveling Quilt right now.

And I’ve almost finished quilting the Tula Pink 100 Modern Quilt blocks on the long arm.  By later today, maybe, I’ll make and attach the binding.  I’ll finish up the binding at night while watching tv.  This quilt is all Cotton+Steel fabric, which I continue to love.

(I am still watching PROJECT RUNWAY, regular and All Stars, but have almost caught up.  I find the creativity in these programs to be endlessly engaging.  AND, a friend suggested I take a look at SISTER WIVES (The Brown family) on The Learning Channel.  Oh my.  I am fascinated with this program.)

I spent some time trying out these large selvage blocks.  They are a riff on Amy Friend’s “Circuitry Quilt” in her INTENTIONAL PIECING.  Mine are larger and, for the most part, using busier neutral fabrics alongside.  The blocks are subtle.  I’ll mix in the purple blocks I’m working on now.  I think I’m looking at a warm and a cool quilt, but who knows.  Time and more blocks will tell.

“Valse Brilliant” is coming together.  The secondary patterns are emerging.  I’m working on the third row now.  And that upper right corner piece.

This block is a leader/ender project, with a center of “made” fabric from my bags of crumb fabrics–for the most part.  I now have 30 block centers of the 63 I will need.  making the centers is total play for me, and as such, very peaceful and soothing.

Betsy Maislen is working at her “Long Time Gone” blocks.  She’s now finished her set of churn dash blocks:

Look at those fun centers.  The churn dash block is my all-time favorite block.  Well, ok, alongside New York Beauty.  And any kind of square in a square. And…  Face it, I just love to piece blocks.  I am so looking forward to making these little guys.  They are…smallish.

Now I only have “On Ringo Lake” (Bonnie Hunter’s 2017 mystery quilt) to quilt on the long arm.  I have several leader/ender projects going, but I am beginning to see my way clear to start the neutral/vanilla quilt I want to make with my Cotton+Steel fabrics.  I despaired about getting the project pile down, but there is only a foundation pieced tree block I designed in Amy Friend’s workshop with Coastal Quilters left to do.  AND, LOL, a whole lot of knit fabrics to sew into delicious clothes.

And she persisted…

 

 

Turkey Tracks: The Coastal Quilters’ 2017 October Retreat, Part 3

with one comment

October 24, 2017

The Coastal Quilters’ 2017 October Retreat, Part 3

The Work

Wow!  Look at this fun quilt Deb Hazell is making:

Here the pattern:

Deb H. also worked on this yummy wool blanket that is meant for “ownself.”

The blanket is yummy, but look, too, at the nifty portable sewing table Deb has.  The top has a clear acrylic piece that fits exactly around your machine.  I think the brand is Sew Eaze???  They are not horribly expensive either.  To her right is one of the portable tables that let you put your cutting board or ironing pad and iron right at your fingertips.  I got one at Amazon and can’t imagine what I did before I had it.

Tori Manzi is a master foundation piecer.  She finished the side sections of this quilt on this retreat.  There is a big plain section that goes between the arrow points.  And see below that the arrow head and some of the stock are elaborately foundation paper pieced.

Tori has a lot of the components of this quilt done now.  I think the little stars on the right will go into that middle section.  My goodness!!

I love this quilt Jan Corson is doing.  Blue and neutrals, stars and log cabins, what’s NOT to like??  She got the top done this trip and all the blocks trimmed up so the quilt will lie true.

Next, she made these little pouches for her daughter’s wedding in July–gifts for the bridesmaid’s.  Four done!

The inside of each has a different, charming fabric.  If these pouches run away from home, Jan, you could start looking at my house.

I am living vicariously through Deb Torre, who is just moving into the most beautiful farm house with a BARN and outbuildings.  Animals are coming in the spring.  I voted for chickens.  Hubby has a new tractor.  Deb is making this “star” quilt to go with the new bedroom’s colors.  She made great progress during the retreat.

In addition to her star quilt, Mary Bishop also made this Halloween table runner.

Mac Saulnier worked on these log cabin wreaths.  If I understand her correctly, they will be put together back to back to make a hanging for Thanksgiving and one for Christmas.

Jan Kelsey worked on two Christmas funky block log cabin quilts.

But her big project for several retreats now has been this quilt that uses old postcards saved by her grandparents during their travels.  She copied the cards and printed the copy on to fabric.

Clever!  And, a lovely way to capture family history.

Vicki Fletcher got borders on her “disappearing 9- patch” quilt.  From a distance, this quilt looks so lacy.

I got the last 40 Tula Pink blocks done, from TP’s book 100 MODERN QUILT BLOCKS.  I used all Cotton + Steel fabrics and will set the blocks in this “city” setting.  Mary B. said the blocks remind her of old-fashioned comic book pages, all colorful and each page different.  Yeah!  That’s the look I wanted.  Now I am looking for C+S setting fabric.  The ones I like are virtually sold out.  I really liked the sparkle/Stardust fabric in grey.

I relaxed by making some Wild and Goosey blocks with my teeny scraps–a pattern from Bonnie Hunter.

I’ll set them with black and white strips and will set the blocks with wide sashing grounded by a small-block 9-patch.

I made two of the big star blocks (16 inches) that I designed after taking Amy Friend’s improv workshop.  Her book on this method is IMPROV PAPER PIECING.

It was a productive retreat.

Turkey Tracks: Mt. Battie Modern September Show and Tell

leave a comment »

Turkey Tracks:  October 6, 2017

Mt. Battie Modern September Show and Tell

We had fun at our September meeting.

It was fun to see Joann Moore, who worked all summer.  She brought two quilts with her.  She’s a new grandmother, so there is a fun baby quilt.

And her version of a quilt in Amanda Jean Nyberg’s book NO SCRAP LEFT BEHIND called “Happy Rails.”  Love her use of the blue background and the bright fabrics with it.

Vicki Fletcher has been working on this English Paper Piecing large hexagon quilt.  She is enjoying this project and loves the old-fashioned fabrics.  They are special, and so is she.

Tori Manzi showed us a new bag she acquired from an internet “swap” friend.  Wow!  Great bag.  We examined it in detail as we are, most of us, bag crazy.

Paula Blanchard showed us this small quilt from Amy Friend’s Improv workshop with us last spring.  Amy’s blog is “During Quiet Time,” and the method is in her book IMPROV PAPER PIECING.  This is a “wow” quilt, isn’t it?

Karen Martin has her Tula Pink blocks not only done, but put into a top.  Didn’t it come out gorgeous?  These blocks are a challenge for Coastal Quilters, but Karen is the first person among us to finish a quilt top with the blocks.  We finish making the blocks in December.  I have about 40 more to go, but will catch up soon.  The book is 100 MODERN QUILT BLOCKS, and they are all about the fabric.

Love the sashing fabric with the different intensities of black dots.

Here’s Karen:

Mt. Battie had a challenge to make a “minimalist” quilt, from directions and discussion in the MIGHTY LUCKY QUILTING CLUB 2016 WORKBOOK–“Minimalist Improvisation” by Season Evans.

Here’s Becca’s:

Here’s Paula’s:

And here’s mine:

I am enjoying these exercises.  I am making and using bias tape in both quilts and clothing now.  And I’ve found that I’m thinking differently about quilt compositions all at once–along the lines of the creativity that can come with constraint.  It is freeing somehow.

On to the next challenges–which will make the next two months more interesting.