Louisa Enright's Blog

Mainely Tipping Points

Posts Tagged ‘Fiddlehead Artisan Supply Belfast Maine

Turkey Tracks: “Rolling Stars” Quilt

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Turkey Tracks:  February 11, 2020

“Rolling Stars” Quilt

It’s done!

This quilt basically copies Tara Faughnan’s “Small World” design, which is the first project of Season 2 of The Color Collective, hosted by Amy Newbold’s Sewtopia.

I fell in love with this design the moment I saw it. AND, it’s made with the freezer paper method, which I really like to use.

To remind, each month Tara Faughnan gives us a new design AND a 12-piece Bella color palette from which to make the design.  I added the darker, fern green, as I had some on hand and felt the need of green.  Tara also suggests an additional 12 color Kona choices one could add, and the brighter red/orange was in that secondary set of colors.

I put a hanging sleeve on this quilt, as it really wants to hang.  But I don’t have another logical spot in my house at the moment, having already hung a few of these Color Collective projects.

I quilted on my domestic with a 1-inch straight line pattern.  I did not want to take anything away from the quilt pattern so kept it simple.

The backing is “Confetti” from the Ruby Star Society, and I liked the soft look of it for the backing.

These “stars” really do roll!

Thank you, The Color Collective.

I’m so happy you are planning on doing SEASON 3.

Turkey Tracks: Lending Some Quilts

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Turkey Tracks:  August 4, 2019

Lending Some Quilts

Karen Martin and I loaned Fiddlehead Artisan Supply (Belfast, Maine) some quilts for their booth at the recent state quilt show (Pine Tree Quilt Guild).  That’s my Katja Marek Millifiori to the left of the Fiddlehead sign.  Below it is a Katja Marek 54-hexigon quilt—all based on Marek’s book THE NEW HEXAGON.  The blocks are all Cotton+Steel.

Karen’s wonderful Tula Pink (greys, blacks, whites, and yellow) is to the right of the Fiddlehead sign.  This quilt is from Tula Pink’s 100 MODERN QUILT BLOCKS.

The quilt behind the service desk is my Victoria Findlay Wolfe’s herringbone method from her MODERN QUILT MAGIC book.  This quilt is all Cotton+Steel low volume fabrics.  I’m assuming that most of you know that C+S has moved to Moda, taking their designs with them, and are now known as Ruby Star Society.  Their first fabrics from Moda are shipping this month.

Here are close-ups of these quilts.

 

 

 

Turkey Tracks: Basket Blocks for the Parts Department

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Turkey Tracks:  August 18, 2016

Basket Blocks For The Parts Department

I’ve always wanted to make some basket blocks.

The first one I tried will finish out at 5 1/2 inches.  I cobbled together a pattern from several sources.

Remember I am making multiples of four so my fellow members in the “parts department” group will each get one and I will have one.  And remember that the idea of creating a “parts department” comes from Gwen Marston and Freddie Moran–and they have several books illustrating and giving ideas.  One is COLLABORATIVE QUILTING.

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The 1/4-inch seam on the basket bottoms was “iffy.”  I realized I had to sew higher up with a larger triangle and then trim to fix that.  That seam needs to come right at the basket point.  But I ran out of this cream fabric, so…

If I find more of it in my travels, I’ll fix the bottom of the affected blocks.

Here’s why it is a good idea to trial out a few blocks so you see what the issues are.

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Next I moved on to a 3 1/2 inch block from Bonnie Hunter.  She did a WHOLE QUILT of these babies, “Lucy’s Baskets,” in a leader/ender project in MORE ADVENTURES WITH LEADERS AND ENDERS.  I am in AWE as the handles are HAND SEWN.

The mustard fabric is one of the Japanese fabrics I am growing to love.

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The blue and yellow fabrics are Japanese.

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Fellow J&E Riggin passenger Jean West gave me the green fabric–which she got at Fiddlehead’s in Belfast when we stopped there.

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The white fabric on the handle was embossed and proved to be a bit thick for these handles.  Another lesson learned.

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The green fabric is Japanese.

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Perhaps we’ll wind up using these tiny baskets in a foursome.  Look at the secondary pattern in the middle.

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Or, not.  They can be combined with fabric blocks as well, so that each one shines on its own.  It might be nice to put a surrounding frame on each one too.