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Posts Tagged ‘Cotton+Steel Fabrics

Turkey Tracks: Sewing Projects, November 2019

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Turkey Tracks:  November 7, 2019

Sewing Projects, November 2019

Winter is my intensive sewing time.

The bed is the bedroom next to my quilting room is my project staging area when the longarm holds a quilt.  On the bed there’s a finished quilt top and its backing and binding fabric all set to go when the longarm is empty again.  There are garments—saved to sew in winter.  And, all sorts of other projects, from an EPP project, to The Color Collective blocks, to my own inventions.

Here’s what my design wall looks like now.  The top blocks are meant to use up the solids acquired for The Color Collective projects.  The 14-inch block is from Then Came June’s Checkered Garden Quilt, and I’ve written posted about it before now.  It’s a leader/ender project from Bonnie Hunter’s method.  The big blocks below it are the 20-inch Radiating Log Cabin blocks from Tara Faughnan’s The Color Collective Season 1, hosted by Amy Newbold of Sewtopia.

To the right are various projects—to include just playing with shapes with ideas garnered from a workshop with Amy Friend (curved foundation piecing) and from Nicholas Ball’s new book INSPIRING IMPROV, which I high recommend.

I think there is a flying geese project in the making, done with 6” wide blocks and bright colors.  And the Jen Kingwell “Glitter” blocks are ongoing and will probably wind up in an improv quilt.

Below, hidden are the improv bird blocks I’m making off and on.

My quilting life is very rich I think.

I’ve moved blocks around and around below, but I think I like this arrangement, so will sew it together later today. L Then I have to decide if it is a 60-inch wall hanging or a lap quilt AND how on earth to quilt it.  Hand or machine, for starters.

The “shapes” blocks are fun.  I’m going to cut the teal blue/green block on the right in half and see what develops.  These blocks will go into my Mt. Battie Modern Quilt Guild “prompt” quilt where other members will make blocks for me as well.  But, my turn will not come up until NEXT November as there are many of us in this challenge.  So there is plenty of time to play with shapes and clear colors over the year.

My Cotton+Steel “Slopes” quilt from Amanda Jean Nyberg is on the long arm now.  I quilt until I get tired, then stop and play with other projects.  It all gets done.

The winterizing outside is DONE, so it’s time to move into my winter sewing in earnest.  And we may get SNOW tomorrow.

I love the change of seasons and enjoy each and every one.

Turkey Tracks: Lending Some Quilts

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Turkey Tracks:  August 4, 2019

Lending Some Quilts

Karen Martin and I loaned Fiddlehead Artisan Supply (Belfast, Maine) some quilts for their booth at the recent state quilt show (Pine Tree Quilt Guild).  That’s my Katja Marek Millifiori to the left of the Fiddlehead sign.  Below it is a Katja Marek 54-hexigon quilt—all based on Marek’s book THE NEW HEXAGON.  The blocks are all Cotton+Steel.

Karen’s wonderful Tula Pink (greys, blacks, whites, and yellow) is to the right of the Fiddlehead sign.  This quilt is from Tula Pink’s 100 MODERN QUILT BLOCKS.

The quilt behind the service desk is my Victoria Findlay Wolfe’s herringbone method from her MODERN QUILT MAGIC book.  This quilt is all Cotton+Steel low volume fabrics.  I’m assuming that most of you know that C+S has moved to Moda, taking their designs with them, and are now known as Ruby Star Society.  Their first fabrics from Moda are shipping this month.

Here are close-ups of these quilts.

 

 

 

Turkey Tracks: Sunday Morning Quilt

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Turkey Tracks:  March 10, 2019

Sunday Morning Quilt

I love this yummy quilt.

The pattern came from SUNDAY MORNING QUILTS (Amanda Jean Nyberg, Cheryl Arkison) and was designed by Cheryl Arkison.  I used all Cotton+Steel fabrics, except for the solid binding.  And I made it as a “cool” companion to the “warm” quilt (see below) using the herringbone pattern Victoria Findlay Wolfe designed (MODERN QUILT MAGIC).

I quilted with the “Simple Feathers” pantograph designed by Anne Bright.  And I used a soft smoky seafoam green thread that disappeared into the backing, from Signature threads.

 

Here’s the “warm” quilt, to remind:  “Bee Warm.”

 

Both of these quilts have lived in my mind for some years now.  It’s so good to have them be really here.

The Cotton+Steel designers have left their original home and are now “Ruby Star Society.”  Their first collection from their new home arrives this summer.  I just signed up for the Pink Castle “Ruby Star Society” fat quarter club which will start in July.  Yeah!!!

Turkey Tracks: How Many Ongoing Project Are There?

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Turkey Tracks:  March 4, 2019

How Many Ongoing Projects Are There?

Some of stopped sewing long enough to count up ongoing projects we’ve started.

1.

I was in pretty good shape until I got involved in Sewtopia’s Color Collective project with blocks and solids designed by Tara Faughnan.  (Amy Newbold owns and runs Sewtopia.)  For heaven’s sake, google “Tara Faughnan quilts” and you will be blown away, as I was.  She works in saturated color and solids.  (Tarafaughnan.com)

The first month’s block was the circle; the second, the cross.  I combined them as clearly I got obsessed and couldn’t stop making them.  Note the two projects at the top of the design wall.

This top is done now, and I absolutely love it.  I’ve found, in my stash, a backing I like a lot, and I will buy a binding.  I’m thinking of doing some hand qulting with size 8 pearl cotton.  Here is the top all together.  It glows.

2.

Above the big project on the right is a row of 14-inch blocks, made using scraps from the solid projects and from my solid stash. I saw this block used in a quilt made by Then Came June called “Checkered Garden Quilt” and using Alison Glass bright fabrics in the Road Trip line.  I fell in love with it.  (Here is a picture: https://thencamejune.com/products/road-trip-checkered-garden-quilt.)  This block has been called “part Trip Around the World,” part “Granny” block.

Here’s the next block cut out and ready to go and waiting in the adjacent bedroom—sitting atop my Traveling Quilt.

3.

Above left is the start of the “Slopes” quilt by Amanda Jean Nybery of Crazy Mom Quilts.  The book is NO SCRAP LEFT BEHIND.  I am cutting the dark Cotton+Steel fabrics—a few a day—for this quilt.  I’m using leftover 1 1/2-inch blocks combined with leftover solid pieces for the row of “little” pieces near the top of the quilt.  I might do more than one of these rows.  Who knows?  Not me.

4.

I have a bird quilt project going and have made three of the big blocks and one of Jen Kingwell’s “The Avenue” of trees blocks.  I’ve been saving bird fabric for several years, but I’m choosing only the artist-types for this quilt.   I want to use in an improv style.

The 9-inch tree block is bigger visually than I thought for some reason.  Inspired by Tori Manzi’s recent tree blocks on our Mt Battie “Bee Inspired” project, I’ll probably group these in lines and make them in seasonal colors.  This one would be “spring.”

The I’m thinking this will look like a MUCH BIGGER version of this little quilt I made in a Timna Tarr workshop.

5.

My Sunday Morning Quilt is done and getting its binding.  Cheryl Arkison is the designer, and it’s in the book she did with Amanda Jean Nyberg called SUNDAY MORNING QUILTS.  The thread color I ordered arrived.  My go-to grey just didn’t work well on the backing.  This quilt is the “cool” to the “warm” herringbone quilt I finished not long ago, designed by Victoria Findlay Wolf and in her delicious book MODERN QUILT MAGIC.  See previous blog posts for that quilt.  Both of these quilts are LUCIOUS!  And both are totally Cotton+Steel low volume fabrics.

 

6.  My “Wild and Goosey” quilt is once again on the back burner.  Bonnie Hunter designed the block.  I have all the sashing cut, and the design I want to do for it all planned.  I’m sure I’ll need more of the little blocks though.

7.

Right now I am working on the “parts department” improv quilt.  See the earlier post on this quilt project.

8.

There is the EPP “36-Ring Circus” project.  This one is slow as there is a big learning curve.  That’s ok.

9.  There are more pillows from a method shown by Anna Graham of Noodlehead projects (HANDMADE STYLE) in the works.  This project is one of two from Mt. Battie Modern Quilt Guild.

10 and 11.

There are TWO blocks to make as part of the Color Collective class.  The fabric for the first one is all washed and ready to go.

12.

Here are the FIRST blocks for the Mt Battie Modern Quilt Guild’s challenge “Bee Inspired.”  These blocks were made for Donna Strawser, whose prompt was “Mid-Coast Maine.”  You can see the individual blocks better on the Mt. Battie Facebook page or on Instagram.  Thirteen quilters each made one of these blocks for Donna, and she made one for herself, so 14 blocks.  Mine is the white winter birch trees at dawn.  Tori Manzi made the four trees at the bottom, by season.  They really need to be seen lined up together, a you can on FB or IG.  Donna will now set these blocks into a quilt and will bring it back to show us at some point.  I will need to make a block for our next Bee Inspired event in April:  “Dark and Light” for Vicki Fletcher.

I really, really loved this block I made and might do another version for one of the pillows:

13.  I am gathering bits for a Rice Bowl bag or two.  See earlier post, but the designer is kzstevens and the pattern is in her Etsy store.

14.  I want to make a little sewing folder like friend Megan Bruns showed me the other day.

So…

That list is not actually too bad.  In any case, I’m having so much fun, even though I’m not getting as much time as usual, due to the needs of my boyfriend, AC Slater, who will be 1 year next month.  He’s a crazy man and has me visiting the dog park daily, as the snow and ice are pretty risky on the wood paths.

Turkey Tracks: The “36-Ring Circus” EPP Project

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Turkey Tracks:  February 24, 2019

The “36-Ring Circus” EPP Project

…is taking shape.

There are six rows, six rings to a row.  I’m working on the last ring of row one now.

This project is the hardest I’ve done as sewing the rings to the center block is challenging.  There is a learning curve here, but I am getting faster now, which is also probably driven by seeing enough of it now to think I like it.

So far, the centers are Cotton+Steel, but I’m not sure I’ll keep to those fabrics.  The outer rings are pastels, and the inner connecting pieces are solid darks.  The quilt is designed by Joanne Lewis, and the pattern is at Paper Pieces.  I did NOT buy all the templates for the centers, just the ones for the center points and the rings.  It’s easy enough to just trace what I need for the centers from the paper templates and add an eyeballed seam allowance.

 

A few years back I discovered that this old lap top “table” platform works great for EPP projects.  With pins and clips, I can keep everything together, from my thimble, my thread, to my scissors.  PLUS, the high width of one side is perfect in terms of getting the project up high enough from my lap so that I am not hunching over and making my neck sore.  I usually sew this project at night in front of the tv, so I prop the top edge against a tv table edge, and that makes the height-from-lap distance really perfect.

 

Written by louisaenright

February 24, 2019 at 8:48 am

Turkey Tracks: “Star Bright” Quilt

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Turkey Tracks:  February 10, 2019

Star Bright Quilt

I love this lap-size quilt!

The blocks are all Katja Marek’s from THE NEW HEXAGON and all made with Cotton+Steel fabrics.

The border and text print “stars” around the blocks are not C+S, but everything else is.

For some reason I bought TWO of the 52-block packages from Paper Pieces, so I did feel compelled to make this set.  I am so happy I did.

I added my own templates to “square off” the quilt top, rather than floating the blocks on a border.  I also wanted the print-text fabric “stars” to be present at the top and bottom of the quilt.

I used the same “mouse” print for the back, only in a dusty salmon, as I used in the squaring off around the quilt top.

I quilted the “diamonds” that are present on the front of the quilt on my domestic sewing machine, using a walking foot.  And added some stabilizing cross lines.  But I put the quilt on the long arm to make the quilt package.  That works really well I’m finding.  It is much easier to pin with no issues on the long arm.  I like the quilting in the border as well. It’s all very geometric, like the hexies and star points.

Well!!  How cute is this?

 

I have SEVEN GRANDCHILDREN, and I want each of them to have a hand-piecedquilt from me.  I have six done now, and am working on the 7th—a wedding ring riff called “36-Ring Circus.”  I just completed the fourth “ring” last night.    It will have 6 by 6 rows/rings.

This one is hard I think.  One needs to use a flat-back stitch with the curves…  But I’m getting faster now.  And I’ve glued a lot of the templates.

 

Written by louisaenright

February 10, 2019 at 12:56 pm